Following their meeting on Tuesday, October 7, the 21 members of the international jury selected five architecture firms with outstanding proposals in architecture, set design, urban planning, and landscape design.

“Louvre – New Renaissance” was announced at the Louvre Museum on January 28, 2025, by the President of the Republic. “Louvre – New Renaissance” is a comprehensive project encompassing scientific, cultural, architectural, heritage, environmental, technical, and digital dimensions. Its international architecture competition, launched on June 28, 2025, received over one hundred entries, two-thirds of which were from international teams.

The ambitious plans of the world's most visited museum to reinvent itself and adapt to the new needs of the 21st century will be undertaken by one of five selected groups:

- Amanda Levete Architectes (AL_A), NC Nathalie Crinière (scenography), and Carole Benaiteau (museography). Landscape design by VDLA and urban planning by Atelier SOIL.
- Architecture Studio and Diller Scofidio + Renfro. Scenography by Diller Scofidio + Renfro and Atelier Brückner, museography by LAMAYA, landscape design by Diller Scofidio + Renfro and TER, and urban planning by Architecture Studio;
- The architecture firm Dubuisson and SANAA, with Dan Pearson Studio for landscape design.
- Sou Fujimoto Taller Paris and Sou Fujimoto Architects. Scenography and museography by Ducks Scéno, landscape design and urban planning by Vogt Paysage; - The agency STUDIOS arquitectura, with Selldorf architects, with BASE, which is in charge of urban planning and landscaping.

Museo del Louvre. Imagen cortesía del Museo del Louvre

Musée du Louvre. Image courtesy of Musée du Louvre.

The “Louvre – Nouvelle Renaissance” project aims to improve visitor reception, the visitor experience, and the working conditions of museum staff. It is structured around two main axes: the creation of new entrances and spaces in the heart of the Louvre, and the renovation of its surroundings with updated infrastructure and facilities.

A new entrance is planned on the eastern façade of the palace (Grande Colonnade), which will complement the Pyramid area and alleviate congestion. These reception areas will optimize entry and exit flows, offering services in line with the expectations of the world's most visited museum. New spaces are planned beneath the Cour de la Place and the surrounding gardens, including the “Joconde Course,” dedicated to the Mona Lisa, which will redistribute visitors and improve the visitor experience.

The plan also includes a large space for temporary exhibitions, the enhancement of the 17th-century Grande Colonnade, and the integration of the palace with the city through the redevelopment of its surroundings, led by François Chatillon, chief architect of the Historic Monuments.

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Amanda Levete (b. November 17, 1955, Bridgend, United Kingdom) is a Stirling Prize winning architect and founder and principal of AL_A. She trained at the Architectural Association and worked for Richard Rogers before joining Future Systems as a partner in 1989, where she realised groundbreaking buildings including the Media Centre at Lord’s Cricket Ground and Selfridges department store in Birmingham. Amanda is a trustee of leading social innovation centre the Young Foundation and has served as a trustee of influential arts organisation Artangel for over a decade. She is a regular radio and TV broadcaster, writes for a number of publications, including the New Statesman and Prospect, and lectures worldwide. 
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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SANAA. Kazuyo Sejima (Ibaraki, Japan, 1956) and Ryue Nishizawa (Kanagawa, Japan, 1966) worked independently from each other before founding the SANAA Ltd. studio in 1995. Having studied architecture at the Japan Women’s University, Sejima went on to work for the renowned architect Toyo Ito. She set up her studio in 1987 and in 1992 was proclaimed Young Architect of the Year in Japan. Nishizawa studied architecture at the Yokohama National University. In addition to his work with Sejima, he has had his practice since 1997.

The studio has built several extraordinarily successful commercial and institutional buildings, civic centres, homes and museums both in Japan and elsewhere. These include the O Museum in Nagano (1999) and the N Museum in Wakayama (1997), the Day-Care Center in Yokohama (2000), the Prada Beauty Store in Tokyo and Hong Kong (2001), the Issey Miyake and Christian Dior Building in Tokyo (2003) and the 21st Century Museum of Contemporary Art in Kanazawa (2004). Sejima also designed the famous Small House in Tokyo (2000), the Toledo Museum of Art Glass Pavilion, Toledo, Ohio (2001-2006), the extension to the Institut Valencia d’Art Modern, Valencia, Spain (2002 – ), the Zollverein School, Essen, Germany (2003-2006), the New Museum of Contemporary Art, New York (2003-2007) and the Novartis Campus WSJ-157 Office Building, Basle, Switzerland (2003 – ).

In 2004 Sejima and Nishizawa were awarded the Golden Lion at the 9th Venice Architecture Biennale for their distinguished work on the Metamorph exhibition.

Kazuyo Sejima and Ryue Nishizawa have won the 2010 Pritzker Prize.

The 12th International Architecture Exhibition was directed by Kazuyo Sejima, the first woman to direct the Venice Architecture Biennale, since its inception in 1980.

   

Ryue Nishizawa and Kazuyo Sejima. Kazuyo Sejima

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Sou Fujimoto was born in Hokkaido, Japan, on August 4, 1971. He graduated in architecture from the University of Tokyo's Faculty of Engineering in 1994. He established his own architectural practice, Sou Fujimoto Architects, in Tokyo in 2000, and has been a professor at Kyoto University since 2007.

He came to international attention in 2005 when he won the renowned AR – International Architectural Review Awards in the Young Architect category, an award he received three consecutive years, the first in 2006.

In 2008, he won the JIA (Japan Institute of Architects) Award and the World Architecture Festival Award in the Private Houses section. In 2009, Wallpaper magazine awarded him its design award. Sou Fujimoto published "The Primitive Future" in 2008, one of the best-selling architectural books of that year. His architectural projects always seek new forms and spaces between nature and artifice.

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Selldorf Architects. 65-person architectural design practice founded in New York in 1988 by Annabelle Selldorf. Selldorf Architects creates public and private spaces that manifest a clear, modern sensibility with lasting impact. The firm has particular expertise in creating architecture that enhances the art experience, having worked internationally on numerous museums, galleries, art foundations, and other cultural projects.

Past projects include the Neue Galerie in New York City, which, like the Frick, was originally designed in 1914 by Carrère and Hastings; the Clark Art Institute in Williamstown, MA; LUMA Arles, a new contemporary art center in the South of France; and galleries for David Zwirner and Hauser & Wirth, among others. Current projects include the expansion of the Museum of Contemporary Art in San Diego and the Swiss Institute in New York, which is scheduled to open in June 2018.

In addition to its work on cultural spaces, Selldorf Architects has developed high-profile residential and commercial projects and master plans for arts institutions. Their approach balances functionality and aesthetics, respecting each project's historical and environmental context. The firm is recognized for its meticulous attention to detail and commitment to sustainability.

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Published on: October 30, 2025
Cite:
metalocus, SARA GENT
"Five architecture studios selected for the "Louvre – New Renaissance"" METALOCUS. Accessed
<http://www.metalocus.es/en/news/five-architecture-studios-selected-louvre-new-renaissance> ISSN 1139-6415
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