Donna Haraway, American philosopher, along with Italian architect and designer Italo Rota (October 2, 1953 – April 6, 2024), will be awarded, respectively, the Golden Lion for Lifetime Achievement and the Special Golden Lion for Lifetime Achievement in Memory at the 19th International Architecture Exhibition, La Biennale di Venezia, entitled "Intelligens. Natural. Artificial. Collective."

The decision was approved by the Board of Directors of the Biennale, chaired by Pietrangelo Buttafuoco, on the recommendation of Carlo Ratti, curator of the 19th International Architecture Exhibition, which will open on Saturday 10 May and will be open to the general public in the Giardini, the Arsenale and the Forte Marghera until Sunday 23 November 2025. The awards ceremony will take place on Saturday, 10 May, at Ca’ Giustinian, home of the Biennale di Venezia, very close to St. Mark's Square in Venice.

The Curator, Carlo Ratti, has motivated the choice to award the Special Golden Lion for Lifetime Achievement in Memoriam to Italo Rota as follows:

“Italo Rota was a forerunner. His vision was that of a world in which the relevance of living entities and biology in general, nature in the broadest possible definition, and finally science and applied technology were united in a single breathing entity. Throughout his life, he had the extraordinary ability to traverse the second half of the twentieth century and the first quarter of the new century by flying above the major styles and cultures of design, establishing himself as one of the most original figures in Italian and European architecture.

Raised under the wing of masters such as Franco Albini, Vittorio Gregotti, and Gae Aulenti, he cultivated a unique eclecticism and a rare ability to combine poetic vision and extreme analytical lucidity. A man of boundless culture, a passionate collector and researcher of both Wunderkammer objects and technological devices, and a generous teacher, he has contributed to the creation of some of the most influential cultural venues in Europe in recent decades, with projects such as the restoration of the Musée d'Orsay in Paris and the Museo del Novecento in Milan. His cultural legacy is well expressed by the title of his last monograph, Solo diventare natura ci salverà (“Only Becoming Nature Will Save Us”. Milan: Libri Scheiwiller, 2023)”.

“The adventure of the Biennale Architettura 2025 began together with Italo Rota at the end of 2023. It was tragically interrupted with his passing a year ago, on April 6, 2024. This is why I am particularly pleased that the Board of Directors of La Biennale di Venezia accepted my proposal to award Italo with the high honor of the Special Golden Lion for Liftetime Achivement in Memoriam. Also significant is the recent decision of the Ministry of Culture, through the Soprintendenza ai Beni Archivistici e Bibliografici of Lombardy, to place a bond to attract his work to the national cultural heritage. I am equally happy, finally, to be able to present at the Arsenale the work of Margherita Palli, Italo's life and work companion, whose contribution will ideally continue our initial research.”

On the decision to award the Golden Lion for Lifetime Achievement to Donna Haraway, Carlo Ratti stated:

“Donna Haraway is one of the most influential voices in contemporary thought, straddling the social sciences, anthropology, feminist criticism, and the philosophy of technology. Over the past four decades, she has explored, in a multidisciplinary manner and with a constant capacity for linguistic invention, issues such as the impact of technological evolution on our biological nature and the ways in which the environmental context of the Chthulucene redefines the boundaries between human and nonhuman.

Haraway invented this definition, after the American writer H.P. Lovecraft, as alternative to the term “Anthropocene” (normally used to define the human impact on Earth) to emphasise the urgency of the co-existence and symbiosis with other species. From whichever route one approaches the convergence of multiple forms of intelligence in shaping our future, the legacy of Donna Haraway will appear.

Her work and philosophy, radically critical but simultaneously optimistic and imaginative, are distinguished by their commitment to creating alternative worlds: to constructing positive visions in which the difficulties of the present can be overcome or mitigated through the making of new myths and the cultivation of new kin. Her contributions to the way we understand science, technology, race, gender, geography, and the environmental history of humanity have left indelible marks on the study of each, and their precedence to the notion that natural, artificial, and collective intelligences act together is self-evident.

As designers grapple with a rapidly transforming present in which nature, technology, and society all present symptoms of divergence from the world as we know it, Haraway’s theory empowers us and her observations guide us. With gratitude we recognize the lifetime of visionary literature she endows to the future, and we applaud her inspirations to architecture expressed in this exhibition and far beyond”.

Donna Haraway, Golden Lion for Lifetime Achievement of the Biennale Architettura 2025. Photograph by Clara Mokri.
Donna Haraway, Golden Lion for Lifetime Achievement of the Biennale Architettura 2025. Photograph by Clara Mokri.

Set and costume designer Margherita Palli will receive the Special Golden Lion for Lifetime Achievement. Palli will participate in the 2025 Architecture Biennale alongside Stefano Capolongo and Ingrid Maria Paoletti (Department of Architecture, Built Environment and Construction Engineering, Milan Polytechnic) and Konstantin Novosëlov (National University of Singapore) with the project Material Bank: Matters Make Sense.

At the 17th International Architecture Exhibition, the Special Golden Lion for Lifetime Achievement was awarded to Lina Bo Bardi (1914–1992), a Brazilian architect, designer, set designer, artist, and critic who was naturalized as Italian, on the recommendation of Hashim Sarkis, curator of the 2021 Biennale.

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10.05 > 11.11.2025

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19th International Architecture Exhibition. Venice, Italy.

