A building of noble proportions whose materiality is disturbing and total geometric abstraction, this is the new project by Ateliers Jean Nouvel.
The new proposal of Ateliers Jean Nouvel for the European Patent Office (EPO) bets on geometry, dematerialization and symbolism. This project, calm and serene, assumes the color of the sky through the clear, slightly iridescent glass of its facades and the stainless steel of the horizontal lines that give it rhythm.
 

Description of project by Ateliers Jean Nouvel

The Hague, Rotterdam–these are great ports where great ships align themselves with seaside horizons. Great international ships always loaded with mysteries…

The EPO site in The Hague, at Patentlaan 2 in Rijswijk, represents the characteristic polder, with the horizontality of a sea turned to stone. And the biggest structures, too, line up like boats on the water. The location calls for a proposal that reveals its real nature, the eternal issue of the specific magic of a place. The poetics of location arising from the vastness of this strictly horizontal stretch of land that makes the horizons look distant, and rolls out an endless sky. You want to be in the air, to float in the empty space, in the dense air, the sea spray, the misty rain, under the white clouds or in the blue of a sky that has no ceiling…

Our proposal is to introduce, into this earthbound port world, a flagship of noble scale and proportion whose materiality is unsettling and whose geometric abstraction, total. This building is calm and serene, nothing can touch it, it’s part of the sky. It takes on the colour of the sky through the slightly iridescent clear glass of its façades and the stainless steel of the horizontal lines that give it rhythm.

When you decide to take a closer look at the EPO, you are surprised–partly by the simplicity and tension of the volumes and lines, and partly by the discovery that the structure emerges from a body of water in which it is mirrored. The entrance materializes as a great stainless steel canopy sloping down into the water. On either side of this access, the flags of 38 EPO members float very high up, over the water, and are reflected at different heights in the glass along the entire length of the façade. The signs of the dignity of a great international institution are thereby made clear and its distinctiveness guaranteed. This distinctiveness is underscored inside by the nature of the reception areas. The entrance sequence is unique: it all begins with dipping down under the water and with the caustic effects of sunlight traveling through the water.

The lobby, on the other hand, is largely flooded with natural light up to six meters in height and over the whole of its perimeter, while waiting areas and a bar are located at water level. The office world is imagined as open plan, linear and orthogonal in relation to the sky. The long perspectives of the central corridor open onto empty space, the horizon. The office itself is designed to sit in mid-air, with external extensions: linear lichen gardens, finely perforated panels to reframe and limit the effective solar gain. These symbolic spaces, directly linked to each unit, are a visual extension that accentuates the horizon. The next stage will endeavour to show that this building’s DNA is clearly present in the internal spaces and their fittings.

What we are seeking here are feelings of privilege and pleasure. The privilege of being able to appropriate the sky and the horizon as the primary materials of the architecture. The pleasure of working in a clear, open, exact world that can also be protected, closed, friendly… All this, located within this rectangle of sky whose sole ambition is to make us aware of variations in the atmosphere.

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Architect
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Jean Nouvel, Ateliers Jean Nouvel, Paris. Diederik Dam, Dam & Partners Architecten, Amsterdam
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Project leaders Competition
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Jean-François Winninger, Haakon Brouwer
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Architects / engineers
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Karam Antwan, Marie-Hélène Baldran, Maurice van den Berg, Paolo Carignano, Henk Heijink, Astrid Hopfner, Medard Jordan, Alexander Lefebvre, Mark Linenberger, Kirsi Marjamaki, Jose Millan, Serena Minacci, Glenn Mostaard, Daniele Pasin, Julien Pasteau, Andre Procopio, Mathias Raasch, Marc Stoop, Martin Tegaldo, Caterina Vetrugno, Bram Waumans
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Collaborators
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Structure.- Zonneveld Ingenieurs, Rotterdam. Climate, fire safety & acoustics.- Peutz, Zoetermeer. Computer generated images.- Benjamin Alcover, Mathieu van Ek, Kyra Frankort , Peter Hoste, Michael Kafassis, Mizuho Kishi, Sébastien Rageul. Graphic design.- Martin Gasc, Eugénie Robert, Vatsana Takham, Elise Taponier. 3D modelling.- Michael Gloudeman, Arjan Noya, Paul Schillemans. Interior design.- Edwin van Heijningen, Ernesto Mistretta, Nicolas Perrichi, Léo Chapuis. Landscape.- Laura Giuliani, Sanne Horn, Wim Wijsman. Models.- Romain Caillon, Rui Pereira, Ursula Tyszkiewicz. Artistic interventions.- Sculpture in the pond, Jean Nouvel
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Development and execution
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Bernard Duprat, Merlijn Pennings
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Client
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European Patent Office (EPO)
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Constructor
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TBI Consortium New Main, consisting of J.P. van Eesteren and Croonwolter&dros
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Building
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services Croonwolter&dros, Rotterdam. Deerns, Rijswijk
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Budget
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EUR 205 million
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Program
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Office building with a double glass facade, about 100m high and 150m long houses meeting rooms, training center, opposition rooms, sport facilities, amicale club, coffee corner, restaurant
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Building dimensions
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156 metres long x 107 metres high x 24.7 metres wide from façade to façade
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Dates
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Construction start date.-2014. Construction completion.-2018
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Habitable area / Surface area
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52,700 m² / 87,500 m²
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Venue
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Patentlaan 2, 2288 EE Rijswijk. The Netherlands
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Jean Nouvel, (born in Fumel, France, on August 12, 1945) is a French architect. He was born in Fumel, France, and studied architecture and design at the École des Beaux-Arts in Paris, where he graduated in 1972. In 1976, Nouvel was a founding member of "Mars 1976", along with other young French architects. He also participated in creating the Syndicat de l'Architecture, an independent organisation aimed at promoting a more critical awareness within the profession.

