Anglo-Swedish pharmaceutical company, AstraZeneca, completed a new research and development building named The Discovery Centre (DISC), on the Cambridge Biomedical Campus (CBC), in Cambridge, UK. The project was commissioned to Herzog & de Meuron in 2014.

After a turmoil time producing Covid-19 vaccines the company has new labs in biomedical campus in southern Cambridge in a triangular building, providing 53,652 square meter of lab space to over 2,000 scientists, in three-story.
Herzog & de Meuron has develops several concepts, to make saw-toothed this corona something special. The building of the steel-framed glazing is oriented to the north to draw in natural light, unusual for such a building which might be expected to use artificial illumination throughout its interior. The zigzagging rhythm of sawtooth roof —called “northlights” by the architects— extends vertically along the façade, forming a series of 25 steel-framed bays.

Herzog & de Meuron designed the building supported on six rectangular boxes grouped two by two, the shape releases a central courtyard that refers to the traditional configuration of Cambridge universities. The six glass-lined boxes span all floors and house the building's main programmatic element: the laboratories. The use of glass seeks to offer maximum transparency between the different parts.
 

Project description by Herzog & de Meuron

AstraZeneca is establishing a new global research and development facility, named The Discovery Centre (DISC) in Cambridge, UK, on the Cambridge Biomedical Campus (CBC). As part of the wider development known as the Cambridge Southern Fringe Area, CBC is envisioned as a future leading centre for biomedical research and development with institutions and companies from the education, health care, science, and research sectors.

The DISC is located in the middle of the CBC; This central location reflects AstraZeneca’s ambition to be a key point of exchange and collaboration in the CBC, building on its many existing collaborations with members of the Cambridge Life Science community including the University of Cambridge, the Medical Research Council and Cancer Research UK. The architecture supports this drive and makes it visible with a porous building that is accessible from three different sides.

The new building is a triangular glass disc with rounded edges that loosely follows the shape of the site; it is defined by a saw-tooth roof that runs East to West to provide optimal natural light inside the building. The saw-tooth roof carries on through to the facade creating a tighter and larger vertical zig-zag geometry. The hovering glass disc with a saw-tooth roof and stepped facade give the building its characteristic appearance.

The DISC sits on six rectangular glass boxes grouped in three pairs. They form an open courtyard, which in combination with the low-rise building structure, references the historical colleges in central Cambridge. The courtyard is the central point of the site, a meeting point, openly accessible from three different sides.

The rectangular glass boxes run vertically through all floors and house the main programmatic element of the building, the laboratories. They allow multiple groups to work side by side, enhancing the collaborative process. The glazed perimeters of the above ground blocks promote maximum transparency across the floor and through the building, making science visible for employees and visitors.

The workspace is an open plan layout, offering employees a range of alternative workplace settings from private study spaces and quiet booths to informal employee collaboration spaces. Along the inner ring, the main circulation space around the courtyard on the upper floors, there are additional complementary zones providing a range of diverse spaces for exchange, informal meetings, and on-floor catering.

All the amenities – conference centre, auditorium, café, and restaurant – are concentrated on the ground floor with direct access from the main entrance to make them equally accessible for the entire building.

The diversity of materials is minimised in order to foster a clear distinction between different programs. The floor materials reflect the functional organisation of the building: natural stone for the entrances, rough sawn solid oak for main stairs, and inner-ring area and carpet for the offices and write-up floors. The floor in the laboratories is a continuous white resin finish. The main partitions within the building are full-height glass walls, allowing transparency and seamless transitions between the diverse areas. The other material of choice is exposed concrete, revealing the construction method and structural function while complementing glass and wood.

The functional diversity and the low rise of AstraZeneca’s The Discovery Centre allow each floor to be specific and different from one another. The underground level will contain support facilities, a loading area, and a plant zone; the street level is open and porous with both amenities and science on display in the laboratories; the first floor of the hovering disc is connected through the ring area and the second disc floor is top-lit through the skylight of the saw-tooth roof. Despite the distinct work environments of the floors, the building appears as one characteristic structure serving as a pivotal point for the entire CBC campus.

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Architects
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Collaborators
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HVAC Engineering.- BDP.
Electrical Engineering.- BDP.
Landscape Architect.- BDP.
Structural Engineering.- BDP.
Acoustics Consultants.- BDP.
Lighting Consultant.- BDP.
Sustainability Consultant.- BDP.
Building Physics.- Emmer Pfenninger Partner.
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Client
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Area
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Site area.- 19,905 sqm.
Gross floor area (GFA).- 53,652 sqm.
GFA above ground.- 35,919 sqm.
GFA below ground.- 17,733 sqm.
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Dates
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2014 - 2021.
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Location
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Cambridge Biomedical Campus (CBC), Cambridge, United Kingdom.
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Photography
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Hufton+Crow. David Porter photographer.
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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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