As you near the seventh room from below and look up at the sky, all underside of the building is covered by a life size photograph of the treetops as they looked before the room was put in place. This clever camouflage piques one’s curiosity. What is hiding up there?

The room is located 10m up in the pines. The way up is an experience in itself. Stairs and landings take visitors closer to the clouds, step by step. As you reach the large, lush, Lapland treetops, with a breath taking view of the Lule River, you have arrived at your destination.

Large panoramic windows face north and along with skylights in the bedrooms, they will allow guests to watch the magnificent northern lights. The room has been designed with various ‘experience levels’.

The most spectacular level may well be the terrace which consists of a net. A natural pine grows through the net and its branches spread out, allowing you to climb out and sit there, with the strong net safely below. You can lie face down and look downwards, lie on your back, listen to the sounds of the forest and look up at the starry sky. Here, in this project design by Snøhetta, you can even sleep outdoors, should you wish to, or indoors, inside the new suite with two separate bedrooms. The room covers 100 sqm of construction, of which 75 square metres are living space. The room will accommodate five people and will consist of two double beds, a bed sofa, a lounge, a bathroom and a shower. Organic solutions, Scandinavian wood and textiles define the interiors. The facade consists of a black, charred wooden surface, unlike any of the other rooms.

Britta’s Pensionat is open for Treehotel’s guests, serving breakfast, lunch and dinner in an authentic 1930-1950s setting. There’s a restaurant, bar, sauna and relaxation area, TV, and internet. When you arrive at Treehotel, you first check at Britta’s pensionat; then it’s a short stroll through the breathtaking nature to your treeroom.

Description of project by Snøhetta

In the tall pine forest of Northern Sweden, where the tricoloured tree trunks stretch up to the soaring crowns, a new addition to the renowned Treehotel has opened. Hovering ten meters above the ground within the tree canopy, the Snøhetta-designed 7th room provides its guests with a breathtaking view of the Lapland treetops and the Lule River. With a focus on the surrounding nature, the design features large windows, a netted terrace suspended above the forest floor, and a tree stretching up through the cabin. The boundaries between indoors and outdoors are blurred, making the cabin part of the forest. 

The 7th room experience begins when approaching the cabin from the forest. Nearing the base of the tree, the view of the complete cabin gradually recedes as a sixth façade appears. This façade is the bottom of the cabin, where a 12 x 8-meter surface is covered with a large black and white print of trees reaching up into the sky. A staircase brings guests from the ground and up into the cabin, along with a small lift for transporting luggage.

Twelve columns carry the cabin, reducing the load borne by the trees and its impact on the surrounding forest. This gives a feeling of height and weightlessness, as well as stability. Built as a traditional Nordic cabin, the wooden façade is clad with pine boards. The surface is burnt to create a dark and maintenance-free façade. The indoor flooring is made from ash wood, while birch plywood is used for the interior walls. With complementing light, wooden furniture, the interior makes up a blonde Nordic contrast to the dark exterior.

The 55-square meter space is designed to create a place for living. With two bedrooms, a social lounge area, a bathroom, and an airy terrace, the cabin accommodates up to five guests. The varying floor heights create an efficient and playful interior design. The space is laid out on two levels with only a 30 cm difference in height. The lounge area is located on the lower floor, while the bedrooms are on the upper level with the beds embedded in the floor.

The design of the 7th room aims to bring people and nature closer together, extending the cabin’s social spaces to the outside and further blending the distinction between indoor and outdoor. Entering the cabin, one arrives in the lounge area. This is thought of as a social space, and it is furnished with a central pellet stove and simple, yet characteristic furniture such as Scandia Chair by Norwegian furniture designer Hans Brattrud. A north-facing floor-to-ceiling window gives you the best chance to see the Aurora Borealis on a clear day, giving this social space the name the Northern Light lounge. A large glass door leads from the lounge area out on the netted terrace. The double-layered net spans between the two bedrooms with a pine tree peeking through in the middle. Extending the social space of the lounge, the net becomes a great opportunity for coming even closer to nature. For the brave ones, a sleeping bag is all you need to enjoy the night under the starry night sky. Guests sleeping inside can also look up at the night sky, with expansive, openable skylights in both bedrooms. The bedrooms are located on opposite sides of the cabin, facing the central tree and net, with large sliding glass doors to enter out on the net.

