The Museum of Modern Art announced that MoMA will open its expanded campus on October 21, 2019, with a reimagined presentation of modern and contemporary art. The MoMA will close four months to complete the expansion. The Museum of Modern Art in New York will have to close to the public from June 15 until October 21.
The MoMA expansion, developed by architects Diller Scofidio + Renfro, in collaboration with Gensler, adds more than 3,700 square meter (40,000 square feet) of gallery spaces and enables the Museum to exhibit significantly more art in new and interdisciplinary ways.

The Studio in the heart of the Museum will feature live programming and performances that react to, question, and challenge histories of modern art and the current cultural moment. An innovative second- floor Platform for education will invite visitors to connect with art that explores new ideas about the present, past, and future. Street-level galleries, free and open to all on the expanded ground floor, will better connect the Museum to New York City and bring art closer to people on the streets of midtown Manhattan.
 
“Inspired by Alfred Barr’s original vision to be an experimental museum in New York, the real value of this expansion is not just more space, but space that allows us to rethink the experience of art in the Museum. We have an opportunity to re-energize and expand upon our founding mission—to welcome everyone to experience MoMA as a laboratory for the study and presentation of the art of our time, across all visual arts.”
Glenn D. Lowry, The David Rockefeller Director of The Museum of Modern Art
 
Reinstallation of the Collection

In October 2019, MoMA will reveal a presentation that highlights the creative affinities and frictions produced by displaying painting, sculpture, architecture, design, photography, media, performance, film, and works on paper together. A new curatorial generation will continually renew the experience of the Museum through installations and exhibitions, artist commissions, and programs that encourage debate and discovery.

The fifth-, fourth-, and second-floor galleries will offer a deeper experience of art through all mediums and by artists from more diverse geographies and backgrounds than ever before. A general chronological spine will unite the three floors and serve as a touchstone of continuity for visitors. Individual galleries, some of which will be medium-specific, will delve into presentations of art and ideas that only MoMA’s collection can offer. This curatorial vision foregrounds the complex relationships among works of art and leverages the new architecture to encourage a multitude of possible routes through the Museum.
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Gensler is a global architecture, design, and planning firm with 46 locations and more than 5,000 professionals networked across Asia, Europe, Australia, the Middle East and the Americas. Founded in 1965, the firm serves more than 3,500 active clients in virtually every industry. Gensler designers strive to make the places people live, work and play more inspiring, more resilient, and more impactful.

Arthur Gensler Jr., FAIA, FIIDA, RIBA (1935—2021) founded the firm in 1965 together with his wife Drue and their colleague James Follet. He is widely credited with elevating the practice of interior design to professional standing. He was a Fellow of both the American Institute of Architects and the International Interior Design Association, and a professional member of the Royal Institute of British Architects. Art graduated from Cornell University’s College of Architecture, Art and Planning and was a member of its Advisory Council. A charter member of Interior Design magazine’s Hall of Fame and a recipient of IIDA’s Star Award, he also received Ernst & Young LLP’s Lifetime Achievement Award and the Cornell Entrepreneur of the Year Award. In 2015, he wrote Art’s Principles to offer entrepreneurs the business insights he wishes someone had given him when he was starting out.

Arthur Gensler is recognized as an industry icon and an astute businessman who propelled a small practice into the largest and most admired firm in the industry over the course of his 65-year career.
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Published on: February 6, 2019
Cite: "The Expanded and Reimagined MoMA to open on October 21, 2019" METALOCUS. Accessed
<https://www.metalocus.es/en/news/expanded-and-reimagined-moma-open-october-21-2019> ISSN 1139-6415
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