Curated by Graeme Nicholls Architects, with the invaluable participation of Portuguese architect Álvaro Siza Vieira, the exhibition "Tea for Two" / Chá Para Dois was held: a tribute to the tea room as a work that integrates architecture, furniture, and ritual.  The exhibition was conceived as a dialogue between Álvaro Siza's Casa de Chá da Boa Nova in Leça da Palmeira, Matosinhos, Porto and Charles Rennie Mackintosh's Willow Tea Rooms in Glasgow.

From September 11 to October 2, 2025, the Mackintosh Queen's Cross, home of the Charles Rennie Mackintosh Society in Glasgow, hosted a series of drawings, texts, models, and archival material from both tea room designs. Typical furnishings such as tables, chairs, and screens were arranged according to the structural grid of the historic room to guide visitors through the sequence of exhibited works.

The project began in September 2023, when Scottish architect Graeme Nicholls traveled to Porto to study Siza's architecture firsthand. During a meeting at Siza's studio, the Pritzker Prize-winning architect spoke enthusiastically about Glasgow and Mackintosh, recalling a formative visit to the Glasgow School of Art in the 1970s. This moment of reflection sparked an ongoing dialogue between the two, becoming the impetus for the exhibition.

Presented for the first time at Mackintosh Queen's Cross, the proposal was conceived using screens that define commonalities, allowing for a comparison of the works. The careful selection of materials used contrasts with the darker interior panels of the space, reflecting the texture and lightness present in both the Willow Tea Rooms and the Casa de Chá.

"Tea for Two" - Exhibition by Graeme Nicholls Architects. Photograph by Ellis Bairstow.
"Tea for Two" - Exhibition by Graeme Nicholls Architects. Photograph by Ellis Bairstow.

The choreographed sequence of exhibition spaces was complemented by a series of meetings, talks, and the production of a documentary and a supplementary publication, creating a precious historical record that brings together, in the act of taking tea, the influential legacy of architects such as Mackintosh and Siza.

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Exhibition
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Tea for Two / Chá Para Dois.

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Architects
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Graeme Nicholls Architects. Lead Architect.- Graeme Nicholls.
Collaborator.- Álvaro Siza Vieira.

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Collaborators
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Model making.- Adam McGregor. 

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Sponsors and Supports
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Anglo-Portuguese Society, Camões — Instituto da Cooperação e da Língua, Casa de Arquitectura, Casa de Chá da Boa Nova, Charles Rennie Mackintosh Society, Craft Design Construction, Friends of Glasgow Museums, Glasgow Institute of Architects, João Morgado (Photographer), Lebond Watches, Mackintosh at the Willow, National Trust for Scotland, Royal Incorporation of Architects in Scotland, and Seventeen House.

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Area
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100 sqm.

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Dates
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11.09 > 02.10.2025.

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Location
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Mackintosh Queen’s Cross, 870 Garscube Rd. Glasgow, Scotland, UK.

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Manufacturers
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Bruce Hamilton Furniture Makers, Craft Design Construction.

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Photography
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Video
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Directed by.- Graeme Nicholls.
Camera / Editing / Colour Grading.- Christopher Michael Heisler.
Produced by.- CAMCAT – Portugal.
Original music composed by.- Graeme Nicholls.
Graphic design by.- Spoke.Studio.

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Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

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Charles Rennie Mackintosh was an architect, designer and Scottish watercolorist, which had fundamental importance in the Arts and Crafts movement and was also the leading exponent of Art Nouveau in Scotland. He was the father of Elizabeth Nicol Rennie also followed in his footsteps.

Protomodernist (forerunner of modernism). Tries to reform breaking with the above. He rose to fame after exposing your furniture in the Secession in Vienna in 1900 and was part of the group "The Four" of Glasgow, created in 1897, its main figure.

He took elements of Arts and Crafts, and was very well accepted by the Belgian Art Nouveau opposition (he was a hero to the Secession).

It was one of the most prominent architects of characters linked to Art Nouveau (including Victor Horta), but after 1913 did not receive more orders.

In 1884 he was apprenticed in the studio of architect John Hutchinson, where you would be forming for five years. At the same time, he attended night classes in drawing and painting at the Glasgow School of Art, acquiring great skill in drawing and design as well as a watercolorist. This was a period of hard work but at the same time, rewarded with several awards. It would be in the evening classes where he met the people who later formed The Four group (Four), the sisters Frances Macdonald and Margaret Macdonald, who would later marry, and Herbert MacNair, colleague working at studio Honeyman & Keppie, where come to work in 1889 and remained until 1913. in 1890, the granting of travel grant Alexander-Thomson, which won the design of a public building of classic Greek style allowed him to go in 1891 France, Italy and Belgium for three months. In 1896, his project won the competition for the Glasgow School of Art (1896-1909), his masterpiece.

In collaboration with his wife, he furnished from 1896 several tearooms in Glasgow; also he received orders from England and abroad for villas and homes; including one for a music room for Fritz Waerndorfer.

The Four group also participated in the VIII exhibition of the Viennese Secession 1900.

In 1915 the marriage Mackintosh moved to London, where he remained until the end of his life, except for the years 1923 to 1927, during which he lived in Port-Vendres (France), where he devoted himself to painting (watercolors).

Mackintosh in London devoted to graphic works and book arts.
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Graeme Nicholls Architects is a Glasgow-based architecture firm founded in 2016 by architect and educator Graeme Nicholls.

Their projects are characterized by a focus on proportion, the innovative use of materials, and a rich blend of cultural references to create a unique narrative in each proposal. In their professional practice, they address these interests by challenging client specifications, site requirements, and project scope to ensure the best possible architectural solution.

They work with an interdisciplinary team, bringing together consultants and members from various project teams to deliver innovative solutions that meet budget and deadlines.

Graeme Nicholls Architects has over fifteen years of experience across diverse sectors, including the development of residential, commercial, healthcare, cultural, civic, and leisure buildings.

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Published on: January 18, 2026
Cite:
metalocus, ANTONIO GRAS, AGUSTINA BERTA
"Architecture and ritual. "Tea for Two" Exhibition by Graeme Nicholls Architects" METALOCUS. Accessed
<http://www.metalocus.es/en/news/architecture-and-ritual-tea-two-exhibition-graeme-nicholls-architects> ISSN 1139-6415
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