“We designed the ICA to be a flexible, forward-looking instrument that will both illuminate and serve as a catalyst for the transformative possibilities of contemporary art,” said architect Steven Holl. “Like many contemporary artists working today, the ICA’s design does not draw distinctions between the visual and performing arts. The fluidity of the design allows for experimentation, and will encourage new ways to display and present art that will capitalize on the ingenuity and creativity apparent throughout the VCU campus.”
Description of project by Steven Holl
The ICA will offer a vital new dimension to a premiere urban research university, and contribute to a national and international cultural dialogue. With nearly 41,000 square feet of flexible space, including an inviting 33-foot high central forum, the ICA will feature a dynamic slate of changing exhibitions, performances, films, and interdisciplinary programs. Its fluid spaces are designed to support the diverse practices characteristic of the art of today, mirroring VCU’s interdisciplinary approach and supporting the varied needs of contemporary art and audiences.
“We need institutions dedicated to creative, civil, and intellectually grounded discourse now more than ever,” said ICA Director Lisa Freiman. “When the ICA opens in April, it will become a platform for open dialogue and sharing perspectives. We can’t wait to welcome Richmond, VCU, and the world into the ICA and begin engaging our visitors through contemporary art and ideas. I am grateful that we’ve completed our capital campaign before opening the Markel Center. Our donor’s embrace of and generous support for the ICA is critical to our success. Through our endowment campaign we can ensure that the ICA will be a viable resource for generations to come.”
The open design of the ICA features dynamic exhibition and programming spaces that can be creatively activated in order to support widely varied forms of contemporary art. The glass walls and windows create continuity between the interior and exterior spaces of the building. On the first floor, a 4,000-square-foot gallery and café, bar, and concept shop radiate from the ICA’s central forum and frame an outdoor garden, which Steven Holl describes as the “Thinking Field,” that will be used for social gatherings and public programs. The first floor also features a state-of-the-art 240-seat auditorium for film screenings, performances, lectures, and other programs. The second floor includes two forking galleries and an adaptable “learning lab” for interactive engagement. It also includes a publicly accessible terrace, featuring one of four green roofs. The third floor features a gallery with soaring, 33-foot-high walls and houses one of the administrative suites and the boardroom. Additional staff offices are located in the building’s lower level, which also includes a lobby for visitors, art storage and preparation facilities, a fabrication workshop, a green room, the catering kitchen, and general storage.
“We designed the ICA to be a flexible, forward-looking instrument that will both illuminate and serve as a catalyst for the transformative possibilities of contemporary art,” said architect Steven Holl. “Like many contemporary artists working today, the ICA’s design does not draw distinctions between the visual and performing arts. The fluidity of the design allows for experimentation, and will encourage new ways to display and present art that will capitalize on the ingenuity and creativity apparent throughout the VCU campus.”
In keeping with VCU’s master sustainability plan, the ICA’s design incorporates state-of-the-art technologies and environmentally conscious design elements, and makes use of numerous natural resources. The pre-weathered, satin-finish zinc exterior of the Markel Center, which houses the ICA, includes interspersed clear- and translucent-glass walls and skylights that infuse the building with natural light and lessen the reliance on nonrenewable energy. These include the use of geothermal wells to provide heating and cooling energy for the building, and four green roofs to absorb stormwater, offset carbon emissions, and maximize insulation. Native plantings include wood oats, little bluestem, Pennsylvania sedge, and goldenrod. Building materials include Virginia bluestone and custom glass cavity walls, designed to exhaust heat in the summer and harness it in the winter. The project is designed to meet LEED Gold Certification standards.
The ICA’s inaugural exhibition, Declaration, will explore contemporary art’s power to respond to pressing social issues through work by over 30 emerging and established artists. The exhibition will fill the ICA and reach into the city with a dynamic mix of projects in a wide array of media—from painting to new media to performance. It will feature many premieres and commissions from artists based in Richmond and around the globe, including Tania Bruguera, Peter Burr and Porpentine Charity Heartscape, Cassils, Sonya Clark, Amos Paul Kennedy, Jr., Autumn Knight, Lily Lamberta and All the Saints Theater Company, Paul Rucker, Marinella Senatore, Stephen Vitiello, and others. Declaration will remain on view through September 9, 2018.