With large, generous windows in all rooms, natural light is the primary source of light in the cabin. Snøhetta has collaborated with long-established lighting company Ateljé Lyktan, designing two different custom lamps for the 7th room; a bed lamp mounted to the bedroom walls and a suspended light for the lounge area. The lamps are made from birch veneer, reflecting the light in a warm tone on the inside, while the outside is surface-treated black, picking up on the contrasting characteristics of the cabin. Piano hinges make it easy to adjust the amount of light being released from the lamps. The lamps thus create a flexible solution for the large variations in daylight throughout the year in the north.

With its wooden characteristics and unique location in the treetops, the 7th room is a celebration of the Nordic cabin and the pine tree forest.

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More information

Snøhetta is an architecture, landscape, and interior design studio with offices in Oslo, Norway, and New York City, USA. Founded in 1989, it is led by Craig Dykers and Kjetil Thorsen. The studio, named in honour of Mount Snøhetta, the highest peak in the Dovrefjell mountains of Norway, has approximately 100 collaborators working on large-scale international projects across a wide range of typologies. Their approach is deeply collaborative and transdisciplinary, bringing together architects, designers, engineers, and landscape professionals to explore multiple perspectives depending on the nature of each project.

Snøhetta has completed a series of world-renowned cultural and landmark projects, including the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, and the Lillehammer Art Museum in Norway. Current projects include the National Pavilion of the September 11 Memorial Museum at the World Trade Center site in New York, as well as urban and landscape developments that aim to merge local identity, sustainability, and public experience.

In 2004, Snøhetta was awarded the Aga Khan Award for Architecture, and in 2009, the Mies van der Rohe Award. The studio is the only practice to have won the World Architecture Award for Best Cultural Building twice in consecutive years: in 2002 for the Bibliotheca Alexandrina and in 2008 for the Oslo Opera House and Ballet, consolidating its international prestige.

Kjetil Trædal Thorsen (born 1958 on the coastal island of Karmøy, Norway) is a co-founder of the studio and a multiple award-winning architect. He is a visionary and humanist designer who has redefined the boundaries of contemporary practice. Under his leadership, Snøhetta has produced iconic, sustainable structures that are highly sensitive to their cultural context, combining technological innovation with a profound environmental awareness. Thorsen’s work is recognized for its focus on social interaction, sustainability, and the creation of spaces that foster human connection and sensory experience, establishing a benchmark in contemporary global architecture.

Craig Dykers (born 1961 in Frankfurt, Germany) is also a co-founder of the studio and director of its New York office. Snøhetta has earned a reputation for maintaining a deep integration of landscape, architecture, and urban experience across all its projects. Key works include the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, the National Pavilion of the September 11 Memorial Museum in New York, and the redesign of Times Square. Professionally and academically active, Dykers has been a member of the Norwegian Association of Architects (NAL), the American Institute of Architects (AIA), and the Royal Society of Arts in England. He has served as a diploma juror at the Architectural College in Oslo and as a distinguished professor at City College, New York. He has delivered numerous lectures across Europe, Asia, and the Americas, and has undertaken public art installation projects, many of which explore the interplay between context, landscape, and human experience.

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Published on: January 20, 2017
Cite:
metalocus, INÉS LALUETA
""7th room", a Treehouse in Sweden by Snøhetta" METALOCUS. Accessed
<http://www.metalocus.es/en/news/7th-room-a-treehouse-sweden-snohetta> ISSN 1139-6415
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