The Assets of Cultural Interest of Castilla y la León are very numerous and small constructions are necessary for their protection and surveillance. These pavilions, following criteria of minimum impact in the medium and maximum efficiency, were designed to carry out this surveillance and as substitutes for the old pre-existing booths.

Following basic principles of economy, sustainability and reversibility, Gaztelu Jerez Arquitectos designed a series of pavilions located in different locations in Castilla and León. They are built only with two materials, wood and steel, and follow an industrialized process, which greatly lowers costs and makes them easily reproducible. These buildings have almost zero energy consumption and minimal environmental impact.
 

Description of project by Gaztelu Jerez Arquitectos

Castile and León (Spain) is one of the regions with more cultural and natural heritage in the world, thanks to its history and its big area. Many of its Heritage of Cultural Interest (Bienes de Interés Cultural - BIC) are in natural and rural environments. Therefore, they need vigilance, as well as attention for their visitors. Lately, the Regional Government of Castile and León is becoming aware of the need to replace the current stalls located next to these BIC, with the aim of dignify them according to those monuments and places.

These 2 pavilions are a pilot programme which could be easily exportable to other BIC in the same region. The first one is located next to the visigothic hermitage in Quintanilla de las Viñas (Burgos), one of the few buildings of its kind existing in the Iberian Peninsula, and which was designated as a National Monument in 1929. The second one is located at the archeological site in Arrabalde (Zamora), a place which in the past was a pre-roman hill-fort, designated as a BIC in 2006. When we revisited the Zamora Museum, a building by Tuñón and Mansilla that we admire so much, we discovered to our surprise that among its more valuable exhibits it contains the “Arrabalde’s Treasure”, for which the architects expressly designed a showcase, that is simultaneously a jewel case, inside the big jewel case that is the building itself.

The pavilions could be defined as a wooden box slightly elevated from the floor and placed under a horizontal steel plane. They are very compact to reduce their presence and increase their efficiency, and they protect the guards from the inclemency of the weather, whereas they make posible a visual connection with the exterior landscape. Like a piece of furniture, they are built just with wood and steel, in an industrialized and easily reproducible way. In this conditions, building in a factory with only 2 trades (carpenter and blacksmith) reduce the cost considerably, which has been one of our main targets. The pavilions are open or closed depending on the needs. When they are in their “latency period”, they look like a totally closed and protected jewel case. They external building covering is made of vertical black timber, whereas in the inside you can see the cross-laminated timber structure, which provides a warmer sensation.

Economy, sustainability and reversibility have been 3 basic principles to design these small buildings, which try no to leave any trace on those places where they will be located. The foundations are superficial and made of timber. The timber from the façade is protected by Shou Sugi Ban, a traditional Japanese technique based on charring. The roof is made of steel, and its eaes protects the building from the rain and the sun. These are a low-energy buildings thanks to a great insulation made of timber fibres and the use of traditional, reciclable and clean energies: a small wood heater, a pedal washbasin and a dry and eco-friendly toilet that guarantees a closed cycle.

To summarize, we have looked for a natural, laconic and sensible intervention according to the needs. An essential, logic and sober intervention. Without anything accessory or whimsical. Eloquent, but not talkative. Respectful with the pre-existences, the landscape and the environment. Thanks to its small size and its lightness, the pavilions will we totally built in a factory and then carried to the site.

*Gaztelu Jerez Arquitectos did not directed the site management in Quintanilla de las Viñas.

 

 

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Architects
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Enrique Jerez Abajo, Koldo Fdez. Gaztelu.

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Collaborators
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Catarina Isabel Faustino Mota (Portugal).- Alicia Maraña Diez.- alterMATERIA, Segovia. Quantity surveyor.- Iván Poncelas Ramón.

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Client
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Regional Goverment of Castilla y León.- Ministry of Culture and Tourism.- General Directorate of Cultural Heritage.

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Contractors
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Builder Company.- Arte y Construcción SL, Burgos. Carpentry.- Arte y Construcción SL, Burgos. Furniture Mobiliario.- Biolan, Fritz Hansen. Software.- AutoCAD, Photoshop, SketchUp, InDesign.

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Area
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12.32 sqm (built).

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Dates
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2012-2016.

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Site
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Visigothic hermitage of Quintanilla de las Viñas (Burgos) .- Archaeological site of Arrabalde (Zamora). Castilla y León, Spain.

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Budget
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€16,329.65 (Execution Project).

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Classification
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Dotational buildings.- landscape.

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Photography
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Javier Bravo.

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Koldo Fernández Gaztelu (San Sebastián, 1980). Koldo Fdez. Gaztelu is an Architect by the ETSA of Navarra (2004), graduated with the qualification of Outstanding, and a postgraduate in Restoration and Rehabilitation of Architecture by the ETSA of Navarra (2004).

