The largest museum exhibition of Picasso's sculptures to take place in the United States in nearly half a century, the exhibition brings together 140 sculptures from Picasso's entire career via loans from major public and private collections in the U.S. and abroad, including 50 sculptures from the Musée national Picasso-Paris. The exhibition will be on view to the public from September 14, 2015 through February 7, 2016.

September (check previously Picasso en Guillermo de Osma) brings another great exhibition on spanish artist; Picasso Sculpture is a sweeping survey of Pablo Picasso's profoundly innovative and influential work in three dimensions. Important loans will  also come from institutions throughout Europe and the U.S., including the Centre Georges Pompidou, Tate Modern, The Art Institute of Chicago, and the Philadelphia Museum of Art, as well  as many private collections including those belonging to the artist’s heirs. Also present will be icons from MoMA’s own extensive collection of Picasso’s sculpture, including the sheet metal Guitar (1914) and the bronze  She - Goat  (1950).

Over the course of his long career, Picasso devoted himself to sculpture wholeheartedly, if episodically, using both traditional and unconventional materials and techniques. Unlike painting, in which he was formally trained and through which he made his living, sculpture occupied a uniquely personal and experimental status in Picasso’s oeuvre. He approached the medium with the freedom of an autodidact, ready to break all rules. This attitude led him to develop a deep fondness for his sculptures, to which the many photographs of his studios and homes bear witness. Treating them almost as members of his household, he cherished their company and enjoyed recreating them in a variety of materials and situations. Picasso kept the majority of them in his private possession during his lifetime. It was only in 1966, through the large Paris retrospective Hommage à Picasso, that the public became fully aware of this side of his oeuvre. Following that exhibition, in 1967 MoMA presented The Sculpture of Picasso, which remains the first and last exhibition on this continent to survey the artist’s sculptures.

Picasso’s sculptures have long been regarded as the unknown side of Picasso’s practice - a  generalization based on th eir relative lack of visibility as compared to the paintings, and Picasso’s  decision to retain most of them in his own collection.

Picasso Sculpture will be installed throughout the entire fourth floor of MoMA’s galleries, allowing sufficient space for the sculptures to be viewed fully in the round. The exhibition will include a selection of relevant works on paper and about 30 of the remarkable photographs of Picasso’s sculptures taken by Brassaï (French, born Transylvania, 1899–1984). Picasso Sculpture is organized in chapters corresponding to the distinct periods during which the artist devoted himself to sculpture, each time exploring with fresh intensity the modern possibilities of this ancient art form. The exhibition focuses on the artist’s lifelong engagement with this genre from the point of view of materials and processes. The aim is to advance the understanding of what sculpture was for Picasso, and of how he revolutionized its history through a lifelong commitment to constant reinvention.

Venue.- 11 W 53rd St, New York, NY 10019, US.
Date.- from September 14, 2015 through February 7, 2016.

Organized by The Museum of Modern Art in collaboration with the Musée national Picasso-Paris.

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Pablo Picasso / Pablo Ruiz Picasso. (Malaga, Spain, October 25, 1881 - Mougins, France, April 8, 1973). Spanish painter and sculptor, considered as one of the greatest painters of the 20th century, exercising with his long career a transcental influence on other great artists since then. His works are present in museums and collections around the world.

Son of the also artist José Ruiz Blasco, at the age of fourteen, in 1895, his family moved to Barcelona, ​​where he spent his youth with a group of artists, among whom were painters such as Ramón Casas and Santiago Rusiñol, with whom he met at the Els Quatre Gats bar. At the beginning of the 20th century, between 1901 and 1904, Pablo Picasso would change residence between Madrid, Barcelona and Paris, a period in which his painting was framed in the period called the blue period, strongly influenced by symbolism. In the spring of 1904, Picasso decided to move permanently to Paris and settle in a studio in the city of the Seine.

Shortly after arriving in Paris, he established friendship with poets such as Guillaume Apollinaire, Max Jacob, with the playwright André Salmon or with peripheral personalities from the artistic and bohemian scene, such as the American brothers Leo and Gertrude Stein, or the one who would forever be his dealer, Daniel-Henry Kahnweiler.

A turning point in his career will be marked in 1906 by a large-format work that changed the course of 20th-century art: Les demoiselles d'Avignon. A fundamental work in which numerous influences can be discovered, among which African and Spanish art or elements taken from El Greco and Cézanne stand out. The latter's influence and his relationship with Georges Braque, from Malaga, carried out a profound critical review of the plastic tradition that emerged from the Renaissance. A period in which Picasso and Braque developed a first phase called analytics (1909-1912). In 1912 they introduced a new technique with cutouts of paper and other materials applied to the canvas, which they called collage. The arrival to the cubism group of the Spanish painter Juan Gris generated a change towards what is known as the synthetic stage of this style, marked by a richer color range and greater complexity in the references.

Since 1915 until the mid-1920s, Picasso's work left cubism and entered a new figurative stage, generated by a greater attention to classicism mixed with the influence of what the artist called his "Mediterranean origins ». In 1919 he married the Russian dancer Olga Koklova with whom he would have a son, Paulo. As a result of his meeting in 1928 with the sculptor Julio González, Pablo Picasso became interested in sculpture, and between them they introduced important innovations, such as the use of wrought iron. In 1935 his daughter Maya was born, in a new romantic relationship with Marie-Therèse Walter, with whom Pablo Picasso lived openly despite being married to Olga Koklova; Starting in 1936, he had a third relationship with photographer Dora Maar.

Spanish Civil War and the Second World War reflected in his work an even greater political commitment than one of his most universally admired works, the Guernica (1937). The reduction to a minimum of chromaticism, the dislocation of the figures and their heartbreaking symbolism make up an impressive denunciation of the bombing of German aviation, which on April 26, 1937 devastated this Basque population in an action in support of the troops of the coup general Francisco Frank.

In 1943 he met Françoise Gilot, with whom he would have two children, Claude and Paloma. Three years later, Pablo Picasso left Paris to settle in Antibes, where he incorporated ceramics into his favorite supports. In the 1950s he made numerous series on great classical works of painting, which he reinterpreted as a tribute. In 1961 Pablo Picasso remarried with Jacqueline Roque; it would be his last significant relationship. Already a living legend and the epitome of the avant-garde, the artist and Jacqueline retired to Vouvenargues castle, where the creator continued to work tirelessly until the day of his death.

Politically, Picasso declared himself a pacifist and a communist. He was a member of the Spanish Communist Party and the French Communist Party until his death, at the age of ninety-one, in his home called "Notre-Dame-de-Vie" in the French town of Mougins. It is buried in the park of the castle of Vauvenargues (Bouches-du-Rhone).
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Published on: September 10, 2015
Cite: "Picasso sculpture at MoMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/picasso-sculpture-moma> ISSN 1139-6415
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