Large tunnels carve through Tadao Ando's concrete and glass theatre in Shanghai, which has been documented in these new images by New York-based architecture photographer Yueqi Jazzy Li. Hi spent a summer day touring the building, aiming to capture its "playfulness", two years after it first opened to the public.
The Poly Grand Theatre photographed by Yueqi Jazzi Li, is located between two man-made waterways in Jiading district, 12 miles northwest of Shanghai's centre, and is accompanied by a housing and office tower, also designed by Tadao Ando.

The Poly Grand Theatre stems from a 100x100x35m reinforced concrete box which forms the majority of the primary structure surrounded by a transparent curtain wall that forms a double-skin facade system. Not only performing the aesthetic purpose of obscuring the actual structure and veiling the project in a translucent screen, the glass skin also helps reflect direct light off the concrete which performs as a large thermal mass in china’s summer heat. Cutting through the regularity of the cladding system and structure itself, five cylindrical voids penetrate through the entirety of the volume from all angles and sides, seemingly intruding into the structural rationale of the project.

Photographer Yueqi Jazzy Li explains his experience during the shooting of the project.- 

‘Photographing this building proved to be a rather inspiring experience. familiar here is the concrete walls that jut out at an angle, unfamiliar here is also the concrete that sits quietly behind a veil of glass curtain wall. the visual effect of this unusual and somewhat gratuitous double wall helps the building take on different appearances depending on the time of the day and the angle from which one views. Inside, the grand halls are colossal in scale but the wood clad walls that articulate the bored tunnels help counter the grandness with whimsical spatial character. Although the buildings plenty indoor outdoor spaces was largely unused due to the stifling summer heat, those who are adventurous do find it very enjoyable to experience the unpredictably spaces and to be shaded by the massive concrete box. Compared to the massive office tower also by ando next door, which is very much about a masculine statement, the theatre building seems to have a well balanced blend of masculinity and femininity that together give the building a wonderful theatrical spirit atypical of ando’s many other zen evoking works.’

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Design architect
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Tadao Ando Architect & Associates.- Tadao Ando, Kazuya Okano, Yoshinori Hayashi
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Associate Architect
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Architectural Design & Research Institute of Tonji University
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Engineers
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Architectural Design & Research Institute of Tonji University (civil/MEP)
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Consultants
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Beijing Qingshang Architectural Ornamental Engineering (interiors); Zhang Kuisheng Acoustical Design and Research Studio (acoustics)
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General Cordinator
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CA-GROUP

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Construction Manager
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Shanghai Poly Jia Real Estate Development
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Client
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Shanghai Poly Jia Real Estate Development Co.Ltd
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Construction
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China State Construction Engineering Corp. Ltd (Shanghai)
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Size
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602,000 square feet
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Completion Date
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August 2014
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Cost
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Withheld
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Yueqi ‘Jazzy’ Li is a licensed architect and photographer based in NYC. A graduate of the Architectural Association School of Architecture in London and Tulane University in New Orleans, he received the distinguished Dean’s Honor Scholarship and won a number of other awards and competitions while in school. Li has worked at EXH Design, a Swiss-Chinese firm in his native China and Solid Objectives - Idenburg Liu (SO-IL) in New York, where he led the Flockr Pavilion to completion as project lead. Currently Li has been working at Ennead Architects in NYC and Shanghai since 2013.

Li's architectural photography intends to capture space, life, and detail in buildings and urban environments. His documentary style of work is completely informed by his architect eye where he approaches each shoot as a design sketch on paper. Each photograph has a focus, be it clarity of structure, transparency of glass, or ephemerality of a shadow. Together they narrate architectural stories that may be otherwise untold. 

In his design work, he is informed by a contemporary sensibility that emphasizes context and minimalism aesthetics. Part of a new generation of western-trained Chinese architects, he believes that there is an emerging Chinese modernity in architecture that has yet to be fully developed. His architect heros include WrightSaarinen, and Wang Shu, whose explorations in light and in materiality inspired works such as Straw-blurry Fields and NMCM Master Plan.

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Tadao Ando was born in Osaka, Japan, in 1941. Ando briefly worked as a professional boxer in his youth. At 17, he obtained a featherweight boxing license and participated in professional bouts in Japan. At the same time, he worked as a truck driver and carpenter, a trade in which he gained firsthand experience in constructing furniture and wooden structures.

Tadao Ando did not attend formal architecture school for economic and personal reasons. He came from a modest family in Osaka, and financial constraints prevented him from attending university. During this time, he began reading architectural books on his own, by Mies van der Rohe and other modern architects, including treatises by Le Corbusier, particularly the book Vers une architecture, which was decisive for his vocation. His alternative training consisted of reading, attending lectures, and learning from direct observation.

A self-taught architect, he spent time in Kyoto and Nara, where he studied firsthand the great monuments of traditional Japanese architecture. Between 1962 and 1969, he travelled to the United States, Europe, and Africa to learn about Western architecture, its history, and techniques. His studies of traditional and modern Japanese architecture profoundly influenced his work and resulted in a unique blend of these rich traditions.

In 1969, he founded Tadao Ando Architect and Associates in Osaka. He is an honorary member of the architecture academies in six countries; he has been a visiting professor at Yale, Columbia, and Harvard University; and in 1997, he became a professor of architecture at the University of Tokyo.

His notable works include the Water Church (1988) and the Light Church (1989) in Japan; the Naoshima Museum of Contemporary Art (1992); the Modern Art Museum of Fort Worth in Texas (2002); and the UNESCO Conference Center in Paris (1995).

In 1991, he completed Rokko Housing II, the second phase of a residential complex begun in 1983 in Kobe, which was expanded in a third phase in 1998.

Ando has received numerous architectural awards, including the Pritzker Architecture Prize in 1995. Tadao Ando was appointed to the Berlin Academy of Arts in 1995. In 1995, he was made a Chevalier of the Order of Arts and Letters by the French government. He was subsequently promoted to Officer in 1997 and to Commander in 2013.

In 1996, he received the Praemium Imperiale for Architecture from the Japan Art Association, and in 1997, he was awarded the Royal Institute of British Architects (RIBA) Gold Medal, the American Institute of Architects Gold Medal in 2002, and the Kyoto Prize for his outstanding career in the arts and philosophy in 2002.

His works have been exhibited at institutions such as the Centre Pompidou in Paris, MoMA in New York, and the Venice Architecture Biennale, where he has participated in multiple editions since 1985. His buildings can be seen in Japan, Europe, the United States, and India.

In the fall of 2001, as a follow-up to the comprehensive master plan commissioned by Cooper, Robertson & Partners in the 1990s and completed in 2001, Tadao Ando was selected to develop a new architectural master plan for the Sterling and Francine Clark Art Institute, to expand its buildings and enhance its 140-acre campus. The project included the construction of the new Stone Hill Center exhibition building (2008) and the expansion of the Clark Museum, which reopened in 2014.

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Published on: January 26, 2017
Cite:
metalocus, INÉS LALUETA
"Shanghai Poly Grand Theatre. Tadao Ando's concrete and glass captured in new photographs" METALOCUS. Accessed
<https://www.metalocus.es/en/news/shanghai-poly-grand-theatre-tadao-andos-concrete-and-glass-captured-new-photographs> ISSN 1139-6415
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