Premios ICP Infinity 2015 Fotoperiodismo, Tomas van Houtryve. Los fundamentos de la guerra están cambiando en los Estados Unidos.

Los pilotos, que se sientan en un contenedor de transporte en Nevada, están librando una guerra en todo el mundo el uso de aviones no tripulados que pueden permanecer en el aire durante días a la vez. Sus bombas representan una parte cada vez más importante de la guerra global de Estados Unidos contra el terrorismo, y se está haciendo en gran parte en secreto.

Los detalles y los razonamientos de esos ataques se clasifican, se mantienen alejados del el examen de los medios de comunicación.

Tomas van Houtryve quería encontrar una manera de visualizar esta guerra.

"Si no lo hacemos nunca veremos quiénes son las víctimas, y por tanto, nuestra empatía no entrará en acción.

Quiero que haya un registro visual permanente desde los inicios de la era de los aviones no tripulados, el periodo en la historia de América, en el que América comenzó a cambiar sus militares en el extranjero por los robots voladores", comenta van Houtryve.

Para crear este grabación, van Houtryve envió su propio avión no tripulado a los cielos estadounidenses.

"Decidí colocar mi cámara a un pequeño avión no tripulado y viajar a través de América para fotografiar los mismos tipos de encuentros mencionadas en los informes de ataques de Pakistán y Yemen - bodas, funerales, grupos de gente rezando o haciendo deporte.

Al crear estas imágenes, mi objetivo es llamar la atención sobre la naturaleza cambiante de la intimidad personal, la vigilancia y la guerra contemporánea", dijo van Houtryve.

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Tomas van Houtryve is a photographer, artist and author who engages critical contemporary issues around the world.

Initially a student in philosophy, Tomas developed a passion for photography while enrolled in an overseas university program in Nepal. Immediately after graduation in 1999, he devoted himself fully to photojournalism, starting out with the Associated Press in Latin America. He was the first AP photographer to cover the military prison in Guantánamo Bay, Cuba, and in 2002 he traveled to Kandahar to photograph families of the Guantánamo inmates.

Tomas left AP in 2003 to concentrate on large-scale personal projects, starting with the Maoist rebellion in Nepal. The resulting photos of the rebels’ rise to power earned wide recognition including the Visa pour l’Image-Perpignan Young Photographer Award and the Bayeux Prize for War Correspondents.

In 2006 Tomas was named one of PDN’s 30 Emerging Photographers. He was awarded an Alicia Patterson Journalism Fellowship in 2008, and in 2010 he was named the POYi Photographer of the Year.

Tomas’ first monograph book, Behind the Curtains of 21st Century Communism, was published in Spring 2012. The seven-year-long project documents life in the last countries where the Communist Party remains in power: North Korea, Cuba, China, Nepal, Vietnam, and Laos. The series won the 2012 POYi World Understanding Award.

In 2013 Tomas began working on Blue Sky Days, a drone’s-eye view of America. Images from the project were first published in Harper’s as the largest photo portfolio in the magazine’s 164-year history. The series was awarded the 2015 ICP Infinity Award and honors from POYi, World Press Photo, the Photographic Museum of Humanity, and the White House News Photographer’s Association.

Tomas has had solo exhibitions of his work in Paris, New York City, Spain and Italy. His work is included in multiple private collections in Europe, Asia and the United States and in the permanent collections of the Nelson-Atkins Museum of Art and the Open Society Foundations. Many of his photographs of intense political actions are distinguished by their intimacy.

Tomas is frequently interviewed on radio and television and has appeared on the BBC, CNN, MSNBC, NPR, ARTE and France 5. He is a member of VII Photo since 2010.

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