The McCormick Center opened more than ten years ago but still today it provides students at the IIT Chicago with dynamic and up-to-date spaces for daily life at university.

OMA designed the McCormick Tribune Campus Center based on the diagonals that IIT students drew on their way across the university campus. Instead of organizing the different activities in a multistory building, the program was allocated in a single level to concentrate all activities together and create a hub for the campus. The result is a horizontal plate with an inner network of streets, plazas and urban islands that form a dense fabric with a high level of activity and different areas according to the different uses: 24 hours, shopping, entertainment, academic, leisure, etc.

Description of project by OMA

The McCormick Tribune Campus Center seeked to reinvigorate the urbanism inherent – but long since neglected – in Mies van der Rohe's 1940 masterplan for the Illinois Institute of Technology. The large single-storey Campus Center provides a focal point for the previously sundered halves of the campus, and features a noise-absorbing steel tube wrapping the Elevated metro that runs directly over the building and, inside, a dense mosaic of programs including a bookstore, food court, café, auditorium, computer centre, and meeting spaces.

How to energize a campus that has half the population that animated it in the 1940s but now double its original footprint? To us, the conundrum implied a building that is able to re-urbanize the largest possible area using the least amount of built substance.

To create a new point of density for the campus, we located the building at the heart of IIT – a large rectangle between State and Wabash, 32nd and 33rd streets – and directly underneath the "L", the artery that connects the campus to the rest of Chicago. By enclosing the tracks above the Campus Center in a muffling stainless steel cylinder, a formerly deafening no man's land becomes a not only tolerable but a magnetic environment. The encircled track – known among students spontaneously as the Tube – becomes a crucial part of the Campus Center's, and IIT's, image.

Rather than stacking activities in a multi-storey building, we opted to arrange each programmatic element of the Campus Center in a dense single plane that would foster an urban condition. To achieve this, in 1997 OMA carried out a study to map the “desire lines” of student foot traffic across the campus. These intersecting diagonal paths are maintained inside the Campus Center itself, linking the multiplicity of activities via a network of interior streets, plazas, and urban islands that form neighborhoods: 24-hour, commercial, entertainment, academic, recreation, and other urban elements in microcosm.

The unifying element of the Campus Center is the roof: a sloping concrete slab that protects against the noise of the L while encompassing the heterogenous programs below. Where the roof ducks beneath the "L", the underside of the the Tube juts through the concrete as a reminder of what's above. The roof has a long overhang that embraces the adjacent Commons Hall, Mies's original student centre, designed in 1953. The Commons has its original perimeter and interior wooden partitions preserved, and now functions as a food court.

CREDITS.-

Architect.- Rem Koolhaas. OMA.
Project Manager.- Jonilla Dorsten, Dan Wood.
Team.- Sarah Dun, Anne Filson, Jeffrey Johnson, Kristina Manis, Gary Bates, Frans Blok, Gro Bonesmo, Eliot Bu, Becca Dudley, Martin Felsen, Adrianne Fisher, Bruce Fisher, Christina Fuchs, Laura Gilmore, Uwe Herlyn, Matthias Hollwich, Krystyan Keck, Adam Kurdahl, Vanessa de Assis Lamounier, Julien Monfort, Christian Müller, Kate Orff, Matteo Poli, Joshua Prince-Ramus, Fernando Romero, Julien De Smedt, Tuomas Toivonen, Angela van der Zee.
Collaborators.- R+D.- Erik Schotte, Bill Price. Models.- Vincent de Rijk, Bert Karel Deuten, Marc Guinand, Gaspar Libedinsky. Architect of record.- Holabird & Root. Interior architecture.- Han Ying Lee, Michell Dremmer. Structural engineering.- Arup, Huygen Elwako, Holabird & Root. Civil engineering.- Terra Engineering. Construction Manager.- Gilbane Building Company. Systems.- SOM, Fazal Mahmood, Louis Ferrer, Marion Wnuk. Acoustic engineering.- TNO, Kirkegaard + Associates. Telecommunications consultant.- Independent Telecommunications Corp. Landscape design and architecture.- Inside Outside, Peter Lindsay Schaudt, Joe Wahler. Curtains, interior consulting.- Inside Outside. Site Ca Consultant.- Studio Gang Architects. Security consultant.- Sako & Associates.
Client.- Illinois Institute of Technology.
Year.- 1993- 2003.
Location.- 3201 S. State Street, Chicago, US.

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Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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José Juan Barba (1964) architect from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com). He has been an architecture critic and editor-in-chief of METALOCUS magazine since 1999, and he advised different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).

Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2024), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".

He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...

Awards.-

- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International Committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.

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Published on: October 2, 2015
Cite: "IIT McCormick Tribune Campus Center by OMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/iit-mccormick-tribune-campus-center-oma> ISSN 1139-6415
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