a|911, Cadena Concepts and Esrawe Studio teamed up to present the installation titled "Acapulco: Selective Memories" at the 19th Edition of the International Architecture Exhibition - La Biennale di Venezia 2025. The installation is located in the Arsenale, within the "Curiosities Pavilion" thematic section of the venue. 

The intervention proposes a deep cultural understanding of the Acapulco area in Mexico, establishing rigorous research that will transform its current development to provide a sensitive and appropriate response to climate change. This analysis and diagnosis will allow for the recovery of historical, material, and natural knowledge that will facilitate a rethinking of current coastal urban planning and the tourism generated around it.

a|911, Cadena Concepts and Esrawe Studio have succeeded in creating an archive of urban memory at La Biennale di Venezia, where innovation meets tradition, memory, and a less speculative and more attentive response to the natural environment.

The project proposes the reconstruction of the city in an ecological and resilient way, paying attention to Acapulco's historical knowledge. It also recounts the stratified and fragile history the city is currently experiencing. Due to recent climate change, it is in a state of crisis, facing urban, economic, and environmental problems, among others.

Curiosity pavilion for the Venice Biennale by a|911, Cadena Concepts, Esrawe. Photography by Ricardo de la Concha

Curiosity pavilion for the Venice Biennale by a|911, Cadena Concepts, Esrawe. Photography by Ricardo de la Concha.

The installation is achieved through a double latticework that generates a folded geometry. The interior can be appreciated from multiple vantage points, featuring diverse collections by artists such as Humboldt, Porset, Candela, Pani, Wright, and Lautner, all with contemporary and urban renewal visions. The project also includes more than 150 objects that capture the memory of Acapulco. As can be seen, the latticework not only functions as a shelving unit, but also as a spatial element that integrates the two main concepts of tradition and innovation.

Curiosity pavilion for the Venice Biennale by a|911, Cadena Concepts, Esrawe. Photography by Ricardo de la Concha

Curiosity pavilion for the Venice Biennale by a|911, Cadena Concepts, Esrawe. Photography by Ricardo de la Concha.

The installation's lighting acts as a lantern in the darkness of the pavilion, illuminating the shape of the latticework and the objects it houses, and creating an interplay of light and shadow thanks to the project's own geometry.

Curiosity pavilion for the Venice Biennale by a|911, Cadena Concepts, Esrawe. Photography by Ricardo de la Concha

Curiosity pavilion for the Venice Biennale by a|911, Cadena Concepts, Esrawe. Photography by Ricardo de la Concha.

For a|911, Cadena Concepts and Esrawe Studio, the collective memory and historical context of Acapulco are fundamental, and in their proposal, they advocate for imagination and sanction to achieve a sustainable, inclusive, and resilient urban outcome that can transform the city of Acapulco in the future.

More information

Label
Authors of the exhibition
Text

a|911.- Jose Castillo, Saidee Springall, Rosalba Gómez, Miranda Castillo.
Cadena Concepts.- Ignacio Cadena.
Esrawe.- Héctor Esrawe.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Project team Design team
Text

Patricio Rugarcía, Aaron Rivera, Paola Solares, Andrea Correa, Montserrat Anzures, Ana Oliveros, Monserrat Loyola.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text

Fabricación.- Astilleros, Taller Cristo Rey. Luis Gil, Manuel Peredo, Emilio Zavala.
Análisis estructural.- Causa ID. Javier Diaque, Pedro Ospina.
Gestión de exhibición e instalación.- Exhibition Care.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Sponsors and partners
Text

Fundación Mary Street Jenkins, Fundación Genomma Lab, Cornell AAP, Cemex, Mariscal Servitje Family, Jefatura de Unidad de Coordinación Intersectorial de la Secretaría de Relaciones Exteriores, Fundación ICA.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text

9.00 sqm.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text

10.05. > 11.11.2025.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text

La Biennale di Venezia, (30122) Venecia, Italy.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
+ + copy Created with Sketch.
- + copy Created with Sketch.
aI911 is an architecture and urbanism firm founded in 2002 by Saidee Springall together with Jose Castillo and located in Mexico City, whose work is based on the double commitment of an architecture that links the physical with the social and, which starts and ends reports by city and territory.

