Neri & Hu was commissioned to renovate a typical sales building into a sequence of intertwined roads in Miyun County, Beijing. The performance revolves around an existing central courtyard that combines the traditional architecture of northern China with new material interpretations that involve the existing typology in a Cultural, Sales and Clubhouse Center.

Taking as a reference an appointment of Smeraldina, one of the invisible cities of Italo Calvino, the architects create different circulatory sequences with two main differentiations, one of a public nature and the other for the members of the Club House. All these interior roads are intertwined with different gardens, and double-height spaces that transfer light from the skylights, to the ground floor of the building.
The programs proposed by Neri & Hu merge intergenerational activities at different levels, each area having a different spatial character. Thus, the reception opens the attention to customers through a double height that gives access to the different cultural spaces and gardens, which connect with a bridge over the patio that articulates with other exclusive and children's rooms.

One of the main nuclei of the project is the art gallery, with flexible equipment systems and visual slots to the upper levels. Finally, the upper level has a terrace and the lounge bar that allow a protagonist view of the mountainous landscape above the typical central courtyard of the building.

The subtle encounter between the building and the floor, rising above a sheet of water, and the functional spaces that surround the central courtyard through brick and aluminum panels that soften the contours, lighten the massive spaces and blur the spaces. limits between exterior and interior. A complete interaction on all sides of the project that generate different modes and visual perspectives.
 

Description of project by Neri&Hu
 

“Inhabitants are spared the boredom of following the same streets every day… the network of routes is not arranged on one level, but follows instead an up-and-down course of steps, landings, cambered bridges, hanging streets. Combining segments of the various routes, elevated or on ground level, each inhabitant can enjoy every day the pleasure of a new itinerary to reach the same places.” 

Italo Calvino, Invisible Cities

Junshan Cultural Center is located just outside of Beijing in the midst of the undulating mountain ranges and meandering rivers near the Miyun Reservoir. Originally just a typical two-story sales building on the outskirts of Beijing, Neri&Hu was asked to transform this donut-shaped building into an iconic clubhouse and sales center. Neri&Hu took advantage of the existing courtyard typology by crafting two sequences of interlocking journeys, one for clubhouse member, and one for sales center guest. All programmed spaces are designed such that they are in proximity to nature. The layering of the primary courtyard and smaller gardens allow the architecture to merge harmoniously with nature.  

Drawing inspiration from its context, the architecture combines traditional northern architecture with contemporary architectural language and transforms into a new interpretation of architectural expression. The building quietly rises out of the water as a brick mass with carved out spaces for programs interlocked with gardens that blur the boundary between inside and outside. On the façade, warm-toned wood pattern aluminum panels form a veil that softens the heaviness of the brick facade. Moments of the screen connects with each interior space, creating a façade that is spontaneous and different on every face.

In terms of materiality, traditional gold brick tiles form the foundation of the building mass, extending from exterior landscape into the interior “in-between” spaces. With brick and wood panels as the primary backdrop for the interior, a common theme throughout the interior is the sculpted ceiling. Each space comes alive with the many different geometric cuts carved out to interact with the sky and daylight such that each space is ever-changing when light is reflected off of the rich texture of Venetian plaster. The layering of customized furniture, refined brass metal detail, natural veins of stone accents, softness of fabric, and delicate lighting elements work together to compose a sense of understated luxury. 

Programmatically, the cultural center provides a number of luxurious and spacious amenities for its members. It includes a 100-person multi-purpose hall for events, a spacious business lounge and bar, a feature library, children’s reading room, private function room, family media room, a red-wine and cigar lounge bar and a rooftop deck. Part of the cultural center is functioning as a sales center. A double-height reception welcomes potential buyers to embark on a journey through the media room, winter garden, then upstairs across a bridge over the courtyard to a generous sales presentation lounge complete with VIP rooms, bar and children’s play room.

One of the most prominent spaces in the clubhouse is an art gallery, equipped with a series of hanging moveable walls for a flexible display system. The sculpted ceiling above gives some visual connection to the upper level, while a large glass picture windows allows the space to extend into the courtyard. On the second floor, a generous yet inviting private dining room complete with a bar and show-kitchen allows members to rent out the space for special functions. The red-wine and cigar lounge bar and rooftop deck on the third floor has uninterrupted view of the surrounding mountainous landscape to west.  

