The architects Pedro Bandeira and Pedro Nuno Ramalho have proposed a new reuse of Oporto Bridge. The proposal, fun, witty and unworkable, has been echoed in different media.

For years the city of Porto is a city that has reinvented itself winning some of its lost luster. Is the destination of a journey that must be made no excuses for the lovers of the good architecture and Oporto, and also you can know exceptional people.

A journey that we had to give to those who say it is obsoleted, to notice that writing and speaking must be knowing. In an article, a few days ago, comparing this bridge, which is currently used for passing cars and at the top for the passage of the Porto metro lines (By the way, I recommend a visit to the subway stations city subway stations, designed by excellent architects) with recent buildings such as the Forum of Barcelona or Zaragoza Water Tower, which have no use and have been an obvious failure management.

Choosing bad companions to talk about Porto Bridge, not Eiffel Bridge in Porto, is at least a blunder. Trying to compare a bridge with a two centuries history, that is still active, it's at least an absurdity. If it is also accompanied by a critique of the past management in Spain, the thing seems a bit anachronistic.

I start to be tired of these anachronisms, constant criticism against everything and ourselves. From the outside, in these months I'm in France, and for some time also in other countries like the UK, USA, etc. ... we don't have to envy anything, about how others work, even,  we are reference.

An example: almost 50% of architects working in studios in Geneva are Spanish, thanks to their excellent training. They want architects from Spain, not another.

A little bit of chauvinism for ourselves, for this magnificent Porto Bridge, please we need some of Chauvinism to get out of this hole that some people have gotten us, but not all. Chauvinism for this country now! please.

 

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José Juan Barba (1964) is an architect, graduated from ETSA Madrid (1991), and holds a Doctorate in Architecture from ETSA Madrid, awarded Cum laude for his thesis Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi (2004). He received a special mention in the National Awards for Completion of Studies (1991) and served as an advisor to various NGOs until 1997. He founded his studio in Madrid in 1992 (www.josejuanbarba.com). 

Barba is an architecture critic and has been the director of METALOCUS magazine since 1999. Since 1998, he has directed the International Architecture Magazine METALOCUS (bilingual, Spanish/English), which has been recognized with multiple national and international awards.

He is a Full Professor at the University of Alcalá, leading the project line of the Habilitation Master's Architecture and City, responsible for several courses in Theory and Criticism, heading the Urban Planning area of the Department of Architecture, and participating in the research group Architecture, History, City, and Landscape at UAH. He has been invited to numerous architecture and urbanism forums, including the II Forum of Mexican Cities World Heritage: Urban Development, History, and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage, and the World Urban Development Forum (FMDU) in Culiacán, Sinaloa, Mexico. He has also participated in the International Architecture and Urbanism Conferences from the perspective of women architects, and has lectured at prestigious national and international universities, including the National Building Museum (Washington, DC), Roma TRE, Politecnico di Milano, UPMF Grenoble, ETSA Madrid, ETSA Barcelona, University of Thessaly (Volos), UNAM Mexico, the Faculty of Architecture Montevideo, schools of architecture in Medellín, Ecuador, Alicante, Málaga, Granada, Seville, A Coruña, Universidad Iberoamericana Mexico, IE School, Universidad Europea Madrid, UCJC Madrid, and ESARQ-UIC Barcelona.

Barba has extensive professional experience in architecture, urban planning, landscape design, and territorial recovery. He has received numerous awards, including the First Prize for Gran Vía Posible for Delirious Gran Vía (Madrid), the River Interpretation Center (Zamora), exhibited at the World Architecture Festival (Barcelona 2008), Santa Bárbara Park (Toledo), the Erich Degner Architecture Prize 1995 promoted by the BBVA Foundation, and his Day Care Center for the Elderly project, featured in Volume 3 of the COAM Madrid Architecture Guide (2007). His work has been published in numerous national and international books and magazines.

He was also Maître de Conférences at IUG-UPMF Grenoble (2013–14), in a position obtained through a European competition. His work has been published internationally. He regularly serves on academic juries, including the editorial competition of Quaderns magazine (2011), as a selector for the Mies van der Rohe Awards (2007–2026), as juror for EUROPAN13 Spain (2015–16), TRANSFER in Zurich (2019), and was invited to participate in the Venice Biennale 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has published several books, including The Dark Line. michele&miquel, dA Vision Design (2024), CONGRESO ANYWAY. The City of Cities (2020), #Positions (2016), and Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi (2015). He has contributed to other publications such as Public Space Gran Vía. The Tourism City (2020), Spaces of Exception / Spazi d’Eccezione (2016), La mansana de la discordia (2015), and Contemporary Architecture of Japan: New Territories (2015), as well as chapters in numerous books including Architects: A Professional Challenge (2009), 21st Century Architectures (2007), Ruta de la Plata, New Conquerors of Space (2019), and The Tourism City (2020).

Selected awards include:

- “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005
- “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005
- “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000
- FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007
- World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008
- Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010
- Reform of the Río Segura Surroundings, Award, Murcia, 2010

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Published on: November 19, 2013
Cite:
metalocus, JOSÉ JUAN BARBA
"A little bit of Chauvinism, please!" METALOCUS. Accessed
<https://www.metalocus.es/en/news/a-little-bit-chauvinism-please> ISSN 1139-6415
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