Projecting Future Heritage: An Archive of Hong Kong is the title chosen for the exhibition that integrates the Hong Kong Pavilion as part of the 19th International Architecture Exhibition - La Biennale di Venezia 2025. Curated by Fai Au, Ying Zhou, and Sing Yeung Sunnie Lau, the proposal illustrates a series of carefully selected projects to shed light on the city's often overlooked public space.

Moving beyond the popularized image of the city, characterized by dazzling skyscrapers, the project aims to demonstrate that Hong Kong is far more fascinating and has much more to teach the world. Mixed-use buildings, residential centers, market complexes, and public housing highlight the collective intelligence of public infrastructure.

In response to the theme of the 2025 Architecture Biennale, curated by Carlo Ratti, "Intelligence. Natural. Artificial. Collective," the curators of the Hong Kong exhibition, Fai Au, Ying Zhou, and Sing Yeung Sunnie Lau, have selected thirty-three projects developed by local architects that are representative of the city's dynamic and changing paradigm.

In contrast to the well-known nostalgic images of the neon-lit streets of Hong Kong's Kowloon side, these projects have been understudied, underdocumented, and under-disseminated. Many of these architectures, including the vernacular villages, are either about to be redeveloped or have already closed, making them the only examples of Hong Kong's future heritage.

"Memory Eggency -- The Sonic Life of Urban Memory". Projecting Future Heritage: A Hong Kong Archive. Photograph by Oliver Yin Law.

"Memory Eggency -- The Sonic Life of Urban Memory". Projecting Future Heritage: A Hong Kong Archive. Photograph by Oliver Yin Law.

With the aim of cataloging these representations of the recent past, the exhibition is organized in two distinct parts of Venice's Campo della Tana: the exterior courtyard and the former warehouses. Inside the warehouses, visitors will interact with archaeological documentation of an urban cosmology: scale drawings, models, photographs, diagrams, texts, artifacts, and ephemera. Opening the archival drawers, they will discover scholarly research on Hong Kong's future heritage.

The site itself evokes the ancient production of elbows and ship ropes, crafted at the Venetian Arsenale, the largest pre-modern industrial complex in the world. To underscore this connection, the exhibition invites Hong Kong's "shifu," or bamboo masters, to build a bamboo scaffold in the courtyard outside.

"Social Condenser Extraordinaire: Hong Kong’s Municipal Services Buildings". Projecting Future Heritage: A Hong Kong Archive. Photograph by Oliver Yin Law.

"Social Condenser Extraordinaire: Hong Kong’s Municipal Services Buildings". Projecting Future Heritage: A Hong Kong Archive. Photograph by Oliver Yin Law.

Bamboo scaffolding is a ubiquitous, though now embattled, element of Hong Kong and its circular economy, where some built between the post-war period and the turn of the millennium are already slated for replacement. Choreographing the courtyard as a space for a projective future, the temporary scaffolding frames Campo della Tana's rich history, while also serving as a backdrop to juxtapose the hub cities of Hong Kong and Venice in their shared precariousness between the natural and the artificial.

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Exhibitors
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By Us For Us: Future Proof Narratives of a Third Housing for Hong Kong [Architecture Land Initiative (Guillaume Othenin-Girard, Kent Mundle from ALIN)], Social Condenser Extraordinaire: Hong Kong’s Municipal Services Buildings [Fai Au, Ying Zhou, Hongshan Guo], Context as Generator, a methodological exploration on how to maintain, adapt and pass-on architecture in a time of crisis [BEAU Architects (Charlotte Lafont-Hugo, Gilles Vanderstocken)], Estate Centres, Postwar Public Amenities in Hong Kong Public Housing [Building Narrative (Jeffrey Cheng), Kris Provoost Photography], Curb-scale Hong Kong: Infrastructures of the Street [Sony Devabhaktuni], The First Urban Council Complex, now Municipal Services Building, Aberdeen [DLN Architects Limited], Public Housing Paragon: Choi Hung Estate [Daqing Gu, Vito Bertin, Man Han], From Sea to Hill: The Living Heritage of Wah Fu Estate [Hong Kong Housing Authority], Airport Urbanism: Remaking Hong Kong, 1975-2025 [Max Hirsh & Dorothy Tang], Foraged [Natasza Minasiewicz], The Last Sawmill [LAAB Architects], Tai Kok Tsui Municipal Services Building [Ronald Lu & Partners], Multiple Mansions [Eunice Seng], Airflow Archetypes: Visualizing Ventilation Phenomena in Hong Kong’s Public Buildings [Eric Schuldenfrei, Jay Jordan, Sze Chun Liu, Marc Downie], Memory Eggency -- The Sonic Life of Urban Memory [SOSArchitecture Urban Design Studio], Lasting Play [SOSArchitecture Urban Design Studio (Sunnie S.Y. LAU, Annie LYE)], Made in Kwun Tong: Between Type and Territory [Su Chang Design Research Office (Su Chang, Au Cheuk Fan Frankie)], Kuk Po Vision: Point-Line-Network Acupuncture Strategy For a Hong Kong Village [Weijen Wang (Centre For Chinese Architecture And Urbanism, Ziming Su, Tsit Lun Ma, Ching Yau Leung, Kit Sze Yau)], From Sheung Shui Slaughterhouse to Kwun Chung Market: An Architectural Story of Hong Kong Food Culture and Logistics [Wong and Ouyang (HK) Limited (Albert Chan, Brian Lee, Terry Chan, Hilarie Lai, Andy Tsui, Sampson Ip)], On Hing Travel Agency: Fictional Archive of Disappearing Hong Kong [Ina Wu], Bamboo City [Xiang Ji], Archive of Bamboo Scaffolding for Hong Kong’s Constructions [Oliver Yin Law and Ying Zhou], STAGING THE ARCHIVE [Architecture Land Initiative (Guillaume Othenin-Girard, Kent Mundle from ALIN), BEAU Architects (Charlotte Lafont-Hugo, Gilles Vanderstocken)], Disappearing Fabric of Hong Kong [Atelier Global (Frankie Lui, Larry Tsoi, Junqian Wang, Qinling Li, Zhuoyu Zhang)], Pixelated Landscapes [COLLECTIVE (Betty Ng, Chi Yan Chan, Juan Minguez)], MART [Sai Ho Choi], Photovoltaic Hybrids: Hong Kong’s Experiment on Climate-Responsive Architecture [Design PY (Emily Wincy PO, Quentin Kun Hin YIU)], DESIGN TRUST FUTURES STUDIO Micro-parks initiative [Marisa Yiu, Design Trust Futures Studio], The Last Resort: Unprogrammed Public Open Space at Estate Podium Roof [Horta Yat Him Fu], Cities of Repetition: Hong Kong’s Private Housing Estates [Christian Lange, Jason Carlow, Kay Bachmann], Townplace Pier at Cheung Sha Wan Promenade - Landscape as Synthesis of Past and Present [New Office Works (Evelyn Ting, Paul Tse)], A Picturesque Stroll (HK) [Haotian Zhang, Nero Chenxuan He, Ziyue Sun, Peter Czibolya, Tianying Li], Intervention: Hong Kong [Transversal Lab (T.Lab)].