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Architects
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Project Team
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Founding Partners, Principal in Charge.- Lyndon Neri & Rossana Hu. Associate Director, Architecture.- Nellie Yang. Associate.- Jerry Guo, Utsav Jain, Ellen Chen. Zoe Gao, Wuyahuang Li, Josh Murphy, Alexandra Heijink, Hwajung Song, Lara Depedro, Jason Jia. Senior associate, Product design.- Brian Lo. Xiaowen Chen, Mona He, Cindy Sun, Jacqueline Yam.
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Collaborators
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Interiors, fixtures and fittings.- Kohler Duravit, D-Line, Dorma. Interiors and decorative lighting.- Custom Pendants by Neri&Hu. Interiors and furniture.- Custom Chairs and Benches by Neri&Hu & Design Republic.
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Area
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4000 m².
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Dates
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November 2017 – October 2018.
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Location
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Jingmi Road, Miyun District, Beijing, China.

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Neri&Hu Design and Research Office, founded in 2006 by partners Lyndon Neri and Rossana Hu, Neri&Hu Design and Research Office is an inter-disciplinary architectural design practice based in Shanghai, China. The practice’s burgeoning global portfolio includes commissions ranging from master planning and architecture to interior design, installation, furniture, product, branding and graphic works. Currently working on projects in many countries, Neri&Hu is composed of multi-cultural staff who speak over 30 different languages.  The team's diversity reinforces a core vision for the practice: to respond to a global worldview, incorporating overlapping design disciplines for a new architectural paradigm.

Neri&Hu’s location is purposeful. With Shanghai considered a new global frontier, Neri&Hu is in the immediate center of this contemporary chaos. The city’s cultural, urban, and historic contexts function as a point of departure for design inquiries that span across a wide spectrum of scales. Furthermore, Neri&Hu has expanded the conventional boundaries of practice to include complementary disciplines. A critical probing into the specificities of program, site, function, and history is essential to the creation of rigorous work. Based on research, Neri&Hu anchors its ethos on the dynamic interaction of experience, detail, material, form, and light rather than conforming to a formulaic style.

Lyndon Neri, Honorary FAIA, co-founded Neri&Hu Design and Research Office with Rossana Hu in 2006, an inter-disciplinary architectural design practice based in Shanghai. Neri received his Master of Architecture at Harvard Graduate School of Design and his Bachelor of Arts in Architecture at the University of California, Berkeley. Alongside his design practice, Neri has been deeply committed to architectural education and has taught and lectured at numerous universities. He was appointed as Visiting Faculty at Princeton University School of Architecture for the spring semesters of 2024 and 2025. Neri was appointed the Howard Friedman Visiting Professor of Practice at the University of California, Berkeley in 2023, the Design Critic in 2023 and the John C. Portman Design Critic in Architecture in 2019 and 2021 at the Harvard Graduate School of Design, the Eero Saarinen Visiting Professor in 2022 and Norman R. Foster Visiting Professor Chair in 2018 at the Yale School of Architecture. Neri co-authored and edited Persistence of Vision: Shanghai Architects in Dialogue, published by MCCM Creations in 2007. In 2017, his first monograph, Neri&Hu Design and Research Office, was published by Park Books. In 2021, the second monograph, Thresholds: Space, Time and Practice, was published by Thames & Hudson, and the Chinese edition was translated and published in 2023 by Guangxi Normal University Press. Neri was elevated to Honorary Fellow of the American Institute of Architects (AIA) in 2025.

Rossana Hu co-founded Neri&Hu Design and Research Office with Lyndon Neri in 2006, an inter-disciplinary architectural design practice based in Shanghai. Hu received her Master of Architecture and Urban Planning at Princeton University and her Bachelor of Arts in Architecture at the University of California, Berkeley, with a minor in music.

Alongside her design practice, Hu has been deeply committed to architectural education and has taught and lectured at numerous universities. Hu was appointed the Howard Friedman Visiting Professor of Practice at the University of California, Berkeley in 2023, the Design Critic in 2023 and the John C. Portman Design Critic in Architecture in 2019 and 2021 at the Harvard Graduate School of Design, the Eero Saarinen Visiting Professor in 2022 and Norman R. Foster Visiting Professor Chair in 2018 at the Yale School of Architecture. Hu was appointed as Chair of the Department of Architecture at Tongji University in 2021 and Chair of the Department of Architecture at the University of Pennsylvania Weitzman School of Design, effective spring semester 2024.

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Published on: March 4, 2020
Cite:
metalocus, AGUSTIN GAMARRA
"Blur the limits. Junshan Cultural Center by Neri&Hu " METALOCUS. Accessed
<https://www.metalocus.es/en/news/blur-limits-junshan-cultural-center-nerihu> ISSN 1139-6415
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