During his university studies, he collaborated in the Projects and Building Departments of the ETSA of Navarra, in the subjects of Composition Elements and Analysis of Forms II. He also collaborates in the study of Juan Miguel Ochotorena (Pamplona, ​​2002) and KSP Engel und Zimmermann (Cologne, 2003).

After finishing his university studies, he worked in the studios of Francisco Mangado (Pamplona, ​​2004-05) and Gálvez + Wieczorek (Madrid, 2005-06).

In 2005, he began his doctoral studies at the School of Architecture of the Polytechnic University of Madrid (ETSAM). He has a scholarship in the same year to participate in the Workshop "7 Ideas of Beauty / 7 Project Techniques", directed by Iñaki Ábalos, and in 2006 to participate in the Workshop "Four Observatories of Energy", also directed by Iñaki Ábalos and included in the 1st Biennial of Canaries of Architecture, Art and Landscape on the Island of La Palma.

Associate Professor of Projects at the EINA of the University of Zaragoza. Visiting Professor at the Universidade da Beira Interior (Covilhã, Portugal). Professor at the Superior Center for Interior Design of Navarra.

Since 2006, he has formed a team with Enrique Jerez through Gaztelu Jerez Arquitectos. With studies in Burgos and Pamplona, ​​they develop projects, works and contests of various kinds, some of which are awarded, selected, exhibited or published.

Enrique Jerez Abajo (Burgos, 1980). Enrique Jerez is an Architect graduated from ETSA Navarra with distinction and Premio Extraordinario de Fin de Carrera (2004). PhD Architect cum laude from the University of Valladolid (2012). Assistant Professor of Architectural Design at EINA University of Zaragoza (accredited Contratado Doctor, ANECA, 2015). Postgraduate in Restoration of Architecture from ETSA Navarra (2004).

He has worked at Ochotorena Arquitectos, Estudio Cano Lasso and Mangado y Asociados (Spain). His activity includes domestic architecture and interior design, as well as landscape interventions and public projects. His work has been awarded, exhibited and published on several occasions: Spanish Architecture and Urbanism Biennial (2018), Colegio Oficial de Arquitectos Vasco-Navarro Awards (2019, 2013), Arquia/Próxima Awards for young Spanish architects (2012), Castilla y León Architecture Awards (2018, 2011), COACYLE/ Burgos Awards (2019, 2016, 2011), etc.; among the publications, AITIM, Arquitectura Viva, Casas Internacional, Conarquitectura, El País, ON Diseño, TectónicaBlog or ViA arquitectura.

His PhD thesis is titled THE LEGACY FROM THE EPHEMERAL. 1937-2010, Designed and Built Architecture of Spanish Pavilions at International Exhibitions. From it, his line of research is focused on the strategies that take part in the architectural design process, based on modern and contemporary Spanish architecture, and in particular on exhibition pavilions and ephemeral architecture, as well as on domestic architecture. Author, together with Eduardo Delgado Orusco, of the book Paisaje y Artificio. El Mausoleo para Félix Rodríguez de la Fuente en Burgos. Miguel Fisac, Pablo Serrano. He has been a guest editor of ZARCH journal (“The traces of the ephemeral”, n.13). Author of articles on books and journals (En Blanco, Future Arquitecturas, Ra, ZARCH…), lectures, talks and papers at national and international congresses.

He has been a lecturer of Architectural Design at ETSA Valladolid and at the School of Interior Design at the University of Burgos. Guest lecturer at Universidade da Beira Interior (Covilhà, Portugal), IUAV di Venezia (Italy), College of Design Al Ghurair University (Dubai, UAE), ETSA Navarra (Spain), BTU Cottbus-Senftenberg (Germany) and TU Delft (The Netherlands).
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Enrique Jerez Abajo (Burgos, Spain, 1980) is an Architect graduated from ETSA Navarra with distinction and Premio Extraordinario de Fin de Carrera (2004). PhD Architect from University of Valladolid (2012). Assistant Professor of Architectural Design at EINA University of Zaragoza (accredited Contratado Doctor, ANECA, 2015). Postgraduate in Restoration of Architecture from ETSA Navarra (2004).

He has worked at Otxotorena Arquitectos, Estudio Cano Lasso, Mangado y Asociados, and BSA. His practice includes domestic and public architecture, interior design, or landscape interventions. In 2020 he was awarded with the Europe 40under40 Award by The Chicago Athenaeum and The European Centre for Architecture Art Design and Urban Studies, a prize that recognises young European architects. Some of his projects have been winning or awarded in different competitions. His built work has been awarded and exhibited in the Spanish Architecture and Urbanism Biennial (2021, 2018), the Colegio Oficial de Arquitectos Vasco-Navarro Awards (2022, 2019, 2013), the Castilla y León Architecture Awards (2024, 2022, 2018, 2011), the Arquia/Próxima Awards for young Spanish architects (2012), or the COACYLE/ Burgos Awards (2023, 2021, 2019, 2016, 2011). Among the publications, AITIM, Arquitectura Viva, Casas Internacional, Cercha, Conarquitectura, Diseño Interior, El País, ON Diseño, TectónicaBlog, or ViA arquitectura.

