The well-known fashion brand Prada has a flagship store on the corner of Fifth Avenue and 56th Street in New York City that is currently under construction. Given the city's new regulations regarding these temporary structures, they commissioned a different proposal from the New York-based design studio 2×4.

Street life in Manhattan has one of its most characteristic, yet least memorable, elements in crisis. The scaffolding structures of its buildings under construction, distinctive to some and unsightly to others, have been considered a nuisance, and the city council has passed legislation to reduce their installation time (the average age of the more than 8,000 of these structures on the city's sidewalks exceeded 500 days, of which 334 were over five years old).

Furthermore, in November of last year, six protective scaffolding designs created by Arup and PAU and approved by the Department of Buildings were presented as part of an initiative aimed at "improving the aesthetics of the city's streets."

In this context, Prada decided to "take the bull by the horns" and accept the challenge entrusted to the New York design studio 2×4, which was tasked with creating a proposal in line with the City Council's new expectations for installing the scaffolding structure that would be necessary while the renovations to its Fifth Avenue headquarters were underway.

The proposal, a marketing opportunity that the brand did not miss, was more interesting and elegant than those of some of its competitors (Louis Vuitton, just a few blocks north, recently presented a proposal in which its scaffolding and fabrics were shaped like its suitcases), and was resolved with the installation of layers of semi-transparent tissue paper in a subtle Prada green. This dual result combines the image of the construction process with an elegant aesthetic, transforming what is normally a functional safety requirement into an attractive urban landscape that enhances Prada's unique aesthetic heritage.

The facade meets all requirements of typical scaffolding. Photograph by Bridgit Beyer, courtesy of Prada

The façade meets all requirements of typical scaffolding. Photograph by Bridgit Beyer, courtesy of Prada.

An envelope of everyday materials that take on an unusual appearance. A semi-transparent, double-layered skin with a moiré effect that constantly changes with the light, the weather, and the viewing angle. At dusk, a grid of lights aligned with the scaffolding seems to dissolve the outer layer, revealing the underlying structure. Instead of being a screen that conceals the construction and maintenance, the intervention becomes an opportunity that extends the brand's language.

“Typically, the solution is a kind of billboard. In our case, instead of concealing the construction and maintenance, we used them to express Prada’s unique aesthetic heritage. Through color, prints, and the moiré effect, the scaffolding becomes an extension of the brand’s language, rather than a mere screen. We see it as a way to integrate the brand into the fabric of the city.”

Michael Rock, 2x4 Design LLC.

La fachada cumple con todos los requisitos de un andamio típico. Fotografía de Bridgit Beyer, cortesía de Prada.

Prada 5th Ave Facade by 2x4 Design. Photograph by Bridgit Beyer, courtesy of Prada.

Project description by 2×4

In collaboration with our long-time partners at Prada, our Environments team designed a bespoke temporary scaffolding structure and skin for the Prada building at the corner of 5th Avenue and 56th Street. The meticulously detailed design using standard commercial pipe scaffolding elements reflects Prada’s enduring interest in dualities: industrial/refined, functional/decorative, familiar/uncanny. A double-layer, semi-transparent scrim wrapper creates a moiré effect that constantly shifts with changing light, weather, and viewing angle. 

Prada 5th Ave Facade by 2x4 Design. Photograph by Bridgit Beyer, courtesy of Prada.
Prada 5th Ave Facade by 2x4 Design. Photograph by Bridgit Beyer, courtesy of Prada.

As the sky darkens, a lighting grid aligned with the scaffold seems to dissolve the outer layer, revealing the structural framework beneath. Rather than hiding construction and maintenance, we leverage them as an opportunity to express Prada’s unique aesthetic heritage. Through color, pattern, and moiré, the scaffold becomes an extension of the brand language rather than a screen; a branding of and in the structure of the city.

More information

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Architects
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Project team
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2×4: Michael Rock, Christopher Kupski, AIA, Sung Kim, Chiara Assanelli, Valeria Paez Cala, Anna Kim

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Collaborators
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Façade.- 2×4 (Athem and Britten peer review).
Lighting design.- TM Light.
Fabric printing.- Britten.
Fabric material.- Mehler Texnologies—Valmex TF 500, Britten—Admesh.
Consultation.- Atelier Athem.
Signage manufacturer.- Manhattan Signs.

