The Museum of Modern Art has just acquired 23 digital typefaces for its Architecture and Design Collection. Some are of everyday use, like Verdana; others are familiar characters in our world, like Gotham, which was used in President Obama’s election campaign, or OCR-A, which we can find at the bottom of any product’s bar code; and others are still less common, but exquisitely resonant, like Walker or Template Gothic.
The fonts will be on view starting March 2 in MoMA’s Architecture and Design galleries, as part of a collection show entitled Standard Deviations; Prototypes, Archetypes, and Families in Contemporary Design.
Read more below.
The 23 acquired typefaces are:
• American Type Founders OCR-A (1966)
• Wim Crouwel New Alphabet (1967)
• Matthew Carter Bell Centennial (1976-78)
• Matthew Carter ITC Galliard (1978)
• Erik Spiekermann FF Meta (1984-1991)
• Zuzana Licko Oakland (1985)
• Jeffery Keedy Keedy Sans (1991)
• Erik van Blokland and Just van Rossum FF Beowolf (1990)
• Barry Deck Template Gothic (1990)
• P. Scott Makela Dead History (1990)
• Jonathan Hoefler HTF Didot (1991)
• Neville Brody FF Blur (1992)
• Jonathan Barnbrook Mason (1992)
• Matthew Carter Mantinia (1993)
• Tobias Frere-Jones Interstate (1993-95)
• Matthew Carter Big Caslon (1994)
• Albert-Jan Pool FF DIN (1995)
• Matthew Carter Walker (1995)
• Matthew Carter Verdana (1996)
• Jonathan Hoefler and Tobias Frere-Jones Mercury (1996)
• Matthew Carter Miller (1997)
• Jonathan Hoefler & Tobias Frere-Jones Retina (1999)
• Jonathan Hoefler & Tobias Frere-Jones Gotham (2000)
