Blue Ocean Dome pavilion, designed by Japanese architect Shigeru Ban in collaboration with ZERI Japan for Expo 2025 Osaka, is an architectural manifesto that seeks to transform innovation into concrete action in response to the ocean environmental crisis. 

Conceived under the concept of "ocean revitalization," the pavilion promotes the sustainable use of marine resources and the protection of ecosystems, aligning with the goals of the Osaka Blue Ocean Vision project, which seeks to eliminate marine plastic litter completely by 2050.

Blue Ocean Dome pavilion joins the countries we have already presented, such as Japan by Oki Sato and Nikken Sekkei, France by Coldefy & CRA-Carlo Ratti, Kingdom of Bahrain by Lina Ghotmeh, Qatar by Kengo Kuma + OMA*AMO, Kingdom of Saudi Arabia by Foster + Partners, Spain by Enorme Studio, Smart and Green Design, and Néstor Montenegro Mateos, and Swiss Pavilion by Manuel Herz.

Shigeru Ban designed a set of three domes with a total area of ​​approximately 1,925 square meters. The three architecturally distinct domes were constructed with sustainable and recyclable materials: paper tubes, laminated bamboo, and carbon fiber reinforced plastic (CFRP). These choices allow for a lightweight and adaptable construction, without the need for concrete piles, facilitating dismantling and possible relocation after the exhibition.

Dome A, dubbed "Circulation," has a diameter of 19 meters and is constructed with recycled paper tubes, a signature material in Ban's works. This space houses a multimedia area where visitors are introduced to the ocean-themed programming through interactive works featuring superhydrophobic paint.

The world's first large-scale structure to use CFRP (carbon fiber reinforced plastic), offering a lightweight, strong, and recyclable architecture without the need for piles.

Blue Ocean Dome pavilion by Shigeru Ban. Photograph by Hiroyuki Hirai

Blue Ocean Dome pavilion by Shigeru Ban. Photograph by Hiroyuki Hirai.

Dome B, "Ocean," with a structural span of 42 meters, is the world's first large-scale structure to use CFRP (carbon fiber reinforced plastic), offering lightweight, strong, and recyclable architecture without the need for piling. Its interior creates an open, pillarless space, offering an immersive experience through images created with LED lights.

Finally, Dome C, "Wisdom," with a 19-meter diameter and a structure made of laminated bamboo, functions as a live broadcast area and proposes an architectural approach based on temporality, sustainability, and collective reflection in the face of global challenges.

Blue Ocean Dome pavilion by Shigeru Ban. Photograph by Hiroyuki Hirai.

Blue Ocean Dome pavilion by Shigeru Ban. Photograph by Hiroyuki Hirai.

“Looking at the history of World Expositions, pavilion architecture has in the past been a place for experimentation with ideas, structures, and materials for future buildings. Unfortunately, in recent years this tradition has died out, and most pavilions have become simple ‘play of shapes’ relying on computer technology. We are now proposing new materials and structures that are unprecedented in the world. 

The main dome is made of CFRP (Carbone Fiber Reinforced Plastic) tubes, which have been used in airplane and car bodies but not yet as a main structure in architecture. By reducing the weight of the structure to less than of the weight of the soil excavated for the building foundation, we succeeded in eliminating the need for piling work on this weak reclaimed site, also facilitating the relocation of the exhibition thanks to its lightweight building. The sub-dome uses a paper tube structure made of recycled paper and laminated bamboo, developed for the first time in the world.”

Shigeru Ban.

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Architects
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Collaborators
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Kenya Hara, art director of the installation.

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Client
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Support
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SARAYA.

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Construction work, Exhibition setup
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Daiwa House, Tanseisha.

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Area / dimensions
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Total area.- 1,925 m².
Dome A.- 19 meters in diameter, Dome B.- 42 meters in diameter, Dome C.- 19 meters in diameter.

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Dates
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13.04 > 13.10.2025.

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Venue / Location
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West Gate of the Expo Osaka 2025. Yumeshima Island, Osaka, Japan.

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Photography
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Hiroyuki Hirai

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Shigeru Ban was born in Tokyo in 1957 and after studying architecture in Los Angeles and New York, he opened an architectural practice in Tokyo, in 1985, with offices in Paris and New York, and has designed projects worldwide from private houses to large-scale museums.

His cardboard tube structures have aroused enormous interest. As long ago as 1986, he discovered the benefits of this recyclable and resilient material that is also easy to process. Shigeru Ban built the Japanese pavilion for the Expo 2000 world exposition at Hanover – a structure made of cardboard tubes that measured 75 meters in length and 15 meters in height. All the materials used in the structure were recycled after the exhibition. He developed a genuine style of "emergency architecture" as a response to the population explosion and natural disasters: the foundations of his low-cost houses are made of beer crates filled with sand, and the walls consist of foil-covered cardboard tubes. A house of this sort can be erected in less than seven hours and is considerably more sturdy than a tent.

Shigeru Ban is currently a Professor of Architecture at Keio University and is also a guest lecturer at various other universities across the globe; his works are so exceptional that he was awarded the Thomas Jefferson Foundation Medal in Architecture in 2005. "Time" magazine describes him as one of the key innovators of the 21st century in the field of architecture and design.

Shigeru Ban has designed projects such as Centre Pompidou Metz and Nine Bridges Golf Clubhouse in Korea. Current projects include new headquarters for Swatch and Omega in Switzerland.

 

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Published on: May 2, 2025
Cite:
metalocus, SARA GENT
"Shigeru Ban uses Recycled paper, carbon fiber, and bamboo for Blue Ocean Dome pavilion" METALOCUS. Accessed
<http://www.metalocus.es/en/news/shigeru-ban-uses-recycled-paper-carbon-fiber-and-bamboo-blue-ocean-dome-pavilion> ISSN 1139-6415
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