I’ve had the honor to be nominated as judge in the Quaderns magazine Competition next and I want to see what this year’s competition will bring forward. If you want to be a magazine editor of one of the most important architectural magazines, then don’t miss the "Quaderns magazine Competition". Entry Deadline on January 20th! Below is the rules in pdf file.

What should a college magazine for architects be like?  What should support it?  What should such a publication contain? It’s not any easy question for the competitors for the new Quaderns to answer.

I was trying to remember the first time I personally knew about Quaderns and I realized that I used it as support for one of my research projects in the past. 

- The stages of Mateo and Gausa, although different, made invaluable contributions during the 1980s and 1990s. Seen from outside, they meant the existence of a publication with an editorial content rarely exceeded by the Architecture of COAM accompanied by an almost impeccable production. If you add to this its 2 issues in 4 languages – 2 and 2 (French, Spanish, Catalan and English) the universe that the publication represented was really exceptional.

-  The stage of Ivan Bercedo-Jorge Mestre  was a period of quiet graphic refinement in a period that was perhaps over stimulated.

- The stage of Lluis Ortega / Ramón Faura at the beginning of the first decade of the 21st century has been undervalued as far as its contributions in layout, printing and research.  With content that in many cases was ahead of its time it wasn’t a coincidence that this was the period that they received the Jean Tschumi prize (2005).

- Later on the number of yearly issues was reduced and three languages appeared in the same copy. In its latest period, also brilliant, but nevertheless, due to overly dense content, an excess of erudition and a lack of connection with the younger generation, Quaderns has become blurred and unfocused and this isn’t good in such intensive times.

Quaderns should prepare itself for a stage that can only be described as uncertain. Quaderns was brilliant in the past.  Will it be in the future?

José Juan Barba.

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: January 11, 2011
Cite:
metalocus, JOSÉ JUAN BARBA
"¡New QUADERNS! and some Questions (¿?) without answers (¿?)" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-quaderns-and-some-questions-without-answers> ISSN 1139-6415
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