Barrenechea Inés Gallery opens the exhibition «....Y al pasar por la Gran Vía....» by Photographer Enrique Saenz de San Pedro, TODAY, November 30 at 20:00. The exhibition will be open until December 31st. Enrique Saenz de San Pedro focused on professional photography and specializes in reproduction work on artwork for Museums, the Ministry of Culture (Spain), National Heritage, and editorials ... has always maintained a personal photo online. These photos dedicated to the Gran Via were made between 1998 and 2002.

 GREAT!! ABSOLUTELY RECOMMENDED.
 

Enrique Sáenz de San Pedro, Photographer (Vitoria, 1942). Barrenechea Inés Gallery

"His early images were made in London, where he lived and published in the magazines "Studio International" and "Amateur Photography" (1973). These are the years after Swinging London, but from the beginning, he was not interested in fashion. Your photos belong to another way of understanding the image.

Shortly before the transition back to Spain. It belongs to a generation of photographers, related to the magazine "New Lens" (which was also published in 1976), who come to become the new vanguard that is superimposed on previous trends, that of the classic standards imposed by Franco and the neoabstracción, which imposed the false currency of American influence during the opening.

Names like Kindel and Catalá Roca are the only pieces that they broke the rules.

Returning to the moment of transition, when it seems that a junction with the last authentic avant-garde is possible imposes a new fashion, "La Movida", the photographers of "La Movida".

Our photographer will be a new piece that breaks the norm. A photo of him about the funeral of Franco becomes an icon of that time and it published in "Fotografía y Sociedad en la España de Franco (Lopez Mondéjar, 1999)."

His solo work and poorly known emphasizes the material this exhibition presents. There are 20 black and white images, a selection of a portfolio of about 40 photos taken between 1999 and 2002, that "in extremis" the public has the opportunity to see after a year, an Official Centennial that has blinded us with banal images and opportunistic but, yes, with the code by fashion."     LAS MODAS NOS OCULTAN LA FOTOGRAFÍA. ZRZ.

Galería Barrenechea Inés.
Venue.- C/ General Arrando, 34. 28010 - Madrid. 91 702 46 84 / info&inesbarrenechea.com

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Enrique Sáenz de San Pedro, Spanish photographer (Vitoria-Gasteiz, Álava, Spain, 1942). He took his first photographs and carried out his early development work in London, where he worked between 1966 and 1972 in laboratories such as Robert Horner Ltd., also collaborating with the agency Forum Futures. He studied photography at the Portsmouth College of Art (1968), and his images were published in specialized magazines such as Studio International and Amateur Photography. In 1970, he exhibited at the London Polytechnic, and in 1973 he took part in a group exhibition at the Serpentine Gallery in Hyde Park.

Shortly before Spain’s democratic transition, he returned to the country, settling in Madrid in 1974, where he set up a studio focused on the reproduction, restoration, and printing of artworks for official institutions and publishers. These include the Royal Academy of Fine Arts of San Fernando, the Complutense University of Madrid, the National Archaeological Museum, National Heritage, and the Ministry of Culture. In parallel, he has pursued a personal documentary practice since the late 1960s.

His work can be associated with the generation of photographers connected to the magazine Nueva Lente, considered part of the new avant-garde of the time.

Among his most notable solo exhibitions are: the one presented in 2010 by the Inés Barrenechea Gallery titled “…Y al pasar por la Gran Vía…”, featuring images taken between 1998 and 2002 that focus on everyday life on Madrid’s Gran Vía; England 1967‑1972, held at the Royal Photographic Society of Madrid in November–December 2017; and the series Where the City Ends (since 1975), shown at CentroCentro (Palacio de Cibeles), portraying a Madrid under construction as part of the cultural program Lanzadera.

Although his work is recognized for its technical rigour in art reproduction, Sáenz de San Pedro is distinguished by a poetic, timeless documentary gaze. He is regarded as part of the generation of photographers who emerged during Spain’s democratic transition, connecting with a humanist and disruptive aesthetic in contrast to the official or commercial photography of the period.

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: November 30, 2010
Cite:
JOSÉ JUAN BARBA
""...Y AL PASAR POR LA GRAN VÍA..." by Enrique Sáenz de San Pedro" METALOCUS. Accessed
<https://www.metalocus.es/en/news/y-al-pasar-por-la-gran-enrique-saenz-de-san-pedro> ISSN 1139-6415
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