This year, the M+ museum presents the first major retrospective of the Chinese-born architect Ieoh Ming Pei (1917-2019), known for works such as the East Building of the National Gallery of Art in Washington, D.C., or the modernization of the Grand Louvre in Paris.

The exhibition "I. M. Pei: Life is Architecture" will open on June 29, 2024, and will feature a rich selection of drawings, sketches, videos, models, photographs, and other archival documentation of his works, many of which can be seen for the first time.
The first major retrospective of Ieoh Ming Pei (1917–2019), "I. M. Pei: Life is Architecture" properly appraises for the first time the work of one of the greatest architects of the twentieth and twenty-first centuries.

Pei’s high-profile projects were realised over seven decades with an exceptionally wide geographic reach, including the National Gallery of Art East Building in Washington, D.C., modernisation of the Grand Louvre in Paris, Bank of China Tower in Hong Kong, and Museum of Islamic Art in Doha.

These iconic landmarks solidified Pei’s position in architectural history and popular culture. His life and work weave together a tapestry of power dynamics, geopolitical complexities, cultural traditions, and the character of cities around the world, and his transcultural vision laid a foundation for the contemporary world.


I. M. Pei: Life is Architecture at M+. A bride's photoshoot captured from Passage Richelieu at the Grand Louvre in Paris, 2021. Photograph by Giovanna Silva. Courtesy of M+.

The exhibition takes an expanded and closer look at Pei’s practice through six themes representing areas of focus and approaches throughout his career: ‘Transcultural Foundations’, ‘Real Estate and Urban Redevelopment’, ‘Art and Civic Form’, ‘Material and Structural Innovation’, ‘Power, Politics, and Patronage’, and ‘Regenerating Cultural and Historical Archetypes’. The themes place Pei’s practice in close dialogue with social, cultural, and biographical trajectories that show architecture and life to be inseparable.

The exhibition features a rich selection of drawings, sketches, videos, models, photographs, and other archival documentation, many of which will be on view for the first time. To lend a contemporary lens to Pei’s work, the exhibition presents newly commissioned photographs of Pei’s buildings by a new generation of photographers: South Ho, Naho Kubota, Lee Kuo-min, Giovanna Silva, Mohamed Somji, Tian Fangfang, and Yoneda Tomoko. Architectural models of Pei’s built and unbuilt projects are also made in collaboration with architecture schools at The University of Hong Kong and The Chinese University of Hong Kong.

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"I. M. Pei: Life is Architecture".

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Architects
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I. M. Pei.
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Opening, 29 June 2024.

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Tuesdays to Thursdays and weekends.- 10:00–18:00.
Fridays.- 10:00–22:00.
Mondays.- Closed.

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West Gallery, M+. West Kowloon Cultural District, 38 Museum Drive, Kowloon, Hong Kong.

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I.M. Pei was born in China on April 26, 1917, in Canton, Guangzhou, China. When he was 17 years old, he traveled to the United States, initially attending the University of Pennsylvania in Philadelphia before transferring to the Massachusetts Institute of Technology, where he earned a bachelor's degree in architecture in 1940.

Pei soon continued his studies at Harvard University's Graduate School of Design, where he had the opportunity to study with German architect and founder of the Bauhaus design movement Walter Gropius. During World War II, Pei took a break from his education to work for the National Defense Research Committee. In 1944, he returned to Harvard and earned his master's degree in architecture two years later. Around this time, Pei also worked as an assistant professor at the university.

In 1948, Pei joined the New York-based architectural firm Webb & Knapp, Inc., as its director of architecture. In 1955 he left to start his firm, I. M. Pei & Associates (now known as Pei Cobb Freed & Partners). One of his first major projects was the Mile High Center in Denver, Colorado. Pei also devised several urban renewal plans for areas of Washington, D.C., Boston, and Philadelphia around this time.

In the years following the death of President John F. Kennedy, Pei met with his widow, Jacqueline Kennedy Onassis, on the designs for his presidential library. The project, built in Dorchester, Massachusetts, met several challenges over the years, including a location change. Completed in 1979, the library is a nine-story modern structure that features glass and concrete. Pei also designed a later addition to the site.

Following the dedication of the Kennedy Library, Pei continued to create wondrous buildings around the world, including the west wing of the Museum of Fine Arts in Boston (1980) and the Fragrant Hill Hotel in China (1983). In 1983, he was awarded the Pritzker Architecture Prize for his contributions to his field. In their official announcement, the committee recognized his ability to "draw together disparate people and disciplines to create a harmonious environment." Pei used his prize money to create a scholarship for Chinese students to study architecture in the United States.

During this time, Pei also began work on revitalizing Paris's Louvre museum. The new, and controversial, entrance he created for the world-famous structure has since become one of the most iconic representations of his work. Pei had visitors descend into the museum through a large glass pyramid, which took them to a new level below the existing courtyard.

Pei continued to design impressive buildings during the 1990s, including the United States Holocaust Memorial Museum in Washington, D.C., and the Rock and Roll Hall of Fame in Cleveland, Ohio.
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