Documentary "This is Marina City" on the ambitious project of Goldberg to revitalize the urban context of Chicago with "a city within a city", as he used to refer to Marina City.

Chicago is one of a kind, a city known for its architecture, where some of the most influential architects have had the opportunity to develop new and creative ideas on what architecture should be. A city built on ashes after the Great Fire that took place for two days in 1871, first with skyscrapers and then with the postwar period, when architect Bertrand Goldberg built some of the most iconic buildings of the city.

Goldberg studied for some years at Harvard College before leaving for the Bauhaus in Berlin, and when he returned to Chicago, he was more focused on industrial design and small projects. It wasn't until the 60's and 70's that his most recognized works were done. He pushed the boundaries of engineering in ways that more conventional architecture often didn't at that time, opposite to the grid and steel frame used for the modern skyscrapers. His philosophy was based on the fact that there were no right angles in nature

My message, I think, is much more important than myself personally, or than the quick identification as the round-building architect. I am talking about the performance of people in a social system, about the performance of people in the city.

Marina City, 2014, designed by Bertrand Goldberg. Photograph by José Juan Barba.

Marina City, 2014, designed by Bertrand Goldberg. Photograph by José Juan Barba.

With a clear image, that reminds of a corncob, on the first block of the original town of Chicago is located one of the most important works of the american architect, Marina City, a mixed-use complex on the north bank of the Chicago River consisting of two 65 story residential twin towers with over 400 apartments and a spiral parking, an auditorium and an office building all placed on top of a comercial platform.

The works began in 1960 with the aim of revitalizing the Chicago Downtown. Until then, due to World War II, Chicago had been an important industrial center, and its population increased, although mainly in the suburbs of the city, the Downtown instead had spent 30 years without building anything new. The complex designed by Goldberg was, for a long time, the only mixed-use building, foreseeing the future development of the city center.

- METALOCUS would like to express gratitude for Steven Dahlman's help and Marina City Org for the preparation of this article.

More information

Bertrand Goldberg (July 17, 1913 – October 8, 1997) was an American architect based in Chicago, active from 1937. He studied at Harvard in 1930, at the Cambridge School of Landscape Architecture, an institution later integrated into the same university. In 1932, he decided to travel to Berlin to study at the Bauhaus until its closure in 1933, a period during which he worked in the studio of Ludwig Mies van der Rohe. After the closure of the Bauhaus and amid increasing political repression in Germany, he moved briefly to Paris before returning to Chicago, where he collaborated with renowned modern architects such as Keck and Keck, Paul Schweikher and Howard T. Fisher. He earned his degree from the Armour Institute of Technology in Chicago in 1934.

In 1937, he opened his studio, where he applied what he learned at the Bauhaus and the studio of Mies van der Rohe, as can be seen in his first prefabricated projects for the Federal Government in Suit, Maryland, and Lafayette, Indiana, built between 1937 and 1944. His approach to architecture was characterized from the beginning by a tendency toward unconventional structural solutions in residential, institutional, and industrial projects.

One of his first significant commissions was in 1938, for the North Pole ice cream chain: demountable structures with roofs supported by tension rods connected to a single central pillar. In parallel, he explored prototypes of prefabricated housing, mobile vaccination laboratories, and laminated wood railway cars for military use, conducting an experimental search for common materials such as plywood and concrete.

Between 1945 and 1948, he designed the Stanfad prefabricated restrooms, with gently curved forms, and developed a series of railcars for the Pressed Steel Car Company, constructed from plastic materials, which formally and materially anticipated his future concrete towers. These industrial exercises were a response to his collaborations with figures such as R. Buckminster Fuller and his friendship with Josef Albers.

In 1959, he designed his most important work: Marina City, a complex of two unique mixed-use towers on the north bank of the Chicago River, built between 1961 and 1964. The project consists of two sixty-story twin towers (designed for housing and spiral parking) with a base that houses a theater, retail spaces, offices, an ice rink, a bowling alley, a river marina, and connections to an active railway line. The towers, with their distinctive multi-lobed forms, have been commonly described as "corncobs" and constitute a distinctive landmark in the city's skyline. This complex demonstrated the potential of reinforced concrete and mixed-use typologies as drivers of urban regeneration. Over time, the complex's uses have transformed, largely retaining its original spatial and structural logic: the theater is currently the home of the Chicago House of Blues, the office serves as a hotel, and the ice rink has been replaced by a restaurant.

Following the international success of Marina City, Goldberg expanded his scope to include large-scale institutional commissions, particularly hospitals, such as the now-defunct Prentice Women's Hospital for Northwestern University, the SUNY Medical and Scientific Complex at Stony Brook, and Good Samaritan Hospital in Phoenix. He also designed educational facilities and public housing developments, such as River City and the Hilliard Homes complex, both in Chicago.

Beginning in the 1970s, Goldberg focused his work on more complex urban proposals, both from a design and theoretical perspective. He wrote on urban, historical, and cultural themes with a critical and progressive perspective, proposing solutions that integrate social, technical, and spatial aspects. His legacy is preserved in the Bertrand Goldberg Archive, housed at the Ryerson & Burnham Libraries of the Art Institute of Chicago, containing drawings, photographs, correspondence, and audiovisual materials that reflect a career dedicated to conceiving architecture as an engine of social transformation.

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Published on: October 4, 2015
Cite:
metalocus, JOSÉ JUAN BARBA
"Bertrand Goldberg's vision for Chicago: Marina City" METALOCUS. Accessed
<https://www.metalocus.es/en/news/bertrand-goldbergs-vision-chicago-marina-city> ISSN 1139-6415
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