Ai Weiwei – Interlacing is the first major exhibition of photographs and videos by Ai Weiwei. It foregrounds Ai Weiwei the communicator – the documenting, analyzing, interweaving artist who communicates via many channels.

Ai Weiwei already used photography in his New York years, but especially since his return to Beijing, he has incessantly documented the everyday urban and social realities in China, discussing it over blogs and Twitter.
Photographs of radical urban transformation, of the search for earthquake victims, and the destruction of his Shanghai studio are presented together with his art photography projects, the Documenta project Fairytale, the countless blog and cell phone photographs. A comprehensive book accompanies this exhibition.
 


Ai Weiwei. June 1994, 1994. C-print, 117,5 x 152 cm

Ai Weiwei, born in 1957, the son of the poet Ai Qing, is a generalist, a conceptual, socially critical artist dedicated to creating friction with, and forming reality. As an architect, conceptual artist, sculptor, photographer, blogger, Twitterer, interview artist, and cultural critic, he is a sensitive observer of current topics and social problems: a great communicator and networker who brings life into art and art into life.


Ai Weiwei. Provisional Landscapes, 2002-2008. Diptych, Inkjet-prints, each 66 x 84 cm

For many years Ai Weiwei has been deliberately confronting social conditions in China and in the world: Through photographically documenting the architectonic clear-cutting of Beijing in the name of progress, with provocative measurements of the world, with radical cuts in the past in order to create possibilities for the present and the future, and with his tens of thousands of blog entries, blog photographs, and cell phone photographs (along with many other artistic declarations). This first, large exhibition and book project of his photography and videos focuses on Ai Weiwei’s diversity, complexity, and connectedness, his “interlacing” and “networking.”


Ai Weiwei. August 12, 2009. From Blog Photographs, c. 2005-2009

Every society on Earth needs outstanding unique figures like Ai Weiwei in order to stay awake, to be shaken awake, to be made to recognize their own obstinacy, and to be able to avoid tunnel vision. We are therefore deeply saddened that the completion of this exhibition coincides with Ai Weiwei’s arrest. We are extremely concerned about the artist. And we wish that this great thinker, designer, and fighter will remain a resistant public voice for all of us – and especially for China.

Curator.- Urs Stahel.
There is a comprehensive English monograph accompanying this retrospective.- Ai Weiwei – Interlacing, ed. by Urs Stahel and Daniela Janser, Steidl Verlag Göttingen.

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Ai Weiwei is a chinese conceptual artist, also works as an architect, photographer, curator and globally recognised human rights activist. Born in 1957 in Beijing, he began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City.

His work has been exhibited around the world with solo exhibitions at Stiftung DKM, Duisburg (2010); Mori Art Museum, Tokyo (2009); Haus der Kunst, Munich (2009); Sherman Contemporary Art Foundation, Cambelltown Arts Center, Sydney (2008); and the Groninger Museum, Groningen (2008), and participation in the 48th Venice Biennale in Italy (1999, 2008, 2010); Guangzhou Triennale in China (2002, 2005), Busan Biennial in Korea (2006), Documenta 12 in Germany (2007), and the 29th Sao Paulo Biennial in Brazil (2010). In October 2010, Ai Weiwei's "Sunflower Seeds" was installed in the Tate Modern Turbine Hall, London. Ai Weiwei participated in the Serpentine Gallery's China Power Station exhibition in 2006, and the Serpentine Gallery Map Marathon in 2010.

The last solo exhibitions included Ai Weiwei in the Chapel, on view at Yorkshire Sculpture Park through November 2, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics and on the Serpentine Gallery, 2012 London. He has been the recipient of numerous awards and honors, including the Václav Havel Prize for Creative Dissent from the Human Rights Foundation in 2012.


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Published on: May 30, 2011
Cite: "AI WEIWEI. INTERLACING" METALOCUS. Accessed
<http://www.metalocus.es/en/news/ai-weiwei-interlacing> ISSN 1139-6415
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