Under the direction of David Chipperfield and Christoph Felger, David Chipperfield Architects Berlin has won the competition for the design of the Nobel Center (‘Nobelhuset’ in Stockholm), an exhibition centre and events venue for the award that recognises advances in science and culture.

"We are extremely excited and honoured to have been selected to be the architects for the Nobel Center. We look forward to working together to develop a building that reflects both the values of the Nobel Prize and the high expectations of the citizens of Stockholm." says David Chipperfield, who has been named winner in the competition to design a new home for the Nobel Prize in Stockholm.

The architect's vision is for a shimmering brass-clad building on the waterfront. It will be fully glazed on the ground floor, opening out to a new city park on the sunny south-eastern side of the site.

"I think all projects are important but this project has enormous meaning, not just for the city of Stockholm but internationally. An architecture challenge doesn't come much better than this," said Chipperfield. "It can be spectacular on its greatest night, but also it can be very useful and functional and working the rest of the year," added Chipperfield.

"The jury finds the lightness and openness of the building very appealing and consistent with the Nobel Foundation's explicit ambition to create an open and welcoming centre for the general public," said Nobel Foundation executive director Lars Heikensten, who was a member of the judging panel.

Fellow jury member Per Wästberg added: "We view the winning proposal as a concrete interpretation of the Nobel Prize as Sweden's most important symbol in the world. Stockholm will gain a building – magnificent but without pomp, powerful yet graceful – with qualities like those the City Hall gave the capital a century ago."

As well as hosting the annual award ceremony each December, the building will provide a public centre for exhibitions, educational activities, events and meetings.

Nobel Center Winner – Building Information

Competition.- 2013 – 2014.
Completion due.- 2018.
Gross floor area.- 25,700 m²
Client.- Nobelhuset AB.
Architect.- David Chipperfield Architects Berlin.
Design.- David Chipperfield, Christoph Felger.
Project architects.- Kristen Finke, Peter von Matuschka. Landscape architect.- Topotek 1. Structural engineer.- Arup. Stage design.- Kunkel Consulting. Acoustics.- Müller BBM. Model making.- González Modellbau. Renderings.- David Chipperfield Architects.

 

The new Nobel Center is situated as a ‘solitaire’ in a prominent water-edge position on Blasieholmen next to the Swedish National Museum in the centre of Stockholm. ‘Nobelhuset’ gives the Nobel Prize a home for the first time in its history, strengthening Blasieholmen as an even more prominent cultural destination and celebrating human endeavour in the centre of the city. It unites under one roof an auditorium, a museum, conference facilities, offices, a library, a restaurant, a café with bar and a shop. The auditorium, ‘Nobelsalen’, crowns the new building as its architectural highlight and will be the future venue for the prestigious Nobel Prize Ceremony.

A public route provides circulation and access to the building. With its starting point on the open ground floor, it leads up to the auditorium, accompanied by diverse museum activities on the way, allowing spectacular views over the city of Stockholm. A new garden, ‘Nobel Trädgård’, is established on the south side of the building. Together with the already existing National Museum park and the promenade on the water-edge, this garden creates a new public and generous natural space in the centre of the city.

The Nobel Prize has been awarded annually since 1901 as the most prestigious distinction for outstanding human achievements in the sciences, literature and peace.

The Nobel Prize may be considered the most significant prize for outstanding human achievements in the sciences, literature and peace in the world. Since 1901 when the first prizes were awarded, the Nobel Prize has been associated with integrity, autonomy and freedom, fostering the ideals of a just and peaceful world. The new Nobel Center – ‘Nobelhuset’ is not only a starting point to consolidate the admirable past in one place, but to build a foundation from which to move on into a new era of openness and outreach. An era in which the achievements of the Nobel Prize and its ideals are not only preserved and made available to historians, but become an active and lively source of inspiration for generations to come, encouraging them to not give up the hope and the belief that human accomplishments can contribute to a better world.

The Nobel Center is situated as a ‘solitaire’ in a prominent water-edge position on Blasieholmen in the centre of Stockholm next to the Swedish National Museum, designed by Friedrich August Stüler. The new building gives the Nobel Prize a home for the first time in its history, strengthening Blasieholmen as an even more prominent cultural destination and celebrating human endeavour in the centre of the city. ‘Nobelhuset’ unites under one roof an auditorium, a museum, conference facilities, offices, a library, a restaurant, a café with bar and a shop. The auditorium, ‘Nobelsalen’, crowns the new building as its architectural highlight and will be the future venue for the prestigious Nobel Prize Ceremony. Large panorama windows allow daylight in the auditorium and spectacular views over the city. They produce a lively interaction between the new public institution with its diverse activities and Stockholm, Sweden and the rest of the world.

