Photographer Paul Rafferty and filmmaker Dan Lowe have produced a timelapse documentary showing the construction of Rogers Stirk Harbour's recently completed Leadenhall Building in London, also known as the Cheesegrater.

  “The Leadenhall Building” by Photographer Paul Raftery and Film Maker Dan Lowe, which follows on from the successful “Making The Leadenhall” released in 2013, completes the story of the construction of the building by taking the viewer inside to discover the interiors and panoramic views.

The architects Rogers Stirk Harbour + Partners commissioned us to make the film after they saw our film of The Shard. The Leadenhall Building was already under construction so we had to work quickly and started filming in Novemeber 2012.

Shot over two years from different vantage points and through varying seasons and times of day, the timelapse film uses more than 320,000 images shot on Canon and Nikon DSLR cameras using a whole range of lenses to capture the building at its best from every angle.

The movie uses images to document the final two years of construction, especially from the roof of the 50 storey (224.5 metres) building, which is the tallest skyscraper in the City of London, as well as offering a glimpse inside the office spaces. The interior spaces are awe-inspiring, and serve up some of the best views London has to offer.

One of these floors will become the new home to the building's designers – the London-based architecture firm originally founded by Pritzker Prize-winning architect Richard Rogers – who this week confirmed they would relocate from their west London home of the past 30 years.

Although filming in the City of London has occasionally proven problematic for cameramen due to security restrictions, Rafferty and Lowe's biggest obstacle was gaining access to the inside of the Cheesegrater itself due to construction site rules.

"We didn't really encounter any problems filming in the City or anywhere else across London," explained Lowe. "Finding the perfect spots to film from was the hardest challenge, and getting permissions and access to rooftops, but when you show people what you are working on they are always more than happy to accommodate."

CREDITS

Directed and photographed by Dan Lowe and Paul Raftery.
Commissioned by Rogers Stirk Harbour + Partners.
Edited by James Simpson.
Music by
George McLeod.
Colouring by Kenny Gibb at StudioRM.
Motion Control by Justin Pentecost.

  

More information

Richard Rogers. (Florence, July 23, 1933 – London, December 18, 2021) was a central figure in international architecture from the late twentieth to the early twenty-first century, widely recognized for his role in consolidating high-tech architecture and for his sustained engagement with urban debate. Born in Italy to a British family, he moved to the United Kingdom as a child during the Second World War. This early experience of displacement would later inform his sensitivity to the social and urban issues that permeated his work. He was educated at the Architectural Association in London, a key institution in the renewal of architectural thought, and later continued his studies at Yale University, where he encountered other architects who would go on to achieve international prominence.

In 1977, he founded his own practice, initially known as Richard Rogers Partnership, which later evolved into Rogers Stirk Harbour + Partners. From this professional platform, he developed an approach characterized by technical innovation, constructive clarity, and a strong commitment to making visible the systems that shape a building. His architecture is distinguished by the externalization of structural and service elements, understood not only as functional solutions but as an essential part of architectural expression.

Among his most influential works is the Centre Pompidou in Paris, designed in collaboration with Renzo Piano, which represented a radical break from conventional architectural languages and redefined the role of the cultural building within the city. Likewise, the Lloyd’s building in London stands as another paradigmatic example of his approach, where technology and programmatic flexibility are integrated into a proposal that challenges traditional typologies.

Throughout his career, he received numerous distinctions, including the Pritzker Prize in 2007, widely regarded as architecture’s highest honor, the RIBA Gold Medal in 1985, and the Golden Lion for Lifetime Achievement at the Venice Biennale in 2006. He was knighted in 1991 and was later appointed a Member of the Order of the Companions of Honour in 2008, in recognition of both his professional work and his contribution to urban thought.

Beyond his built work, Rogers played an active role in shaping urban policy, particularly in the United Kingdom. He chaired the Urban Task Force in the late 1990s, promoting strategies for the regeneration of British cities based on models of compact, diverse, and sustainable urban development. His vision emphasized the importance of public space as a structuring element of urban life, as well as the need to integrate environmental criteria into urban growth.

His legacy extends beyond a body of iconic buildings to encompass a broader understanding of architecture as a discipline deeply connected to society, politics, and the environment. Through his work, Rogers helped redefine both professional practice and the role of the architect in shaping the contemporary city.

Read more
Published on: January 17, 2015
Cite:
metalocus, INÉS LALUETA
"The Leadenhall Building. Film & Photographs by Rafferty & Lowe" METALOCUS. Accessed
<https://www.metalocus.es/en/news/leadenhall-building-film-photographs-rafferty-lowe> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...