Coinciding with the start of the Venice Biennale today, OMA and Prada open an exhibition surveying recent collaborative works. The exhibition appears at Ca' Corner della Regina, a former palazzo, alongside highlights from the Prada Fondazione collection.


Aluminium sponge for the Fondazione Prada facade.© OMA

The exhibition occupies eight rooms and includes a hyper-detailed 1:100 model of the future Fondazione Prada in Milan, a museum complex designed by OMA and due to go under construction soon. The model is intended as a tool to develop the Fondazione's curatorial strategy, featuring works from the Fondazione collection in handmade miniature versions. OMA's development of the unique aluminium "sponge" material for the Fondazione's façade is also on display. Large-scale photographs, drawings and models of OMA's Prada Transformer (completed in Seoul in 2009) are featured together with works from the Fondazione's collection, including Italian minimalist Enrico Castellani, German artist Andreas Slominski, and, in a secret room, Swedish artist Nathalie Djurberg,

Model of Prada Transformer, completed in Seoul, 2009. © OMA.

The 18th century Ca' Corner della Regina, overlooking the Grand Canal, is currently undergoing renovation to become a new space for contemporary art, under the auspices of the Fondazione Prada and Fondazione Musei Civici. The project, to be carried out over the next six years, will thoroughly restore the landmark for use as a centre for exhibitions, research and study dedicated to contemporary culture.

Also in Venice, OMA is collaborating with the Hermitage museum, of St. Petersburg, on a major retrospective of the poetry and sculpture of Russian artist Dmitry Prigov (1940–2007), whose work was recently donated by the Prigov family to the Hermitage. The exhibition also opens today, at Ca Foscari University.

 

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: June 3, 2011
Cite: "OMA collaborates with Prada and the Hermitage at the Venice Biennale" METALOCUS. Accessed
<https://www.metalocus.es/en/news/oma-collaborates-prada-and-hermitage-venice-biennale> ISSN 1139-6415
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