When we visit a museum, how much time do we spend observing the building that makes the experience possible?

The exhibition "Ibidem, Museums," presented by architect María José Gurbindo, offers a journey through three museums in Navarre, focusing exclusively on their architecture, understood as a discipline capable of evoking emotion when observed attentively.

The exhibition invites visitors to perceive forms, volumes, textures, and plays of light to discover the stories and cultural values ​​that the architect imbues in their spaces. Ultimately, it is about rediscovering these buildings from a fresh perspective. 

“Ibidem,” meaning “in the same place,” is a word borrowed from Latin by María José Gurbindo, used in texts to refer to a quote repeated elsewhere. In this project, however, it is reinterpreted to express the opposite: although the gaze rests on the same place, it is never the same, but rather transformed through the photographer’s perception.

The project, focused on museum architecture, began in 2021 with the exhibition “Ibidem Museo Oteiza” at the Citadel of Pamplona. After receiving the Innova Cultural grant from the La Caixa Foundation and the Caja Navarra Foundation, it expanded to two more museums, establishing itself as an artistic research project encompassing the Museum of Navarra, by Enric Soria and Jordi Garcés (with renovations by Luis Tena); the Oteiza Museum, by Javier Sáenz de Oiza; and the University of Navarra Museum, by Rafael Moneo.

Museo Oteiza por Javier Sáenz de Oiza. Fotografía por María José Gurbindo.

Oteiza Museum by Javier Sáenz de Oiza. Photography by María José Gurbindo.

Project description by María José Gurbindo

“Architecture is the learned, correct, and magnificent play of volumes in light.”
Le Corbusier.

Memory
“Ibidem, Museums” proposes a new way of looking at and experiencing three well-known museums in Navarre.

It proposes doing so through the language of architecture: through forms, volumes, and textures, to discover stories that may have accompanied the architect, consciously or unconsciously, when they designed them.

It is an artistic work because it engages with cultural and artistic content, but it also has an educational purpose by highlighting the valuable heritage and architectural significance of the three museums photographed: the Oteiza Museum, by architect Saenz de Oiza; the University of Navarre Museum, by Rafael Moneo; and the Museum of Navarre, by architects Garcés and Soria, remodeled by architect Luis Tena.

Museo Oteiza por Javier Sáenz de Oiza. Fotografía por María José Gurbindo.
Oteiza Museum by Javier Sáenz de Oiza. Photography by María José Gurbindo.

The work presents architectural space as an environment in which to experience the versatility of what we call “the real.” Architecture is created or reinvented through the lens of the photographer or each person who experiences it, depending on the moment and the intention of the visit.

"Ibidem" began in 2021 with the exhibition "Ibidem Museos Oteiza" at the Citadel of Pamplona, ​​which received the 2021 Creation Grant from the Pamplona City Council.

With the Innova Grant from the La Caixa Foundation and the Caja Navarra Foundation, it expanded to two more museums and became a work of artistic research.

Museo de La Universidad de Navarra por Rafael Moneo. Fotografía por María José Gurbindo.
University of Navarra Museum by Rafael Moneo. Photograph by María José Gurbindo.

For this reason, because each photo essay reveals a story, the author has materialized them in the form of unfolded books, or "leporellos." She aims to create photobooks.

Stories that were waiting to be told, or stories imagined with the camera, that can enrich the collective imagination surrounding the Museum.

The intention is to tour the exhibition and, with it, organize talks about the power of architectural language to create experiences and transmit symbolic and cultural content. That is, to defend the artistic character of architecture.

Museo de La Universidad de Navarra por Rafael Moneo. Fotografía por María José Gurbindo.
University of Navarra Museum by Rafael Moneo. Photograph by María José Gurbindo.

Materialization
Both the Oteiza Museum and the University of Navarra Museum (MUN) are presented in two distinct ways.

On the one hand, as an unfolded book, or leporello, to showcase the narrative that gives it meaning as a work of artistic research. On the other hand, as images printed on paper mounted on Dibond, measuring 50 x 75 cm.

The unfolded book is displayed hanging on the wall like a large paper frieze. The individual images are distributed in three groups, one for each museum. The University of Navarra Museum is not presented as a leporello.

Museo de Navarra por Enric Soria y Jordi Garcés, con remodelación de Luis Tena. Fotografía por María José Gurbindo.
Museum of Navarre by Enric Soria and Jordi Garcés, with remodeling by Luis Tena. Photography by María José Gurbindo.

Oteiza Museum. The unfolded book consists of 21 images distributed across double pages measuring 42 x 28.8 cm, organized into six modules. The total length of the modules reaches 8.15 m. It is printed on Photo Rag paper. Nine images on the wall, printed on Photo Rag and baryta photographic paper, are arranged in three triptychs.

Museum of Navarre. Four images on the wall are printed on Photo Rag and baryta photographic paper. It does not have a booklet or fold-out display.

University of Navarre Museum. The folded-out display consists of 25 images distributed across double pages measuring 42 x 28.9 cm, organized into six modules.

The total length of the modules reaches 8 meters. It is printed on Photo Rag paper. Five images on the wall are printed on Photo Rag and baryta photographic paper.

More information

Label
Exhibition
Text

Ibidem, Museos.

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Author
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Organized by
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The Navarre Delegation of the Official College of Basque-Navarrese Architects, with the collaboration of the Pamplona City Council.

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Dates
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24.03 > 26.04.2026.

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Location
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The Constable Palace. C. Mayor, 2. 31001 - Pamplona, ​​Navarra, Spain.

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Photography
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María José Gurbindo (b. Pamplona, Navarra, Spain, 1962) studied architecture at the University of Navarra and, as she likes to say, works as an architect in the field of the image.

In 1995, she moved to Barcelona, where she specialized in 3D architectural imaging, a field of representation that started then and that allowed her to work from his studio for important studios and promoters.

Fifteen years later, she begins her career as a photographer and bets on the potential of the real against the invented reality.

As an architecture photographer, she combines her most commercial work with carrying out personal projects.
Read more
Published on: April 5, 2026
Cite:
metalocus, AGUSTINA BERTA
"The art of architecture. Exhibition «Ibidem, Museums» by María José Gurbindo" METALOCUS. Accessed
<http://www.metalocus.es/en/news/art-architecture-exhibition-ibidem-museums-maria-jose-gurbindo> ISSN 1139-6415
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