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Clara Mokri, Claudio Moschin. 

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Donna Haraway (born September 6, 1944, Denver) is Distinguished Professor Emerita in the Department of History of Consciousness at the University of California, Santa Cruz (UCSC). She earned her PhD in Biology from Yale in 1972. She writes and lectures on science and technology studies, exploring their philosophical, political, and cultural implications with an interdisciplinary approach that connects feminist theory with multispecies studies.

She has advised the dissertations of more than 60 doctoral students in diverse disciplinary and interdisciplinary areas. At UCSC, she is actively involved with the Science and Justice Research Center and the Center for Cultural Studies. Addressing the intersection of biology with culture and politics, Haraway's work explores the complexities of science factuality, science fiction, speculative feminism, speculative fabulation, science and technology studies, and multispecies worldbuilding.

His notable books include: Staying with the Trouble: Making Kinship in the Chthulucene, Duke University Press (2016); Manifestly Haraway, University of Minnesota Press (2016); When Species Meet, University of Minnesota Press (2008); The Haraway Reader, Routledge (2004); The Companion Species Manifesto: Dogs, People, and Significant Otherness, Prickly Paradigm Press (2003); Modest_Witness@Second_Millennium, Routledge (1997, 2018); Simians, Cyborgs, and Women, Routledge (1991); Primate Visions. Gender, Race, and Nature in the World of Modern Science, Routledge (1989); and Crystals, Fabrics, and Fields: Metaphors of Organicism in Twentieth-Century Developmental Biology, Northwestern University Press (1976, 2004).

Two film productions have been dedicated to the philosopher's work: Donna Haraway: Story Telling for Earthly Survival (2016), a documentary directed by Fabrizio Terranova, and Camille & Ulysse (2021), a film directed by Diana Toucedo, starring Haraway and Vinciane Despret. With Adele Clarke, she co-edited Making Kin Not Population (Prickly Paradigm Press, 2018), which addresses issues such as human population, anti-racist feminist reproductive and environmental justice, and multispecies flourishing.

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The Italian architect and designer Italo Rota (Milan, October 2, 1953 - Milan, April 6, 2024) focused his professional career of more than thirty years on constant and advanced interdisciplinary research, from contemporary art to robotics, developing innovative projects in which humanistic beauty and sustainability became integral and disruptive elements.

He graduated from the Milan Polytechnic and worked for many years with Vittorio Gregotti and Franco Albini. In the early 1980s, together with Gae Aulenti and Piero Castiglioni, he won the competition to design the interior spaces of the Musée d'Orsay. He moved to Paris, where, together with Gae Aulenti, he designed the renovation project for the Museum of Modern Art at the Centre Pompidou. He opened his own studio in the French capital and designed the exhibition halls of the French School in the Louvre's Cour Carré, the lighting of Notre Dame Cathedral and the Seine riverbank, and the renovation of Nantes' city center.

In the early 1990s, he returned permanently to Milan, where he developed design projects and architectural works in Italy and around the world, including: the renovation of the Civic Museums of Reggio Emilia, the new Elatech Robot Factory in Brembilla, the grand Teatro dei Bambini in Maciachini, Milan, the new Noosfera Laboratory Pavilion at the Milan Triennale, the Kuwait Pavilions for EXPO Milano 2015, the Italian Wine Pavilion, and the Arts and Food Pavilion.

With the Italian Pavilion project at Expo 2020 Dubai, Rota began a collaboration with Studio Carlo Ratti, which continued with numerous projects until his death. Among the works that symbolize his poetic work are the Museo del Novecento in Milan's Piazza Duomo, the Center for Graduate Studies at Columbia University in New York, and the Dolvy Hindu Temple in India. He was responsible for countless exhibitions in major museums, as well as publications, installations, and pavilions, including the thematic Central Pavilion at Expo Zaragoza 2008.

His work was presented in the Italian Pavilion at numerous editions of the Venice Biennale International Architecture Exhibition: Innesti/Grafting, curated by Cino Zucchi, with Studio Italo Rota & Partners (2014 Architecture Biennale, curated by Rem Koolhaas); Ailati. Reflections from the Future, curated by Luca Molinari, with Studio Italo Rota & Partners (2010 Architecture Biennale, curated by Kazuyo Sejima); Italy Close to Home, curated by Francesco Garofalo (2008 Architecture Biennale, curated by Aaron Betsky).

He was Scientific Director of NABA, the New Academy of Fine Arts in Milan; Professor at the Shanghai Academy of Fine Arts, Wusong International City of Art; and advisor to Tsinghua University in Beijing.

He has received numerous awards, including the Gold Medal of Italian Architecture for Public Spaces, the Gold Medal of Italian Architecture for Culture and Leisure, the Landmark Conservancy Award in New York, and the Grand Prix for Urbanism in Paris. On November 2, 2024, his name was added to the Famedio di Milano, the Temple of Fame in the Monumental Cemetery.

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Published on: April 27, 2025
Cite:
metalocus, AGUSTINA BERTA
"Donna Haraway and Italo Rota, Golden Lion for Lifetime Achievement of the Biennale Architettura 2025" METALOCUS. Accessed
<http://www.metalocus.es/en/news/donna-haraway-and-italo-rota-golden-lion-lifetime-achievement-biennale-architettura-2025> ISSN 1139-6415
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