Gaudí. The Complete Works by Rainer Zerbst
04/01/2020.
TASCHEN
metalocus, ANA DIOSDADO
metalocus, ANA DIOSDADO
Antoni Gaudí merged orientalism, natural forms and new materials into a unique Modernist aesthetic (in parallel to Art Nouveau, Arts and crafts or Secession) that placed, with some of his works, to Barcelona on the global architecture map of the beginning of the century.
With brand-new photography, plans and drawings by Gaudí himself, as well as an extensive appendix of all his works including furniture and unfinished projects, this XL book takes us as never before a fantastic universe that runs from small cities like Astorga, Comillas to other bigger ones like Barcelona, or New York, of this Spanish architect.
With brand-new photography, plans and drawings by Gaudí himself, as well as an extensive appendix of all his works including furniture and unfinished projects, this XL book takes us as never before a fantastic universe that runs from small cities like Astorga, Comillas to other bigger ones like Barcelona, or New York, of this Spanish architect.
Cover. Gaudí. The Complete Works by Rainer Zerbst
Sagrada Familia. Gaudí. The Complete Works by Rainer Zerbst
Park Güell. Gaudí. The Complete Works by Rainer Zerbst
Original project Güell colony. Gaudí. The Complete Works by Rainer Zerbst
Inside pages. Gaudí. The Complete Works by Rainer Zerbst
Inside pages. Gaudí. The Complete Works by Rainer Zerbst
Inside pages. Gaudí. The Complete Works by Rainer Zerbst
Inside pages. Gaudí. The Complete Works by Rainer Zerbst
Inside pages. Gaudí. The Complete Works by Rainer Zerbst
Inside pages. Gaudí. The Complete Works by Rainer Zerbst
The life of Antoni Gaudí (1852–1926) was full of complexity and contradictions. As a young man was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar.
Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites.
Through brand-new photography, plans and drawings by Gaudí himself, historical photos, as well as an appendix detailing all his works—from buildings to furniture, decor to unfinished projects—this book presents Gaudí’s universe like never before. Like a personal tour through Barcelona, we discover how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.
Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites.
Through brand-new photography, plans and drawings by Gaudí himself, historical photos, as well as an appendix detailing all his works—from buildings to furniture, decor to unfinished projects—this book presents Gaudí’s universe like never before. Like a personal tour through Barcelona, we discover how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.
More information
Author
Rainer Zerbst
Publisher
Binding
Hardcover.
Measurements
25 x 34 cm, 368 pages.
Language
Spanish, English, French, German.
ISBN
ISBN 978-3-8365-6444-1
Edition: Spanish
ISBN 978-3-8365-6446-5
Edition: English
ISBN 978-3-8365-6443-4
Edition: German
ISBN 978-3-8365-6445-8
Edition: French
Edition: Spanish
ISBN 978-3-8365-6446-5
Edition: English
ISBN 978-3-8365-6443-4
Edition: German
ISBN 978-3-8365-6445-8
Edition: French
Exhibition
Gaudí, architecte de l’imaginaire.
Dates.- March 06, 2020 - January 03, 2021.
Venue.- Carrières de lumières, Les Baux-de-Provence
Dates.- March 06, 2020 - January 03, 2021.
Venue.- Carrières de lumières, Les Baux-de-Provence
Antoni Gaudí i Cornet
Antoni Gaudí i Cornet, (25 June 1852 – 10 June 1926) was born in 1852 in Riudoms or Reus, to the coppersmith Francesc Gaudí i Serra (1813–1906) and Antònia Cornet i Bertran (1819–1876). He was the youngest of five children, of whom three survived to adulthood: Rosa (1844–1879), Francesc (1851–1876) and Antoni. Gaudí's family originated in the Auvergne region in southern France. One of his ancestors, Joan Gaudí, a hawker, moved to Catalonia in the 17th century; possible origins of Gaudí's family name include Gaudy or Gaudin.
Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as trencadís which used waste ceramic pieces.
Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the Modernista movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream Modernisme, culminating in an organic style inspired by natural forms. Gaudí rarely drew detailed plans of his works, instead preferring to create them as three-dimensional scale models and moulding the details as he conceived them. Gaudí's work enjoys global popularity and continuing admiration and study by architects. His masterpiece, the still-incomplete Sagrada Família, is the most-visited monument in Spain.
On 7 June 1926, Gaudí was taking his daily walk to the Sant Felip Neri church for his habitual prayer and confession. While walking along the Gran Via de les Corts Catalanes between Girona and Bailén streets, he was struck by a passing tram and lost consciousness. Assumed to be a beggar because of his lack of identity documents and shabby clothing, the unconscious Gaudí did not receive immediate aid. Eventually some passers-by transported him in a taxi to the Santa Creu Hospital, where he received rudimentary care. By the time that the chaplain of the Sagrada Família, Mosén Gil Parés, recognised him on the following day, Gaudí's condition had deteriorated too severely to benefit from additional treatment. Gaudí died on 10 June 1926 at the age of 73 and was buried two days later.
Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as trencadís which used waste ceramic pieces.
Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the Modernista movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream Modernisme, culminating in an organic style inspired by natural forms. Gaudí rarely drew detailed plans of his works, instead preferring to create them as three-dimensional scale models and moulding the details as he conceived them. Gaudí's work enjoys global popularity and continuing admiration and study by architects. His masterpiece, the still-incomplete Sagrada Família, is the most-visited monument in Spain.
On 7 June 1926, Gaudí was taking his daily walk to the Sant Felip Neri church for his habitual prayer and confession. While walking along the Gran Via de les Corts Catalanes between Girona and Bailén streets, he was struck by a passing tram and lost consciousness. Assumed to be a beggar because of his lack of identity documents and shabby clothing, the unconscious Gaudí did not receive immediate aid. Eventually some passers-by transported him in a taxi to the Santa Creu Hospital, where he received rudimentary care. By the time that the chaplain of the Sagrada Família, Mosén Gil Parés, recognised him on the following day, Gaudí's condition had deteriorated too severely to benefit from additional treatment. Gaudí died on 10 June 1926 at the age of 73 and was buried two days later.
Rainer Zerbst
Rainer Zerbst studied modern languages at the University of Tübingen and in Wales from 1969 to 1975. From 1976 to 1982 he worked as a research assistant in the Department of English at the University of Tübingen. Since completing his doctorate in 1982, Zerbst has been active as a critic in the fields of art, literature, and theater.