Throughout these two decades they have formed a study of 60 professionals with different profiles and areas of experience, which allows a multidisciplinary approach to projects. aI911's work covers architecture, urban design, territorial planning, mobility and landscape projects, with a variety of typologies approached from a methodology based on research and design.

aI911 has collaborated with a diversity of Mexican and foreign architects including Alberto Kalach, Enrique Norten, Isaac Broid, Javier Sánchez, Michel Rojkind, Productora, MMX, Julio Amezcua, Frida Escobedo, Fernanda Canales, Cadena y Asociados, Esrawe among many others.

Among its outstanding projects are the expansion of the Cultural Center of Spain, the CEDIM campus in Monterrey NL, more than 2,000 intra-urban social housing units, the Jaime García Terrés Library in the Ciudadela, the remodeling of the Siqueiros Public Art Hall, the Elena Garro Cultural Center and the remodeling of the Del Bosque Cultural Center and the Julio Castillo Theater, the Platah administrative building in Hidalgo, the Aztec Pavilion in Mexico City, the remodeling of the San Juan Market and two PILLARS - social infrastructures - for the Government of Mexico City.

Its urbanism work includes the master plan for Azcania in Azcapotzalco, developed in collaboration with Arup, Cerro Norte, a multi-use district in León, Guanajuato in collaboration with Sasaki, the Cabo Norte mixed-use and housing development in Mérida, as well as a series of tourism, industrial and mixed-use master plans in different states of the Republic and Central America.

Among her mobility projects are the Mexibús Pantitlán-Neza-Chimalhuacán transport corridor, the master plan for the BRT Buenavista-Centro Histórico-San Lázaro, the Maribús / Acabici project; a water and cycling mobility system for the port of Acapulco, the master plans for the Cetram Observatory and the urban architectural project for the Cetram Tacubaya as well as the comprehensive sustainable mobility strategy for the City of Mérida, Yucatán.

The firm has received various awards for its projects and contributions to the field of architecture and urban planning, such as the Richard Rogers scholarship for the Harvard GSD in London 2017, the National Housing Award 2011, for a 750-unit social interest housing complex. for ARA (Iztacalco); the bronze medal of the Holcim awards for Latin America 2011 for his master plan for the renovation of public space and infrastructure in a neighborhood in Ciudad Juárez, Chihuahua and the Emerging Voices award, by the Architectural League of New York in 2012

The Elena Garro Cultural Center has received several awards, among which are the award for the best interior design in Latin America and the Caribbean by IIDA in 2013, the Best of Year 2013 by Interior Design Magazine, the Project of the Year award, by Archdaily and Plataforma Arquitectura, and the Travel and Leisure Design Award for the best cultural space of 2014. Also, in 2014, the team led by a|911 won the Audi Urban Future Award, in Berlin, Germany. In 2015, the firm was recognized as the most visionary architecture firm in Mexico by Obras Magazine. In 2018 they obtained the Silver Medal at the Mexico City Architecture Biennial.

The work of aI911 has been exhibited nationally and internationally in exhibitions such as the Sao Paulo Architecture Biennale (2005), the Rotterdam Biennale (2007 and 2005), the Venice Biennale (2012, 2008 and 2006), the Biennale of Arts and Architecture of the Canary Islands (2007), among others. Recently, the firm's proposals for the 15th Venice Architecture Biennale (2016) and the Rotterdam Architecture Biennale (2016) were selected to form part of the digital archive of Mexico and to participate in the exhibition, respectively.
Read more

Cadena Concepts is a strategic design lab led by Ignacio Cadena, with more than 25 years of experience in the Mexican city of Monterrey. It is specialised in creating high-impact brands, concepts and sensory experiences. Its narrative approach has transformed more than 2,000 projects in the hospitality, retail and branding sectors, with iconic names such as Xinú, Tierra Garat and Churros El Moro. Its work has been awarded and exhibited in over 20 countries.

