In response to the need to provide a funeral space for the cemetery in the Portuguese town of Oliveirinha, in the municipality of Aveiro, the architectural studio led by Sónia Lopes da Cruz has designed Casa Mortuária. The building is located at the main entrance of the cemetery, creating a new element that diverts attention from the rear facades of the poorly classified funeral chapels.

The project goes beyond providing the cemetery with a building that can independently house the planned program, functioning as a silent element capable of reorganizing and requalifying the existing space. In addition to responding to the need for a funeral space, the intervention aims to offer an opportunity to harmonize and unify the environment.

The programme developed by Sónia Lopes da Cruz is organised in a simple and pragmatic way, relating the new element to the cemetery and establishing connections in a careful and sensitive manner in relation to the physical and formal circumstances of the cemetery. The building will have a wake room, a toilet and a storage room, which will be added to a warehouse and a complete sanitary installation for the employee in charge of the maintenance of the cemetery.

A horizontal overhang on the roof protrudes from the main volume, articulating and relating the implantation of the new building with the rest of the cemetery, to which it gives access. The new building with its minimalist language is differentiated from the rest of the funeral constructions that make up the cemetery by using simple and contemporary materials.

Casa Mortuária de Oliveirinha por Sónia Lopes da Cruz. Fotografía por Ivo Tavares Studio.

Casa Mortuária of Oliveirinha by Sónia Lopes da Cruz. Photograph by Ivo Tavares Studio.

Project description by Sónia Lopes da Cruz

In addition to responding to the need for a wake space, the intervention is intended to provide an opportunity to harmonize and unify the surrounding area and access. The approach is not only to create an independent building with the necessary features to house the planned program, but also to create a silent piece of architecture capable of reorganizing and requalifying the existing space.

The intervention area is characterized by the disarticulation between spaces and pedestrian accesses, with disharmony between the materials and languages present there, resulting in a disqualified space. On observing the site, several constraints were identified which the proposal considers and seeks to resolve, and which can be summarized in the following points: disqualified entrance; physical pre-existence (boundary of the cemetery, monument/oratory to Our Lady, ancillary buildings (gatehouse, storage and sanitary facilities); disarticulation between the cemetery access and the parish churchyard; entrance front marked by the gables of the tombs; degradation of the public sanitary facilities; lack of technical support areas for the gravedigger; customs, traditions and experiences linked to and established by the community.

Casa Mortuária de Oliveirinha por Sónia Lopes da Cruz. Fotografía por Ivo Tavares Studio.
Casa Mortuária of Oliveirinha by Sónia Lopes da Cruz. Photograph by Ivo Tavares Studio.

In order to respond both to the initial program proposed by the developer and to the specific needs of the site, it was decided to strategically place the mortuary next to the cemetery entrance. It is proposed that the building be placed next to the main entrance to the cemetery on the west side, so as to create a new element on the cemetery's street front, drawing attention away from the poorly qualified back façades of the funeral chapels. On the north side, the placement of the mortuary suggests a new alignment that tries to relate the funeral complex (cemetery) to the main churchyard of the parish church, suggesting to the user a common physical and visual relationship. On the south side, inside the cemetery, the layout respects and reinforces the alignment of the common front of the funeral chapels.

The built volume of the mortuary has a horizontal visor on its roof that stands out from the main volume, articulating and relating the implantation of the mortuary volume with the strong orthogonal alignments present in the internal organization of the cemetery. This flat roof and visor will constitute and qualify the main entrance to the cemetery, providing a covered space, shelter for rainy days and sunny days. On the east side, a fence wall will be built incorporating structural elements of the roof, as well as benches on both the internal and external sides of the cemetery. The proposal calls for a careful and sensitive intervention in relation to the cemetery's physical and formal circumstances. In this way, the elements to be built will not physically contact the pre-existence, treating the void as an element of transition between volumes.

Casa Mortuária de Oliveirinha por Sónia Lopes da Cruz. Fotografía por Ivo Tavares Studio.
Casa Mortuária of Oliveirinha by Sónia Lopes da Cruz. Photograph by Ivo Tavares Studio.

The materialization of the proposed construction is done intentionally using simple, sober and contemporary design and materials, assuming a minimal architectural language that is distinct from the other funeral constructions that make up the cemetery. It is intended to be a silent, unmarked and discreet intervention, which integrates positively with the building as a whole and does not stand out. The general exterior cladding of the building is a polished concrete grey plaster, close to the color of the sidewalk that makes up the entire complex, as if it were a common stain. The openings will have flat aluminum frames in a dark matt anthracite color. The gate will be made of anthracite-colored metalwork with vertical elements and, when open, will be recessed and hidden in the east wall.

The program is organized in a simple and pragmatic way. With independent access from the cemetery, the building will include a viewing room, a toilet and a storage room. The wake room is connected to the outside by a large opening facing west, taking advantage of the garden space as a backdrop for the coffin during the wake. In addition, and with access from inside the cemetery, there will be a storage room and a complete sanitary installation for the employee responsible for maintaining the cemetery.

More information

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Architects Arquitectos
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Sónia Lopes da Cruz Arquitectura. Lead architect.- Sónia Cruz.

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Project team
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Rui Vieira, Inês Lopes.

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Collaborators
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Inspection.- CMA.
Engineering (Acoustic Design, Fluids Engineering, Thermal Engineering).- R5 Engineers.

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Builder
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HFN Construções SA.

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Area
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220 sqm.

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Dates
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Completed.- 2023.

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Location
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Oliveirinha, Aveiro, Portugal.

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Manufacturers
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Window frames.- Sosoares.
Sanitary ware.- Sanindusa.
Ceramic.- Primus Vitória.

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Photography
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Sónia Lopes da Cruz Arquitectura. Architecture studio founded in 2001 by Sónia Lopes da Cruz based in Aveiro, Portugal.

Their work covers projects of any scale with the same level of intensity. Attention to detail, technical innovation and aesthetic quality aim to contribute to each project, thus focusing each project with an added, recognized and differentiated value.

The studio and its team of professionals are involved in all areas of architecture, ranging from architectural projects to construction supervision, seeking to make each project a unique and original response to the challenges posed.

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Published on: October 31, 2024
Cite: "A new minimalist identity. Casa Mortuária by Sónia Lopes da Cruz" METALOCUS. Accessed
<http://www.metalocus.es/en/news/new-minimalist-identity-casa-mortuaria-sonia-lopes-da-cruz> ISSN 1139-6415
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