His PhD thesis is titled THE LEGACY FROM THE EPHEMERAL. 1937-2010, Designed and Built Architecture of Spanish Pavilions at International Exhibitions. His line of research is focused on the strategies that take part in the architectural design’s process, based on modern and contemporary Spanish architecture, and in particular on exhibition pavilions and domestic architecture. Author of the books Paisaje y Artificio. El Mausoleo para Félix Rodríguez de la Fuente en Burgos. Miguel Fisac, Pablo Serrano, and Miradas Compartidas. 3 Citas Domésticas en torno a la Arquitectura. He has been guest editor of ZARCH journal. Author of articles on books and journals (En Blanco, Future Arquitecturas, Ra, ZARCH…), lectures, talks, and papers at national and international congresses. Research award in the XV Spanish Architecture and Urbanism Biennial (2021).

He has been an Associate Professor of Architectural Design at Universidad de Zaragoza (2015-23), and an Adjunct Professor of Architectural Design at Universidad de Valladolid (2012-17). Guest lecturer at ETSA Navarra, ETSA Sevilla, Universidade da Beira Interior (Covilhà, Portugal), IUAV di Venezia (Italy), College of Design Al Ghurair University (Dubai, UAE), BTU Cottbus-Senftenberg (Germany), TU Delft (The Netherlands), and Sapienza Università di Roma (Italy).

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Los Arcos Gaztelu was founded in 2020 as a response to the need to formalise a collaborative body of work that had been developing since 2012. It succeeds the practice previously known as Gaztelu Jerez Arquitectos, active since 2006, and thus begins as an architectural studio with over a decade of professional experience.

The studio’s work spans all scales, from domestic architecture and interior design to landscape interventions and civic projects, and is combined with research and teaching at the university level. The studio understands architecture as a discipline that envelops and affects almost everything around us, with the human being as its central focus. A building should be intentionally placed in a location, or even constitute a place in itself. Location, climate, culture, function, and construction techniques are among its main points of reference.

In today’s context, the studio considers its work should be simultaneously “global” and “local.” It believes architecture should be a product of its time while also aspiring to timelessness; it should be rooted in the present while looking to the future without losing sight of the past. The studio values simplicity, austerity, and constructional rigour, and understands architecture as a fundamentally humanist and service-oriented activity, aimed at improving the environment in which people carry out their daily activities, and ultimately enhancing human life. Its work has been awarded, exhibited, and published on numerous occasions, including the Spanish Biennial of Architecture and Urbanism (2018), the Vasco-Navarro Official College of Architects Awards (2019, 2013), and the COACYLE/Burgos Awards (2019, 2016). Publications include METALOCUS, AITIM, Arquitectura Viva, El País, ON Diseño, and TectónicaBlog, among others.

Koldo Fernández Gaztelu (San Sebastián, 1980) graduated with distinction from the Higher Technical School of Architecture of Navarra (ETSA Navarra) in 2004 and completed a postgraduate degree in Architectural Restoration and Rehabilitation the same year. He is an Associate Professor of Architectural Design at EINA, the School of Engineering and Architecture at the University of Zaragoza.

He has worked in the studios of Ochotorena, KSP Engel und Zimmermann, Francisco Mangado, and Gálvez + Wieczorek. In 2005, he began his doctoral studies at the Higher Technical School of Architecture of the Polytechnic University of Madrid (ETSAM). In 2006, he participated in the workshop “Four Energy Observatories,” directed by Iñaki Ábalos, part of the I Canary Islands Biennial of Architecture, Art, and Landscape in La Palma. He has also taught at the Higher Center of Interior Design of Navarra and served as a visiting lecturer at the Universidade da Beira Interior (Covilhã, Portugal).

Amaia Los Arcos graduated with distinction from ETSA Navarra in 2005 and completed a postgraduate degree in Landscape and Environment the same year. From 2006 to 2012, she worked at IDOM Professional Services (IDOM ACXT), contributing to large-scale projects and new project development processes such as BIM (Building Information Modeling), while also serving as an external architectural consultant for firms like Ikertalde Grupo Consultor. In 2005, she began her doctoral studies at ETSAM. She has furthered her training in sustainability through the study of nearly zero-energy building standards, such as Passivhaus, and through specialised training in building diagnostics and pathologies.

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Published on: February 15, 2018
Cite:
metalocus, JOAQUIN MINAYA
"Vigilance pavilions for Heritage of Cultural Interest (BIC) in Castilla y León by Gaztelu Jerez Arquitectos" METALOCUS. Accessed
<http://www.metalocus.es/en/news/vigilance-pavilions-heritage-cultural-interest-bic-castilla-y-leon-gaztelu-jerez-arquitectos> ISSN 1139-6415
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