Nouvel has received prestigious architecture awards throughout his career, including the Aga Khan Award for Architecture (granted for the design of the Institut du Monde Arabe). In 2001, he received the Royal Gold Medal from the Royal Institute of British Architects (RIBA) for his international career. In 2005, he was awarded the Wolf Prize in the Arts by the Wolf Foundation in Jerusalem, and in 2008, the Pritzker Prize. He was awarded the Grand Gold Medal of the Académie d’Architecture of France and named Commander of the Order of Arts and Letters by the French government. In addition, he has been made an honorary member of the American Institute of Architects (AIA) and has received honorary doctorates from several universities, including the University of Buenos Aires.

Nouvel was awarded the Pritzker Prize, the highest honour in architecture, in 2008, for his work on more than 200 projects. Among them, in the words of The New York Times, the “exotic brise-soleil” of the Institut du Monde Arabe, the “bullet-shaped” Torre Agbar in Barcelona with its “candy-colored” skin, the “muscular” Guthrie Theater in Minneapolis with its cantilevered bridge, and in Paris, the “challenging, mysterious and eccentrically wild” Musée du Quai Branly (2006) and the Philharmonie de Paris (a “journey into the unknown”, c. 2012).

The Pritzker highlighted numerous important works: in Europe, the Fondation Cartier for Contemporary Art (1994), the Culture and Congress Center in Lucerne (2000), the Nouvel Opéra in Lyon (1993), Expo 2002 in Switzerland and, under construction, the Concert Hall in Copenhagen and the Palace of Justice in Nantes (2000), as well as two tall towers in development in North America, Tour Verre in New York and a residential tower in Los Angeles. His recent cultural projects include the Louvre Abu Dhabi, the Philharmonie de Paris, the National Museum of Qatar in Doha, and the Serpentine Gallery Pavilion, 2010, in London.

In its announcement, the Pritzker Prize jury stated:

Of the many phrases that might be used to describe the career of architect Jean Nouvel, foremost are those that emphasize his courageous pursuit of new ideas and his challenge of accepted norms to stretch the boundaries of the field. [...] The jury acknowledged the ‘persistence, imagination, exuberance, and, above all, an insatiable urge for creative experimentation’ as qualities abundant in Nouvel’s work.

Among his principal projects are the Institut du Monde Arabe in Paris, the Fondation Cartier and the Musée du Quai Branly in Paris, the Culture and Congress Center KKL in Lucerne, the extension of the Reina Sofía Art Center in Madrid, the Guthrie Theater in Minneapolis, the Philharmonie de Paris, the Geneva Convention Center (2006), the Torre Agbar in Barcelona, the Dentsu Tower in Tokyo, the main complex of the Pierre and Marie Curie University campus in Paris, and the French Pavilion for Expo Shanghai 2010.

Among his current projects under study or construction are “53W53, Tour de Verre,” which integrates the expansion of the MoMA galleries in New York, the “Le Nouvel” residential towers in Kuala Lumpur, “Anderson 18” and “Ardmore” in Singapore, and “Rosewood” in São Paulo, the “Hekla” and “Duo” office towers in Paris, the cultural complex “The Artists’ Garden” in Qingdao, and the National Art Museum of China (NAMOC) in Beijing. The design for the Louvre Abu Dhabi began in 2006 with Nouvel’s associate architect, Hala Wardé. His recent plans also include projects in Dakar, Rio de Janeiro, and Brussels, as well as urban interventions in historic sites such as the city center of Toledo, Spain.
 

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Published on: July 11, 2018
Cite:
metalocus, JUDIT OTERO
"Floating in the Air, new European Patent Office (EPO) building by Ateliers Jean Nouvel" METALOCUS. Accessed
<https://www.metalocus.es/en/news/floating-air-new-european-patent-office-epo-building-ateliers-jean-nouvel> ISSN 1139-6415
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