The portuguese architect Alvaro Siza has renovated ‘the Boa Nova Casa de Chá / Boa Nova Tea House’, a project completed in 1963. The building, which has been fully renovated, now serves as a Restaurant leaded by Chef Rui Paula.

Designed in 1956, after a competition, by the Porto architect Fernando Távora, father of modern Portuguese architecture, the project was ceded to his collaborator, the then young architect Álvaro Siza (Matosinhos, 89 years old), whose final version of 1962.

The crisis seemed to have also swallowed up this unique place with its fantastic building, one of the initial works of Álvaro Siza. Siza's Tea House was falling apart, boarded up, and in a near-demolition state. It was saved thanks to the efforts of the Porto Association of Architects, also known asCasa da Arquitectura.

It is currently fully restored, recovering its former splendor, and although the building functions as a restaurant, it is possible to visit it during closing hours, with guided visits, on tours organized by the Casa da Arquitectura association.

Description of project

The Boa Nova Tea House was designed following a competition held in 1956 by the city council and won by Portuguese architect Fernando Tavora. After choosing a site on the cliffs of the Matosinhos seashore, Tavora turned the project over to his collaborator, Alvaro Siza. One of Siza’s first built projects, it is significant that the restaurant is not far from the town of Matosinhos where the architect grew up, and set in a landscape that he was intimately familiar with. It was still possible in Portugal of the 1960s to make architecture by working in close contact with the site, and this work, much like the Leça Swimming Pools of 1966, is about ‘building the landscape’ of this marginal zone on the Atlantic – through a careful analysis of the weather and tides, existing plant life and rock formations, and the relationship to the avenue and city behind.

Removed from the main road by some 300 meters, the building is accessed from a nearby parking lot through a system of platforms and stairs, eventually leading to an entry sheltered by a very low roof and massive boulders characteristic to the site. This architectural promenade, a sinuous path clad in white stone and lined by painted concrete walls, presents several dramatic perspectives of the landscape as it alternatively hides and reveals the sea and the horizon line.

The restaurant’s west-facing dining room and south room are set just above the rocks, and joined by a double-height atrium and stair, with the entrance being on a higher level. The kitchen, storage and employee areas are half-sunken in the back of the building, marked only by a narrow window and a mast-like chimney clad in tiles. Forming a butterfly in plan, the two primary spaces open gently around the sea cove, their exterior walls following the natural topography of the site. The tea room has large windows above an exposed concrete base, while the dining room is fully glassed, leading to an outdoor plateau. In both rooms, the window frames can slide down beneath the floor, leaving the long projecting roof eaves in continuum with the ceiling. This creates an amazing effect in the summer, when it is possible to walk out from the dining room directly to the sea, as the building seems to disappear.

As in other early works of the architect, a diversity of materials come into play: white-plastered masonry walls, exposed concrete pillars on the west-facing facade, and an abundant use of the red African ‘Afizelia’ wood in the cladding of the walls, ceilings, frames and furniture. On the outside the facing of the projecting eaves is made with long wood boards trimmed with copper flashing. The roof is a concrete slab covered by Roman red terracotta tiles and by a wood suspended ceiling.

 

CREDITS.

Architect.- Álvaro Siza Vieira.
Originally built.- 1963.
Fully renovated.- 2014 by Álvaro Siza Vieira.
Location.- Leça da Palmeira, Matosinhos. Portugal.
Photography.-Joao Morgado, architecture photography.

How to visit

The Boa Nova Tea House, also called Casa de Chá Boa-Nova, is located in the town of Leça da Palmeira, a 20 minute drive north of Porto. From Porto, follow highway IC1 in the direction of the airport, take the first exit after the bridge for Leça da Palmeira (before the Exponor) and head towards the sea. Turn right on the coastal road Avenida da Liberdade, also called Avenida Marginal, and go straight. Look for the restaurant on the left side of the road, just after the lighthouse. Buses 44 and 76 travel from Porto to Leça, but do not go as far as the Boa Nova. A site showing detailed bus routes and schedules is at www.stcp.pt.

A map of Leça da Palmeira is at www.leca-palmeira.com/roteiro.htm, with highway IC1 shown at the far right.

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Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

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