Foster + Partners Architects have just completed the project of a new 35-storey mixed-use tower named Jameson House, next to two buildings in the 1920 in the renovated district of Vancouver, Canada.

The project combines the restoration of heritage buildings with new construction: the lower level offices and shops knit with the existing streetscape to reinvigorate the downtown neighbourhood, while the apartments above face dramatic views of the bay and create a new landmark on the skyline.

Fusing old and new, the site connects the city’s financial centre with its emerging creative hub, and the scheme integrates two 1920s Beaux Arts structures: the entire internal double-height volume of the A-listed Ceperley Rounsfell Building has been returned to its original configuration and the facade of the B-listed Royal Financial Building has been retained.

The development comprises eleven storeys of offices and shops, topped by twenty-three storeys of apartments. The tower’s form articulates these different functions: the first two storeys continue the row of shop units at street level, while the uppermost office floor aligns with the cornice line of the adjacent building.

The design was developed in response to the local climate, seasonal sun paths, prevailing winds, humidity levels, air temperatures and precipitation rates specific to Vancouver.

This has led to innovations such as chilled floors and a mechanised valet parking system, which reduces the number of parking levels and associated excavation, lighting and ventilation requirements.

Lord Foster said:
 “Vancouver has a spectacular location, surrounded by mountains and the sea. The design makes the most of the city’s fantastic natural setting, with balconies and deep bay windows looking out towards the landscape. Jameson House further develops a number of key themes that have been integral to our work for many years. The project combines restoration with new construction; it is high-density and mixed-use, offering a sustainable model for urban living; and it demonstrates innovation, both in its evolution of the high-rise building and its progressive environmental agenda.”

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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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