She stood paralysed, frozen in front of a wall of immaculate drawings of impossibly elaborate visions... So begins his article the architecture critic in his column in The Guardian four days ago.

"She stood paralysed, frozen in front of a wall of immaculate drawings of impossibly elaborate visions: airships dragging contraptions across moon-rock landscapes, fleets of hover vehicles gliding to and fro. It could have been the storyboard for the next 3D superhero extravaganza from Marvel Studios – but it was in fact the final diploma project of a student at one of the UK's leading architecture schools.

The question I had asked, which sent the student into dumbfounded shock, was: "Why have you done it? What does it mean?"

It is a mystery that has recurred in recent weeks, as I've sat on panels of external critics at a range of schools, watching students present their projects for feedback. It has been an illuminating experience, seeing the mesmerising display of graphic ability and modelling skills – but not one without frustrations...."  

[Oliver Wainwright's article continues in his column in The Guardian].

[Spanish] Congelados y paralizados también parece que están o estamos los arquitectos españoles desde que se anunciase la famosa LSP. Las instituciones no respondieron o simplemente se habían quedado paralizadas. Cuando en abril se aprobó su tramitación, y todos quedaron al descubierto, a más de uno casi le dió un "síncope" pues habían dicho que estaba paralizada, otros estuvieron al borde de un ataque de nervios porque había elecciones en puertas, y hoy sin ir más lejos se publica un artículo en el periódico El País con el siguiente titular "Arquitectos contra Guindos" que no dice nada sobre qué están haciendo los representantes de los arquitectos que no hayamos contado ya desde enero, ni se plantea alguna acción, ni se presenta alguna alternativa, simplemente se dice que se está "en contra".

¿Qué ha ocurrido para que estemos en esta situación? Es cierto lo que comenta Jordi Ludevid,"la Arquitectura, en el mundo, habla español. ¿Acaso vamos tan sobrados como para no proteger lo que tenemos?”, pero con igual contundencia hay que decir que los arquitectos españoles se han quedado congelados y paralizados, en cierto grado ensimismados y creyendo que era imposible que algo que tenía esta repercusión mundial pudiese derrumbarse. La realidad es que sí, que la Arquitectura se defiende día a día, que no basta con entregarle libros al Ministro donde se explica qué es la Arquitectura, ni basta que se califique de éxito la Semana de la Arquitectura porque hubiesen asistido 15.000 personas, no entro en que seguro que las cifras se han redondeado, pero incluso una cifra así es escandaloso que se presente como un logro en una ciudad con 3.5 millones de personas y una Comunidad de más de 5 millones.

Congelados dirigentes que se conforman con repercusiones de esa índole. El abismo del que habla Oliver Wainwright en el artículo citado al inicio de esta reflexión, lo alejada que puede estar la educación de la arquitectura de la realidad en el Reino Unido y cómo su conexión con la realidad parece perdida, no es algo que nos deba resultar lejano (ya he hablado en otras ocasiones de Bolonia, por cierto recomiendo un pequeño librito que un amigo me ha pasado "Bolonia no existe. La destrucción de la Universidad Europea", de la editorial Hiru). En España estamos muy cerca de esa situación y para salir de este estado de aletargamiento no hay que buscar culpables, se trata de encontrar respuestas a un despropósito como la LSP, de descongelarnos, de generar propuestas, de hacerle ver al ministro que está "desnudo" por mucho que le digan sus cercanos que va vestido.

...Que si la Arquitectura es esto o es lo otro está bien pero no es suficiente, hay que generar la ilusión no solo del colectivo sino de la sociedad, hay que defender que en la balanza la Arquitectura española es "marca España" y eso nos ayuda a todos. Dejémonos de cuitas entre los arquitectos, de individualismos, de castillos en el aire. Arremangémonos y miremos hacia fuera, unamos a más, a todos, reaccionemos que esto es cosa de toda una sociedad.

More information

José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

Read more
Published on: June 3, 2013
Cite:
metalocus, JOSÉ JUAN BARBA
"FROZEN, PARALYZED ... CASTLES IN THE AIR" METALOCUS. Accessed
<http://www.metalocus.es/en/news/frozen-paralyzed-castles-air> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...