While everyone knows the story of Kahn's gothic and ignominious death, did you also know that "When Kahn died, his firm...owed its creditors $464,423.83. In 1974 dollars"? In 2003, Nathaniel Kahn’s documentary film “My Architect” introduced a general audience not just to the extraordinary legacy of his father, architect Louis Kahn, but to the complexities of his father’s family life, which included a wife to whom he was devoted for decades, several mistresses, and two women with whom he also had children and maintained long-standing familial relations.
Wendy Lesser’s new biography, “You Say to Brick,” edited by Farrar, Straus and Giroux / macmillan publishers, takes its subject simply as “Lou” and finding reasonable and plausibly human explanations for behavior that often seems, from the outside, callous.
 
For a man who said “the wall does not want an opening,” architect Louis Kahn left an astonishing body of work that includes some of the world’s most memorable walls, pierced by incredible openings.
 

Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life.

Wendy Lesser’s You Say to Brick: The Life of Louis Kahn is a major exploration of the architect’s life and work. Kahn, perhaps more than any other twentieth-century American architect, was a “public” architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks.

Kahn himself, however, is not the only complex subject that comes vividly to life in these pages. His signature achievements—like the Salk Institute in La Jolla, the National Assembly Building of Bangladesh, and the Indian Institute of Management in Ahmedabad—can at first seem as enigmatic and beguiling as the man who designed them. In attempts to describe these structures, we are often forced to speak in contradictions and paradoxes: structures that seem at once unmistakably modern and ancient; enormous built spaces that offer a sense of intimate containment; designs in which light itself seems tangible, a raw material as tactile as travertine or Kahn’s beloved concrete. This is where Lesser’s talents as one of our most original and gifted cultural critics come into play. Interspersed throughout her account of Kahn’s life and career are exhilarating “in situ” descriptions of what it feels like to move through his built structures.

Drawing on extensive original research, lengthy interviews with his children, his colleagues, and his students, and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive genius, revealing the mind behind some of the twentieth century’s most celebrated architecture.

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You Say to Brick: The Life of Louis Kahn
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Wendy Lesser.

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Farrar, Straus and Giroux
macmillan publishers
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416 pages
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$30
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9780374279974
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Louis Isadore Kahn is born in Pernow – formerly in Russia, but now Pärnu in Estonia – on February 20, 1901 by the name of Leiser-itze Schmulowsky. In 1906, the family immigrates to Philadelphia. His father changes the family name to Kahn in 1915, when the family is awarded US citizenship. Kahn develops his artistic talents early on, and is able to draw beautifully from a young age.

In his early years, Kahn earns money playing the piano at neighbourhood theatres. He keeps this up during his university years, until he graduates in 1924 with a bronze medal for ‘superior excellence’ and starts working as an architect.

In 1928, he leaves on a trip to Europe. In the Netherlands, he learns about modern architecture, such as the functionalist design of Johannes Duiker's Sanatorium Zonnestraal in Hilversum. He also gets to see the architecture of Hendrik Berlage, Michel de Klerk and Willem Dudok.

Family life and work 1930 - 1955
Back in the US, Louis Kahn marries Esther Virginia Israeli, a research assistant in the field of neurology. Five years later, Kahn is awarded the title of architect and starts working from home on his own projects. In 1940, Esther gives birth to their first daughter, Sue Ann. In 1945, Kahn has an office with a few employees. Kahn develops a tough work ethic: he often only rests for a few hours, sometimes sleeping at the office to be able to continue working straight away.

In the office, Louis Kahn and architect Anne Tyng, who is nearly 20 years younger, become entangled in an affair. Because of his attitude towards work, Louis Kahn is often away from home, keeping the two worlds of family life and work strictly separate. In 1950, Kahn leaves on another extended trip to southern Europe and Egypt, where he draws ancient Roman and Egyptian treasures. Kahn describes the beauty of these structures in letters to Anne Tyng. In 1954, Anne Tyng gives birth to Kahn's second child: Alexandra.

International fame: 1955 - 1974
In 1958, Kahn is introduced to landscape-architect Harriet Pattison (born in 1928) at a party. A relationship develops between the architect and Pattison, resulting in the birth of Kahn's third child and only son, Nathaniel. One year later, Kahn attends the conference of a prominent group of international architects, who have come together in Otterloo, the Netherlands, under the name of Team X (Team Ten). This group includes Dutch architects Aldo van Eyck and Jaap Bakema.

In the 1960s and 70s, Kahn finally takes his place on the international stage with designs for government buildings, museums, laboratories, libraries, private homes and religious buildings. One high point is the government building in Dhaka, Bangladesh, which is only completed in 1983, years after his death. In the last decade of his life, Kahn visits the Indian subcontinent no fewer than 40 times. On 17 March 1974, returning from one of these trips, Louis Kahn dies in a toilet at Penn Station in New York. For uncertain reasons, he had crossed out his name in his passport, as a result of which he can only be identified a few days later.

21st century: Kahn's legacy lives on
Years after Louis Kahn dies, his son Nathaniel sets out to investigate his father's legacy. His film ‘My Architect’ (2003) earns him an Oscar nomination.

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