Seeing Nature. Online viewing room: subjectivity and reflection at Zeit Contemporary Art

09/05/2021. [NYC] USA
metalocus, KRYSSTELL MARÍN

Seeing Nature is the online viewing room that can be visited at Zeit Contemporary Art, located in the city of New York. The artists who present their works, be they photographs or works on paper in this room, have a common theme: the relationship between their own emotions and nature.

The presentation is open to the public from April 28 to July 15, 2021, and covers the works by Ansel Adams, Martín Chirino, Paul Gauguin, Benita Koch-Otte, Robert Mapplethorpe, Joan Mitchell, Bryson Rand, Res.

Ansel Adams. Branch and Creek, 1947. Silver print, printed ca. 1960, 13 × 10in (33 × 25.4 cm). Image courtesy of Zeit Contemporary Art, New York

Ansel Adams. Branch and Creek, 1947. Silver print, printed ca. 1960, 13 × 10in (33 × 25.4 cm). Image courtesy of Zeit Contemporary Art, New York

Res. Lily (Day), 2020. Archival Pigment Print12 1/2 x 10 in (31.8 × 25.4 cm)Edition of 3 + 2AP. Image courtesy of the artist and Zeit Contemporary Art, New York

Paul Gauguin. Les Chaumières, 1894. Watercolor monotype, 12 1/10 × 7 7/10 in (30.8 × 19.5 cm). Image courtesy of Zeit Contemporary Art, New York

Joan Mitchell. Sunflowers I, 1992. Lithograph printed in colors on two sheets of Rives BFK paperSigned, dated and numbered in pencil, from the edition of 34.57 x 82 1/2 in (144.8 x 209.5 cm). Image courtesy of Zeit Contemporary Art, New York

Benita Koch-Otte. Water Lily, 1930. Silver print8 1/4 x 6 in. (21 x 15.2 cm). Image courtesy of Zeit Contemporary Art, New York

Martín Chirino. Raíz (28) / Root (28), 1964. Sculpture in forged iron, 5 × 12 × 12 in (12.7 × 30.5 × 30.5 cm). Image courtesy of Zeit Contemporary Art, New York

Robert Mapplethorpe Orchid, 1986-1987. Photogravure on Arches Cover White paperImage: 32 1/4 x 31 1/2 in. (81.9 x 80 cm). Edition of 30 + Proofs. Image courtesy of Zeit Contemporary Art, New York

Bryson Rand. Untitled/Trees and Light (Skowhegan), 2019. Archival inkjet print40 x 32 in (101,6 x 81,3 cm)Edition of 3 + 2AP. Image courtesy of Zeit Contemporary Art, New York

Res. Blåsippor Smiley, 2020. Archival Pigment Print, 12 1/2 × 10 in (31.8 × 25.4 cm). Image courtesy of the artist and Zeit Contemporary Art, New York

Bryson Rand. Untitled/Lake Water (Skowhegan), 2019. Archival inkjet print40 x 32 in (101,6 x 81,3 cm)Edition of 3 + 2AP. Image courtesy of the artist and Zeit Contemporary Art, New York

Zeit Contemporary Art launches the Seeing Nature room with modern, post-war, and contemporary works, and as the relationship with nature is reflected, other aspects such as political, gender, beauty, identity or spirituality also intervene.

“...there’s a connection between the incredible beauty and strength the planet holds and that queer people hold and historically have been able to maintain despite whatever sort of nonsense was happening around them.”

Bryson Rand.

Different artistic styles developed during; therefore, the art historical periods during which impressionism, romanticism, and abstract expressionism came about are covered. Regardless of style, the subjectivity of the artists in relation to nature along with their experiences, feelings, and relationships is at the forefront.

Description of project by Zeit Contemporary Art

SEEING NATURE

Online Viewing Room, April 28th – July 15th, 2021

New York, NY. Zeit Contemporary Art is pleased to present Seeing Nature, an online viewing room showcasing modern, postwar, and contemporary works related to being in, looking at, and interacting with nature. These artists represent their personal emotions and associations regarding the natural world; as revealed, the experience can result in a range of feelings, alternately joy, awe, wonder, peace, spiritual resonance, or even fear. As nature also invites introspection, many artists included use nature as a way to deepen into their subjective world. Also, in light of the current climate change crisis as well as cultural and geographical specificity, embracing representations of nature is a way of taking a political stand. As such, this exhibition aims to present a variety of mediums, from works on paper to photography, that are engaged with the experience of nature from Modernism to our contemporary world.

Depictions of nature are inextricable from the purpose of art to reflect on beauty, justice and humankind. However, it was only withRomanticism and, on its heels, Impressionism, that artists’ personal emotions and subjectivities regarding nature came into play. Impressionismwas inspired by the joy of being in nature and sought to elevate the genre; the movement is marked by an emphasis on painting en plein airwith spontaneous, rapid brushstrokes in order to capture the changing effects of light and color. Paul Gauguin is particularly notable in that while he started out painting as an Impressionist, he ultimately shifted to usecolor expressively in his landscapes. He was an important precursor for Modernism, and postwar painting in North America is predominantly characterized by abstraction inspired by nature. Joan Mitchell, one of the artists included in this project and an exponent of the second generation of Abstract Expressionism, stated: “I paint from remembered landscapes that I carry with me—and remembered feelings of them, which of course become transformed.”

Artists’ depictions of their experience in nature continue to havea political dimension. While Ansel Adams was so fervently passionate concerning nature’s beauty his experiences bordered on spiritual, his work also has a political component in that he captured dwindling areas of wilderness in order to extol his fellow Americans to protect and preserve the landscape he so loved. The work of other artists is also a statement regarding the difficulty of mediating one’s identity with regard to gender, identity, and sexuality, while still rooted in nature. For instance, Bryson Rand, believes that “...there’s a connection between the incredible beauty and strength the planet holds and that queer people hold and historically have been able to maintain despite whatever sort of nonsense was happening around them.”

As this online viewing room reveals, artistically, human subjectivity concerning nature has a broad range. While some artists carry on the modernist legacy of representing their delight and love for nature, others utilize the representation of nature as a way to explore identity in today’s world. Ansel Adams perhaps sums up the aims of Seeing Nature best: “The moods and qualities of nature and the revelations of great art are equally difficult to define; we can grasp them only in the depths of our perceptive spirit.”

Artists

Ansel Adams, Martín Chirino, Paul Gauguin, Benita Koch-Otte, Robert Mapplethorpe, Joan Mitchell, Bryson Rand, Res.

About Zeit Contemporary Art

Founded in 2016, Zeit Contemporary Art is a firm specializing in modern, post-war and contemporary art, located at 590 Madison Avenue, 21st Floor, New York, NY 10022. Our mission is deeply committed to the understanding of art as a complex cultural object that defines the time and space where it is created. Zeit Contemporary Art organizes three carefully curated exhibitions a year both on contemporary artists and historically focused projects. Additionally, the firm represents the work of pioneering artists and provide a unique service of private sales of museum quality works.