Just as Madrid Pride festivities got underway yesterday, in New York had some news on Sunday: The artist Anthony Goicolea had been chosen to design the first official monument to lesbian, gay, bisexual and transgender people commissioned by the State of New York.

Designed by a Brooklyn-based mixed-media artist, Anthony Goicolea, the LGBTQ monument -Monument to Gay and Transgender People, consists of nine boulders, some bisected with glass that acts as a prism and can emit a subtle rainbow. Meant to be communicative, usable and complimentary to the landscape, the design was inspired by sites like Stonehenge and Easter Island as well as burial mounds and African stone circles.

“It feels like there are certain shapes and patterns that are encoded in our DNA as humans that transcend any particular culture and speak to how we are unified in the larger scheme,” said Anthony Goicolea “I wanted to create a space that feels familiar, even though it is new.”

On June 26, 2016, after the attack at the Pulse nightclub in Orlando, Fla., that left 49 people dead, Governor Cuomo formed the LGBT Memorial Commission to honor the fight for equal rights and remember victims of hate, intolerance and violence. A request for designs for the new memorial went out in October. The monument will be placed in Hudson River Park at the edge of Greenwich Village, the neighborhood that is home to the Stonewall Inn, where riots in June 1969 were “a tipping point for the Gay Liberation Movement in the United States,” according to the Library of Congress.
 
"This stunning design complements the landscape and communicates a timeless message of inclusion, and this monument will serve as an enduring symbol of the role New Yorkers play in building a fairer, more just world," Governor Cuomo said in a statement on Sunday. "From Stonewall to marriage equality, New York has always been a beacon for justice and we will never waiver in our commitment to the LGBT community and to creating a more just and inclusive society. This new monument will stand up for those values for generations to come."
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Anthony Goicolea. Born in 1971 in Atlanta, Georgia, Anthony Goicolea is a first-generation Cuban American artist now living and working in Brooklyn, New York. His extended family immigrated to the United States in 1961, fleeing Cuba soon after Castro came to power—a fact that underpins many of the artist’s works. Employing a variety of media, Goicolea explores themes ranging from personal history and identity, to cultural tradition and heritage, to alienation and displacement. His diverse oeuvre encompasses digitally manipulated self-portraits, landscapes, and narrative tableaux executed in a variety of media, including black-and-white and color photography, sculpture and video installations, and multi-layered drawings on Mylar. Best known for his powerful, and often unsettling, staged photographic and video works, Goicolea made his artistic debut in the late 1990s with a series of provocative multiple self-portrait images. These early works featured groups of young boys on the threshold of adolescence, acting out childhood fantasies and bizarre rituals of revelry and social taboo in highly staged domestic or institutional settings or dense, fairy-tale forests. Revealing a playful self-consciousness, they often consisted of complex composites of the artist himself, in all manner of poses and guises. Soon thereafter, Goicolea garnered international attention with his ambiguous, yet strangely compelling, landscapes, ranging from dream-like woodland environments to vast, unforgiving urban and industrial wastelands. The artist has created several series of digitally composited, and heretofore uncharted, topographies, often populated by bands of masked and uniformed figures. In recent series, many of the images are devoid of humans, although the landscape reflects an anonymous and increasingly tenuous human presence. In these works, primitive lean-tos and crudely constructed shanties coexist in an uneasy union with the technological vestiges of an industrialized society. Suggesting a world on the brink of obsolescence, these chilling images further cement the pervasive undercurrent of human alienation—from one another as well as the natural environment—that can be traced throughout the artist’s work. In a marked departure, Goicolea trained his unflinching eye on his own personal history in a highly acclaimed body of work exploring his roots and family heritage. These poignant, sometimes cinematic, images and installations are characterized by a fervent search for ancestral and social connections to a mythical homeland, Cuba—at once revealing nostalgia for a past that the artist never actually experienced, as well as a pronounced sense of cultural dislocation and estrangement. Remarkably prolific and inventive, Goicolea continues to intrigue his viewers with meticulously crafted, thought-provoking works. The artist has exhibited widely in group and solo exhibitions throughout the United States, Canada, Europe, and Asia—notably at the Museum of Contemporary Photography, Chicago, Illinois; the Corcoran Gallery of Art, Washington, D.C.; the International Center of Photography, New York; Postmasters Gallery, New York; Haunch of Venison Gallery, London, United Kingdom; Galerie Aurel Scheibler, Berlin, Germany; the Groninger Museum, the Netherlands; and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. Alter Ego: A Decade of Work by Anthony Goicolea is the first major traveling museum exhibition devoted solely to his work. Goicolea’s art is held in many public collections, including those of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art, New York; as well as the Yale University Art Collection, New Haven, Connecticut; the North Carolina Museum of Art, Raleigh; and Telfair Museums, Savannah, Georgia. To date, Goicolea’s work has been the subject of four books. It has been featured in ARTnews, Art in America, Art Forum, the New Yorker, the New York Times, the Los Angeles Times, the Chicago Sun-Times, and the Chicago Tribune, among many others. The artist’s grants and awards include a Cintas Fellowship (2006) and the BMW Photo Paris Award (2005) and the Joan Mitchell Fellowship Foundation. Goicolea holds a B.A. in art history, with a minor in romance languages, and a B.F.A. in drawing and painting—both earned at the University of Georgia, Athens, in 1992 and 1994, respectively. He received an M.F.A. in sculpture and photography, from Pratt Institute of Art, New York, in 1997.
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