A public route provides circulation and access to the building. With its starting point on the open ground floor and accompanied by various museum activities, it leads past the library, the conference area, the restaurant and the offices up to the auditorium, bringing together the diverse activities of the building. A new garden, ‘Nobel Trädgård’, is established on the south side of the building. Together with the already existing National Museum park and the promenade on the water-edge, this garden creates a new public and generous natural space in the centre of the city. The façade made of transparent and opaque glass and stone elements envelopes the building like a dress and changes its appearance depending on the daylight situation and the activities within. It seems to oscillate between solidity and lightness, austerity and playfulness, enclosure and openness, thus reflecting the values of the Nobel Prize between tradition and modernity, history and future.

 
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Sir David Alan Chipperfield was born in London, England, on 18 December 1953 and grew up on a farm in Devon, southwest England. He studied architecture at Kingston School of Art, graduating in 1976, and at the Architectural Association School of Architecture in London, where he completed his studies in 1980. After working with Douglas Stephen, Norman Foster and Richard Rogers, he established David Chipperfield Architects in 1985.

His early commissions included the interior design of a shop for Japanese fashion designer Issey Miyake in London, which led to further work in Japan. His first major building in the United Kingdom was the River and Rowing Museum in Henley-on-Thames, completed in 1997. As his international activity expanded, the firm opened offices in Berlin (1998), Shanghai (2005), Milan (2006) and Santiago de Compostela (2022), in addition to its London headquarters.

Over the following decades, Chipperfield completed more than one hundred commissions across Asia, Europe and North America, encompassing civic, cultural, educational and residential buildings, urban interventions and the restoration of historic architecture. In Berlin, he directed the restoration and reconstruction of the Neues Museum (1993–2009), followed by the construction of the James-Simon-Galerie (1999–2018) on Museum Island.

His other works include the Veles e Vents building in Valencia (2006), Turner Contemporary in Margate (2011), The Hepworth Wakefield (2011), the extension of the Saint Louis Art Museum (2013), Museo Jumex in Mexico City (2013), the Amorepacific headquarters in Seoul (2017), the extension of the Royal Academy of Arts in London (2018), the West Bund Museum in Shanghai (2019) and the extension of Kunsthaus Zürich (2021). His interventions in existing buildings also include the restoration of Mies van der Rohe's Neue Nationalgalerie in Berlin (2021) and the refurbishment of the Procuratie Vecchie in Venice (2022). More recent works include Casa RIA in Santiago de Compostela (2024), Arena Milano (2026) and the transformation of the former Bank of Spain building in Santander into Faro Santander (2026).

Alongside his architectural career, Chipperfield has taught at institutions in Europe and the United States, including the State Academy of Fine Arts Stuttgart and Yale University. In 2012, he was curator of the 13th International Architecture Exhibition of the Venice Biennale, entitled Common Ground, and between 2016 and 2017 he participated as an architecture mentor in the Rolex Mentor and Protégé Arts Initiative. His publications include On Planning – A Thought Experiment (2018), and in 2020 he served as guest editor of the Italian magazine Domus.

In 2017, he established Fundación RIA, an independent non-profit organisation dedicated to research and sustainable territorial development in Galicia, Spain. The foundation works on territorial planning, environmental issues, local economies and cultural heritage in collaboration with public administrations, institutions and local communities. In 2024, it inaugurated Casa RIA in Santiago de Compostela, a historic building refurbished by David Chipperfield Architects that also houses the firm's Galician office and accommodates a public programme of lectures, exhibitions and other activities.

Beyond architecture, he has developed furniture and product designs in collaboration with international manufacturers through David Chipperfield Design. In 2026, Casa RIA presented Design for Living, an exhibition bringing together more than fifty objects, prototypes and drawings produced over a period of thirty-five years.

Chipperfield is a member of the Royal Institute of British Architects (RIBA) and an honorary member of the American Institute of Architects (AIA) and the Bund Deutscher Architekten (BDA). He received the Order of Merit of the Federal Republic of Germany in 2009 and was knighted for his services to architecture in 2010. His professional distinctions include the RIBA Royal Gold Medal (2011), the Praemium Imperiale from the Japan Art Association (2013) and the Pritzker Architecture Prize (2023). In 2021, he was appointed to the Order of the Companions of Honour in the United Kingdom, followed in 2022 by his appointment as Commander of the Order of Isabella the Catholic in Spain and his admission to the German order Pour le Mérite for Sciences and Arts.

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Published on: April 9, 2014
Cite:
metalocus, INÉS LALUETA.
"David Chipperfield winner in Nobel Center competition" METALOCUS. Accessed
<https://www.metalocus.es/en/news/david-chipperfield-winner-nobel-center-competition> ISSN 1139-6415
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