The exhibition "La Mansana de la Discòrdia" in the Lleó i Morera House, opens today in Barcelona. The exhibition takes four examples of buildings, on the same block, as samples of colonization process that the Barcelona bourgeoisie makes of the Eixample in Barcelona, using the formal language of Modernism as expression. This process not always known and for its time radical, as the book's subtitle suggests, "modernism as transgression."

 The exposition shows part of the contents collected in the book '''La Mansana de la Discòrdia' modernism as transgression," that we presented a few days ago.. The History, Architecture and Design Research Group was set up within the field of architectural composition at the School of Architecture at the Universitat Internacional de Catalunya. The project “La Mansana de la discòrdia” was submitted to the call for novel research proposals at the university in 2013.

The aim was to study the five houses of the block, not just the three modernist ones, precisely to see the differences (or discords) in their styles that were contemporaneous with one another. We also wanted to use the word mansana, in Catalan and written with an “s”, because Ildefons Cerdà in his General Theory of Urbanisation from 1867, had dedicated three pages to the etymological justification of the term derived from the Latin mansio,-onis, which means mansion, house. Thus, when towns were being populated, the word mansana was used for a group of mansions or houses, currently referred to as a block. Later on, the “s” was haphazardly replaced for “z” in Spanish. However, the use in Spanish of the word “manzana”, corresponding to the fruit, the apple, allows us to engage in word play, as it also refers to the mythological story of the golden apple thrown by the goddess of discord at the wedding of Thetis and Peleus, leading to the Trojan War.

Authors.-

Manuel Arenas Vidal
Dr. José Juan Barba
Mariola Borrell Escudé
Dr. Guillem Carabí Bescós
María José Díez Chueca
Dra. Fàtima López Pérez
Dra. Judith Urbano

Students participating.- María Alcaraz Ruiz, Rosa Aparici Hornero, Laura Aragonés Ribera, Cristina Ballester Rigo, Marina Baró Bagué, Rafael Bennasar Miquel, Alberto Carlos Bodí Domenech, Pylyp Fomyn, Mª Elena Gistau Bielsa, Claudia Gratacós Grau, Mariona Mayol Batlle, Borja Monsó Galindo, Jaume Nart Parés, Carles Palau Sala, Lara Pérez Verdes, Eric Sanllehy González & Emma Vives Viña.

Venue.- Casa Lleó i Morera, Paseo de Gracia, 35. Barcelona.
Dates.- December 17, 2015 - February 28, 2016

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: December 16, 2015
Cite:
metalocus, INÉS LALUETA
"La Mansana de la Discòrdia in the Lleó i Morera House." METALOCUS. Accessed
<http://www.metalocus.es/en/news/la-mansana-de-la-discordia-lleo-i-morera-house> ISSN 1139-6415
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