On Friday the news was burning on the network. Norman Foster (Foster + Partners) won the competition to design the Hong Kong Cultural District. The battle, as some have referred to this contest, had as protagonists some people of the Star System architectural. Foster was selected after an international competition that started with 109 firms, of which twelve were invited to compete. Three firms were ultimately asked to produce detailed proposals. The other two were Rem Koolhaas’s Office for Metropolitan Architecture, based in Rotterdam, and Rocco Design Architects Limited, a Hong Kong firm.

In the Venice Architecture Biennale, Norman Foster (Foster & Partners) was the only one who came up with the poster of their project on his back "premonitory sign, hedonism, marketing or advertising?

The British architect Norman Foster has been selected to design the master plan for the one-hundred-acre West Kowloon Cultural District in Hong Kong, the New York Times’s Robin Pogrebin reports.

The harbor-front district, known as City Park, is to be a major hub for music, performing and visual arts that includes living spaces, galleries and studios. The project is considered to be the largest current cultural project in the world, Mr. Foster’s firm said.

Foster’s design, features cultural buildings in a new urban quarter alongside an expansive public park. In a statement, he called the project “unprecedented in its scale, scope and vision” and added that it “will be the catalyst to transform the city locally and regionally, as well as on the world stage.”

Foster has also designed the Hong Kong international airport and the Hong Kong Bank, the international terminal at the Beijing airport and the HSBC building in Hong Kong.

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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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