LA BIENNALE DI VENEZIA
Indonesian Pavilion for the Venice Architecture Biennale. Photograph by Timur Angin
04.07
metalocus, JUDIT OTERO
What happens if the architecture has neither form nor geometry? that will be released. This is how Indonesia presents its Pavilion for the (biennial), supported by the idea of emptiness as an active entity.
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'The Naturalis Brutalis' by Krupinski/Krupinska Arkitekter at the Biennale Architettura di Venezia 2018. Photograph by Victor Johansson
03.07
metalocus, VANESA DEL OLMO
The installation, which has received much attention, takes place in the old greenhouse Serra dei Giardini as a continuation of the tradition of exhibiting nature, at the 16th International Architecture Exhibition - La Biennale di Venezia 2018.
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Installation view.Cruising Pavilion at the XVI Venice Architecture Biennale 2018. Photograph by Louis De Belle
29.06
metalocus, PABLO SEBASTIÁN
The "Cruising" Pavilion is produced in collaboration with Spazio Punch for the Venice Architecture Biennale, giving visibility to these practices.
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Repair, Pavilion of Australia. Photograph by Rory Gardiner
28.06
metalocus, JUDIT OTERO
Repair at the XVI Venice Architecture Biennale 2018 aims to broaden the point of view from the object of the architecture, to the way it operates in its context; and to defend a role for architecture among the many players that are needed to repair something.
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Inside pavilion. "Together and Apart". Pavilion of Latvia at the 16th Biennale Architettura di Venezia 2018. Photograph by Ansis-Starks
25.06
metalocus, PABLO SEBASTIÁN
Latvian Pavilion at the 16th international Architecture Exhibition, curated by architect Matīss Groskaufmanis, Evelīna Ozola, and Anda Skrējāne, will highlight the turning points of the last hundred years in Latvian apartment block design.
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Vista interior. Estación rusa. Pabellón de Rusia para la XVI Bienal de Arquitectura de Venecia 2018. Imágen cortesía de Anna MikheevaInterior view. Station Russia. Pavillion of Russia at the 16th Biennale Architettura di Venezia 2018. Image courtesy of Anna Mikheeva
24.06
metalocus, PABLO SEBASTIÁN
The Russian pavilion curated by Semyon Mikhailovsky focuses on the past, present and future of Russian railways and their relationship with the country's extensive landscape.
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STAND GROUND: The manifesto on how to create places. Courtesy by Rozana Montiel Estudio Arquitectura
22.06
metalocus, JUDIT OTERO
When intervening public spaces, Rozana Montiel Estudio de Arquitectura offers users a sense of place and wellbeing that promotes the habitability and densification of space, the development of active public space and local cultural production.
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Exhibition views. Amplifying Nature. Pavilion of Poland at the 16th International Architecture Exhibition – La Biennale di Venezia. Photograph by Anna Zagrodzka
20.06
metalocus, VANESA DEL OLMO
With the title Amplifying Nature by CENTRALA, the Polish Pavilion focuses on its concept of a ‘floating imaginarium’ where contact with nature produces a whole range of feelings and sensory emotions.
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Entrance. Weak Monument. Estonian Pavilion at the 16th Biennale Architettura di Venezia 2018. Photography by Tõnu Tunnel
18.06
metalocus, JUDIT OTERO, VANESA DEL OLMO
The project, curated by Laura Linsi, Roland Reemaa and Tadeáš Říha explores the spectrum between the explicit representation of the monument and the implicit politics of everyday architectures: from the triumphal column to the pavement beneath it, through all that
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Pavilion of Italy at the Venice Biennale. Padiglione Italia, Photograph © Urban Reports
16.06
metalocus, JUDIT OTERO
The Pavilion of Italy at the Venice Biennale 2018, sponsored by Nice, boasts comfort in the design of the Italian home, and aims to promote it and move it to the deep, internal and underutilized Italy, which constitutes a quarter of the national population.
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The Egyptian pavilion 'Roba Becciah', for the Venice Architecture Biennale 2018 edition, proposes proposes a research about of strategic redevelopment of spontaneous and unstructured urban m

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