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Client
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Prada.

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Contractor
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Scaffolding and façade fabric contractor.- Spring Scaffolding.

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Dates
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2026.

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Location
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Corner of Fifth Avenue and 56th Street. New York City. USA.

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Photography
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2x4 Design LLC is a multidisciplinary studio focused on brand strategy, design, and activation for cultural and commercial partners everywhere, based in New York and Beijing, and was founded by Michael Rock, Georgianna Stout and Susan Sellers. Their work is holistic, tracing a coherent narrative from research and strategy to integrated visual, linguistic, interactive, and spatial experiences. They are a member of The Independents, a global group of groundbreaking creative partners working across brand experience, strategy, design and production.

Michael Rock (Partner, Executive Creative Director) is a founding partner and executive creative director at 2x4, where he leads cultural and commercial strategy and brand projects for Apple, Nike, Prada, Chanel, Target, Vitra, JPMorganChase, Harvard Art Museums, and CCTV. He is an adjunct professor of Brand Strategy at the Yale School of Management and has held faculty positions at Rhode Island School of Design, Yale School of Art, Columbia Graduate School of Architecture, Planning and Preservation, Harvard Graduate School of Design, and the Jan Van Eyck Academie in Maastricht, The Netherlands. He currently serves on the board of trustees of Rhode Island School of Design. His writing on design, strategy, and branding has appeared in publications worldwide, notably The New York Times, T Magazine, Bloomberg, ID Magazine, and Eye Magazine. His book “Multiple Signatures” was published by Rizzoli International in 2013. Michael holds an A.B. in Humanities (Literature) from Union College and an M.F.A from Rhode Island School of Design. He received the 1999/2000 Rome Prize in Design from the American Academy in Rome and was a resident of the Academy in 2023.

Georgianna Stout (Partner, Executive Creative Director) is a founding partner and executive creative director at 2x4, where she leads projects across the cultural and commercial sectors, from large-scale brand identity and packaging programs to retail and corporate environment and digital-experience programs. She has led brand identity and exhibition design for Cooper Hewitt, Brooklyn Museum, Dia Art Foundation, The Clark, and the Studio Museum in Harlem, and directed product development for Knoll, Maharam, and Tarkett. Her clients include Target, Starbucks, Instagram, Nike, Tiffany & Co., Intuit, Hyundai Motor Group, Tom Ford, and Malin + Goetz. She has been a visiting critic at Rhode Island School of Design, Parsons School of Design, MICA, The Cooper Hewitt, and Yale School of Art. She holds a B.F.A from Rhode Island School of Design.

Susan Sellers (Partner, Executive Creative Director) is a founding partner and executive creative director at 2x4, where she leads projects across the cultural and commercial sectors, from brand strategy and identity to brand experience and exhibition design. Her clients include Samsung, Hyundai, Google, Lincoln Center, and the Fondazione Prada. From 2012 to 2016, Susan was head of design at The Metropolitan Museum of Art, where she led design initiatives across the museum from brand identity and visitor experience to exhibition design and permanent gallery installation. A senior design critic at Yale School of Art, she has taught and lectured widely, including at Rhode Island School of Design; Columbia Graduate School of Architecture, Planning and Preservation; SCI-ARC; Harvard Graduate School of Design; and the Scuola Politecnica di Design in Milan, Italy. Susan is on the board of the art and technology magazine Triple Canopy and on the advisory board of The World Around, an incubator dedicated to sustainability and new forms of architecture and design practice. She holds a B.F.A. from Rhode Island School of Design and an M.A. in American Studies from Yale University. In 2023, she was a resident at the American Academy in Rome.

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Published on: April 9, 2026
Cite:
metalocus, ANTONIO GRAS
"Elegant construction scaffolding. Prada 5th Ave Façade by 2x4 Design" METALOCUS. Accessed
<http://www.metalocus.es/en/news/elegant-construction-scaffolding-prada-5th-ave-facade-2x4-design> ISSN 1139-6415
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