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Co-Organisers
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The Hong Kong Institute of Architects Biennale Foundation, Hong Kong Arts Development Council.

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Partner
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The Hong Kong Institute of Architects.

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Lead Sponsor
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Cultural and Creative Industries Development Agency [Note: The funding support is subject to approval].

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Dates
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10.05 > 11.11.2025.

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Location
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19th International Architecture Exhibition. Venice, Italy.

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Photography
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Fai AU (HKIA) is the founder and principal of O Studio Architects, and Associate Professor of Practice in the University of Hong Kong. His practice has received numerous awards and honour including 2021 Prix Versailles Continental Winner, 2020 Architectural Record’s Design Vanguard and 2011 HKIA Medal of the Year. His research focuses primarily on the topic of high-density city living, congestion, gentrification, and social inequality. He is a co-curator of 2017 Hong Kong Shenzhen Bi-City Biennale of Urbanism\Architecture (Hong Kong)*, and the curator of 2022 PMQ HKU Architecture Gallery Exhibition.

His works have been featured in various exhibitions including 2023 The Architecture of Prayer Exhibition, 2019 Good Design Award Exhibition, 16th International Architecture Exhibition – La Biennale di Venezia, 2018 Play to Change Exhibition, 2017 Hong Kong Shenzhen Bi-City Biennale of Urbanism\Architecture (Hong Kong)*, 2017 PMQ 10×100 Exhibition*, 2016 "REVEAL 2: +-x÷" Exhibition, 2015 "Past Present Future – Tracking Hong Kong" Exhibition* and 2013 Agoras Green Architecture Exhibition.

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Dr. Ying Zhou (AIA Assoc.) is an urban theorist teaching at The University of Hong Kong. She is the current chair of Docomomo HK and is on the editorial board of Architectural Histories, the journal of the European Architectural History Network. Her concern for architecture’s agency in the civicness of the city has compelled her current research into the conceptions and aspirations for the Urban Council complexes since the 1970s in Hong Kong.

She also researches the arts ecologies in East Asian cities through their spatial productions, and their intersections with heritage conservation, gentrification, and creative cities. Prior to Hong Kong, she taught and researched with the chair of Professor Kees Christiaanse at the Future Cities Laboratory of the Singapore-ETH Centre and the chair of Professors Herzog and de Meuron at the ETH Studio Basel Contemporary Cities Institute.

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Ar. Sing Yeung Sunnie LAU (HKIA) is the founding director of SOSArchitecture Urban Design Studio. Her professional development focuses on human-centered design, promoting inclusive communities through innovative sustainable design strategies.

She implemented the "Smart City" and "Sustainability" initiatives at the MIT Hong Kong Innovation Node (2019-2024) as director. She co-taught and led the 2021 "Hacking Kowloon East" IAP workshop and spring course with Professor Brent Ryan (MIT); and the 2022 "Beyond Smart Cities - 10-min Self-Sustainable Neighbors in Island South" IAP workshop with Professor Kent Larson (City Science Group, Media Lab, MIT); and Urban Technology Week 2023-2024 with MITDesignX, MAD, MIT.

Taking on the roles of both practitioner and educator, she has been promoting architecture through design, exhibition, writing as outreach, and community engagement. Her published research includes: “Inclusive Innovation and Growth in Kowloon East,” “Urban Mobility and Smart Infrastructure,” “Urban Resilience by Design: Adaptive Landscapes for Public Relations Development,” etc. She was a co-curator and exhibitor at the Hong Kong-Shenzhen Biennale of Urbanism and Architecture (Hong Kong)* in 2017 and 2019, and an exhibitor at the 2021 Architecture Biennale (Hong Kong)* in Venice.* Sponsored by the Cultural and Creative Industries Development Agency (formerly known as Create Hong Kong of the Hong Kong Special Administrative Region Government).

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Published on: May 14, 2025
Cite:
metalocus, AGUSTINA BERTA
"Projecting Future Heritage: A Hong Kong Archive. Exhibition at the Biennale di Venezia" METALOCUS. Accessed
<http://www.metalocus.es/en/news/projecting-future-heritage-hong-kong-archive-exhibition-biennale-di-venezia> ISSN 1139-6415
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