YONA FRIEDMAN. La Dissolution de l'Architecture

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Yona Friedman

Yona Friedman was born in Budapest, Hungary in 1923, and pass away Paris, France, February 21, 2020. He studied at the Technical University in Budapest (Budapesti Műszaki és Gazdaságtudományi Egyetem) and in Haifa. His work has spanned areas ranging from architecture, art and animated film to education and writing. He has participated in numerous art biennials including Shanghai, Venice and Documenta 11. His highly visionary ideas have nurtured various generations of architects and urbanists, influencing groups such as Archigram and even Kenzo Tange, who declared as such in 1970 in Osaka.

In 1956 he published L'architecture mobile, his manifesto which conceived of an urban structure on piles, appropriate for spaces where building is not possible or permitted. This also became the foundational document of the GEAM, Groupe d'étude d'architecture mobile. He created urban concepts such as the Spatial City, based on the free organisation of a city by citizens using low-cost mobile and reusable modules. In 1965 he founded, together with Ionel Schein, Walter Jonas and others, the GIAP, Groupe International d'Architecture Prospective.

From the 1960’s he also became interested in animated film making which would lead him to propose a series of do-it-yourself construction manuals with simple pictograms addressing basic questions, which we could summarise under the title L´habitat c’est mon affaire. Comment habiter la terre (Habitat is my business: how to inhabit the earth). These were edited by the United Nations and given broad distribution in India, South America and Africa.

JOSÉ JUAN BARBA

José Juan Barba (1964) graduated from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com), he is architecture critic and editor-in–chief of METALOCUS magazine since 1999, he was advising different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).

Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2019), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".

He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...

Awards.-

- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.

Jennifer Cabrera Fernàndez

Jennifer Cabrera Fernàndez. Nació en Poza Rica de Hidalgo Veracruz, México, 1975. Estudió danza clásica y neoclasica en la "Academia Danza Arte" dirigido por la maestra Norma Chenge. Estudió en la "Unidad de Artes" en la Facultad de Danza Contemporánea de Xalapa, Veracruz. Técnica de Martha Graham. También estudió al mismo tiempo canto, danza y ritmos mesoamericanos y afro con el maestro Enrique D´Flon Khun. Alumna y bailarina de Yocasta Gallardo y Estela Lucio.

Primera bailarina, cantante y percusionista con los grupos "Son de Cuero" "Clave Nueva". Bailarina, performer y percusionista del maestro Leo Coloroado. Bailarina y actriz del grupo teatral musical "Macalacachimba".  Ha trabajado en varias ocasiones como performer para pintores y escultores.

Estudios en: Danzas, ritmos, cantos y plegarias de los ritmos afro-cubanos, en particular de la tradición yoruba pero también congos y paleros de Cuba.
Danzas, cantos y ritmos del noroeste de Africa con el gruppo "Muntú" Chicago. U.S.A. Danzas balinesas en Bali, Indonesia, por mas de un año. Estudia por 4 años danza "Bharata Natyam" con los maestros Paloumi Pandit, Saroja Mani, Raghunat Manet y otros mas. "El arte del movimiento" con Tapa Sudana de la compañía de Peter Brook Danzas del Mahgreb (específico de Marruecos) con Baania Bandit.

Ritmos de Uganda con la maestra Silvya Nannyonga-Tamusuza

Performances Internacionales: En México, Indonesia Bali (por un año) Jakarta, Singapur y Senegal.  Con el grupo de musica Medioeval de Venecia "Asinaria Festa" en el cual fué la cantante principal por mas de 5 años y se exhibió en Alemania y Taiwan, además de presentarse en toda Italia en colaboración con el CERS (Consorcio Europeo de Evocación Historica). Representando Italia en el Sexto Encuentro Mundial de Arte Coporal con Sonia Biacchi.

Ha colaborado con varios grupos como Leo D'angilla en "Marghera Village" y en la muestra del cine de Venecia.

Grupo senegales Diambolo.
Con el grupo Tamtabanda, dirección artística y bailarina.
Participación en películas y cortometrajes históricos. Película "Casanova" Walt Disney como Bailarina.
Delta Ballet en la Regia de Venaria en Turìn, Italia.

Ha colaborado con la Fundación de Venecia -Giovani a Teatro- con el Laboratorio de Musica Creativa. Ha enseñado danza afro y afrocontemporánea por 8 años en el CTR Centro de Búsqueda Teatral, bajo la dirección de Sonia Biacchi.

Actualmente es la docente de danza para actores en la Escuela Giovanni Poli Teatro a l'Avogaria de Venecia.

Están bajo su dirección y creación los siguientes grupos: "Orunla Iya" afrocontemporáneo , "Le Diásporas" danza y canto afro, "La cumbanchera y los tequileros" - sentimiento mexicano, el proyecto "Fighting dance" bailarines vs musicos. Y el nuevo proyecto "Living the City"  Es la presidenta de la Asociación Cultural Musical "Aye Kin", colabora con el nuevo grupo "Mamafoli" y en la transmisión de radio "Radio Vanessa" - "Vanessa Latina" - como locutora cultural-musical. www.radiovanessa.it

Emmanuele Lo Giudice

Emmanuele Lo Giudice (Palermo, Italy, 1975) is an Italian architect and artist, has participated in several important exhibitions and festivals of art and architecture in Italy, Switzerland, Venezuela, Germany, Spain and Colombia: FESTARCH Perugia 2011; Hamburg Art Week 2012; Museum Architecture Leopoldo Rother of the National University of Colombia in Bogota, la Casa Velázquez in Madrid, the University of Architecture of Venice IUAV and ARCHIZOOM in Lausanne.

Since the year 2010, Yona Friedman and Emmanuele Lo Giudice have developed some projects, especially analyzing the tubject of the museum and reaching even more radical solutions over other projects by Friedman, considering the following projects: Venice Street Museum 2012; Perugia Street Museum 2011; Venice, 2010 The Museum of Civilization.

Emmanuele Lo Giudice work is multidisciplinary, where architecture, drawing, photography and readymade become instruments for critical analysis of the architecture and the city. His works have been acquired for the important Archivio Progetti IUAV of Venice and some of his books and articles have been published in ABITARE and SKIRA.

The main idea in these projects is that the Earth is over-built, so what is required is not more buildings but learn to creatively manage the space you have. Architecture and urbanism as frameworks for human life and creativity is well understood. Public Museums, low budget, which does not necessarily have to be buildings, but a visual display and a conceptual transformation of this new way to see the space, a museum focused on the content and management of an area not built.

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