The Curator of the 19th International Architecture Exhibition, Carlo Ratti, and President of La Biennale di Venezia, Pietrangelo Buttafuoco, announced the title and theme of the Biennale Architettura 2025, which will take place from 10 May to 23 November 2025 (pre-opening 8 and 9 May) at the Giardini, the Arsenale and various venues in Venice.
 
"Intelligens. Natural. Artificial. Collective" is the title of the Biennale Architettura 2025.

Explaining his choice Carlo Ratti said that «the title of the International Architecture Exhibition is usually announced in English and Italian. In 2025 it will be condensed into a single word for both languages via the common Latin precedent: intelligent.
On the same day, they presented the second edition of Biennale College Architettura for students, graduate students and emerging practitioners under 30, whose workshop will start in September 2024.

The title Intelligens is linked to the modern term “intelligence,” but it also evokes a wider set of associated meanings. In fact, the final syllable, “gens” is Latin for “people”. A new, fictional root emerges, suggesting a future of intelligence that is inclusive, multiple, and imaginative beyond today’s limited focus on AI.
 
«The 19th International Architecture Exhibition will be about the built environment and the many disciplines that shape it. Architecture is at the center - Curator explained - but not alone. It is part of an extended sphere that integrates art, engineering, biology, data science, social and political sciences, planetary systems sciences, and other disciplines - linking each and all of them to the materiality of urban space.

The built environment is one of the largest contributors to atmospheric emissions, placing architecture among the main culprits in the degradation of our planet. As the climate crisis accelerates, must we resign ourselves to this role, or are we still able to offer solutions, substantial and non-cosmetic, effective and quick to achieve?

The Exhibition will search for a path forward, proposing that intelligent solutions to pressing problems can take many forms. It will present a collection of design proposals and many other experiments, exploring a definition of “intelligence” as an ability to adapt to the environment with limited resources, knowledge, or power.

Objects, buildings, and urban plans will be arranged along the axis of a multiple and widespread intelligence - organized as natural, artificial, collective, and combinations of the three. While some ideas are destined to fail, others may point us toward redemption.

The Exhibition will cast architects in the role of “mutagens” stimulating natural evolutionary processes and sending them off in new directions. Learning from many sciences, this exhibition hopes to accelerate the transformation of the present through fearless trial and error, and to find a better future in the process».

An Exhibition founded on four methodological pillars

Transdisciplinarity: architectural projects will be collaborations between multiple professionals, to advance scientific knowledge whenever possible.

Living Lab: as the Central Pavillion at the Giardini will be under renovation in 2025, it will be replaced by several special projects that will leverage Venice and the outdoor areas of the Biennale Exhibition venues as a Living Lab, merging interacting forms of intelligence.

Space For Ideas: In times of crisis, we must embrace a collaborative approach to design. As of May 7, 2024, a public venue for submission of ideas is open on the website of La Biennale, fostering an expansive heterogeneity of voices, visions, and suggestions.

Circularity Protocol: The exhibition aims to set unprecedented goals for circularity. A Circularity Manifesto will be developed to define clear directions and a new standard for the future of cultural events.


Carlo Ratti. Fotografía por Sara Magni, imagen cortesía de La Biennale Architettura.

A common prompt addressed by the Curator to the Participating Countries

To reintroduce a degree of coordination and coherence with the theme of the main International Exhibition among the National Pavilions, the Curator encourages the participating countries to address the common prompt of "One place, one solution”, «showcasing how local ingenuity – Ratti said - can address our time’s existential challenge that can only be tackled cooperatively, reflecting a multiplicity of approaches. If every country brings one success to the table, together we can assemble a global kit for adapting to the future».

The 19th International Architecture Exhibition will present, as usual, the National Participations with their exhibitions in the Pavilions at the Giardini and at the Arsenale, as well as in the historic centre of Venice.

More information

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Venice (Arsenale and Giardini), Italy.
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19th International Architecture Exhibition to be held from May 10th to November 23th, 2025; pre-opening 8th and 9th May; opening to the public on Saturday, May 10th.
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Carlo Ratti Associati (born in 1971 in Turin, Italy) is an international design and innovation office based in Torino, Italy, with branches in New York and London. Drawing on Carlo Ratti’s research at the Massachusetts Institute of Technology Senseable City Lab, the office is currently involved in many projects across the globe, embracing every scale of intervention – from furniture to urban planning. The work of the practice merges design with cutting-edge digital technologies, so as to contribute to the creation of an architecture “that senses and responds”.

Noteworthy achievements at the urban and architectural scale include the masterplan for a creative hub in the City of Guadalajara, the renovation of the Agnelli Foundation HQ in Torino, the Future Food District at Expo Milano 2015, and the Digital Water Pavilion at Expo Zaragoza 2008. Product design projects range from experimental furniture for Cassina to light installations for Artemide, to responsive seating systems with Vitra.

In all these circumstances, the studio investigated the ways in which new technologies, including digital sensors and portable devices, are changing both the built environment and everyday life. The works of the practice have been featured in publications worldwide, including The New York Times, Financial Times, Wall Street Journal, The Guardian, BBC, Wired, Boston Globe, Der Spiegel, Corriere della Sera, and Domus. The studio's projects have been exhibited in cultural venues such as the Venice Biennale, New York’s MoMA, Istanbul Design Biennial, and many others.

Carlo Ratti Associati is the only design firm whose works have been featured twice in TIME Magazine’s “Best Inventions of the Year” list – respectively with the Digital Water Pavilion in 2007 and the Copenhagen Wheel in 2014. In the last years, the office has been involved in the launch of Makr Shakr, a startup producing the world’s first robotic bar system.
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Published on: May 8, 2024
Cite: ""Intelligens. Natural. Artificial. Collective." Title and theme of the Biennale Architettura 2025" METALOCUS. Accessed
<https://www.metalocus.es/en/news/intelligens-natural-artificial-collective-title-and-theme-biennale-architettura-2025> ISSN 1139-6415
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