Ignacio Cadena (Sonora, México, 1967). He initially studied Fine Arts in New York and Los Angeles, California. He later studied Architecture, first at the TEC in Monterrey, Mexico, and continued in Santa Monica, California, where he earned his professional degree and master's degree in architectural design from SCI-Arc (Southern California Institute of Architecture).

His work explores the boundaries between art and science, while representing visual concepts drawn from his sociocultural roots, urban environments, and modern media. Ignacio believes that development, personal enrichment, and an understanding of individual cultures are achieved through relationships and interaction with others, otherwise, one may perish through isolation. He is a staunch advocate of collaboration and intellectual and cultural exchange.

He has designed and designed brands, commercial projects, educational concepts, positioning strategies, communication, advertising campaigns, spaces, architectural projects, real estate concepts, editorial design projects, fashion, installations, furniture, and decorative objects, among others. Her professional work is based on a precise methodology that has organically evolved and matured over more than 20 years of professional experience.

Her work is a continuous multidisciplinary exploration that began with the founding of Yspania® in 1992 in Los Angeles, California, a visual research laboratory that later moved to Monterrey and currently bears the name C+A® CADENA + ASOC. CONCEPT DESIGN. It has evolved to become a holistic concept development workshop, involving disciplines such as architecture, interior design, industrial design, marketing, graphic design, visual arts, video, communication, illustration, multimedia, and photography, among others.

In 2009, she co-founded, along with renowned industrial designer Héctor Esrawe, the E+C® ESRAWE + CADENA workshop, where comprehensive multidisciplinary projects are conceived and developed, both in Mexico and abroad.

Read more
Esrawe Studio is a cross-disciplinary design atelier located in Mexico City. Its aim is to develop furniture, interior design and architectural solutions for museums, hotels, restaurants, bars, offices, residential developments and private houses.

The team at Esrawe Studio consists of about one hundred people, and includes from highly experienced designers, architects, specialized production technicians, and graphic designers, to craftsmen and women, administrators, and, of course,  a team of manufacturing experts that makes sure that each one of the studio’s products is optimally crafted –from conceptualization to the finishing details.

Héctor Esrawe was born in 1968 in Mexico City. He graduated from the Universidad Iberoamericana (UIA) with the title of Industrial Designer in 1992. He started his career as an independent designer under the firm Esrawe Studio in 2003. He was a design professor at the Universidad Iberoamericana for four years and created the Industrial Design Degree in the CENTRO study house, where he was Design Director for three years.  

Esrawe’s designs include a great variety of typologies, from furniture and objects to interiors, commercial spaces, installations and cultural exhibitions. His work is characterized by the great passion and respect he feels for the objects and furniture created by hand, in combination with the use of technologies and contemporary industrial processes. This has earned him recognition and international awards such as Mexico’s Best Interior Designer at Firenze Entremuros Award 2019, Best of Year Award 2019, AZ Award 2018, Jury Prize and People's Choice in FRAME Awards 2018, Wallpaper Design Award 2018 and Interior Prectice of the Year in World Interior News 2018 among others.   

His work is present in the permanent collection of the High Museum of Art in Atlanta, with the Centípede bench and the Vestigios jewelry collection. He has participated in different conferences and workshops around the world; his work has been published in numerous print and digital media.
Read more
Published on: June 3, 2025
Cite:
metalocus, SARA GENT, IRENE ÁLAMO MARTÍN
"Acapulco: Selective Memories by a|911, Cadena Concepts, Esrawe" METALOCUS. Accessed
<http://www.metalocus.es/en/news/acapulco-selective-memories-a911-cadena-concepts-esrawe> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...