The former fire station in the city of Kortrijk, Belgium, has been renovated by the Belgian architecture practice ATAMA. Built in 1940 and designated a protected monument in 2003, the building known as "Tuighuizen" has evolved into a collective space where public, neighbourhood, and municipal initiatives converge to promote the art of sharing and reuse.

The proposal, awarded special mention at the New European Bauhaus (NEB) 2025, is a harmonious intervention in a building complex, transforming it into a new, accessible, inclusive, and shared-governance space.

The intervention by architecture practice ATAMA proposes a community space where all users can showcase their activities and exhibit their products. A series of workshops, overlooking the central open courtyard, completes the proposal, reflecting the building's public, welcoming, and collective essence.

The existing structure is highlighted by its striking tower, which houses a staircase inside. The tower features a climbing club, and the glass crown serves as a unique meeting space under a sky reimagined by an artist. With this new configuration, the Sharing and Reusing Factory becomes a landmark both in the neighbourhood and beyond.

The new interventions are integrated into the existing context, taking elements from it while simultaneously giving back to the original proposal. The project enhances the architectural heritage, hosting a series of shared activities that contribute to its long-term preservation.

Share and Reuse Factory by ATAMA. Photograph by Stijn Bollaert.

Share and Reuse Factory by ATAMA. Photograph by Stijn Bollaert.

Project description by ATAMA

Share and Reuse Factory
The old firestation in Kortrijk has been redeveloped into a share- and reuse factory, where civic, neighborhood, and city initiatives come together. The Factory aims to promote sharing as an alternative to ownership and foster empowerment, enabling different initiatives to connect and strengthen one another.

The "Tuighuizen" building, also known as the Old Fire Station, was built in 1940 and classified as a protected monument in 2003. This striking structure catches attention because of its tower housing a staircase, flanked by lower wings constructed in a concrete frame and clad in brick.

Share and Reuse Factory by ATAMA. Photograph by Stijn Bollaert.
Share and Reuse Factory by ATAMA. Photograph by Stijn Bollaert.

The design emphasizes the building's welcoming gesture by opening it up at the corner and introducing a public market hall; a space where all participants can showcase their activities and where a social grocer displays its goods. At the heart of the project a series of workshops are organized, each with an own address facing the opened up courtyard. The existing industrial hall has been renovated into a central depot.

The tower will house a climbing club, and the glass-enclosed crown will become a unique meeting space under a sky reimagined by an artist.

The Share and Reuse Factory is set to become a beacon within the neighborhood and beyond, integrating the sharing economy into the city.

Share and Reuse Factory by ATAMA. Photograph by Farah Fervel.
Share and Reuse Factory by ATAMA. Photograph by Farah Fervel.

Sharing over Owning
Sharing architecture. “Borrowing, making your own, and giving back” is the mission of the Share and Reuse Factory, for which the design offers an architectural equivalent. How can new interventions integrate the existing context, draw elements from it, but also give something back?

The robust concrete columns of the existing facade are reinterpreted in the new courtyard facade, aimed at enhancing the public character of this space. The kink in the new facade mirrors the angle in the existing rear facade, together creating a diamond-shaped outdoor area.

The "racing green" of the existing joinery is repeated throughout the new buildings. In various door and window openings and along the eaves, the reflective finish captures the existing structure in ever-changing and surprising compositions.

Share and Reuse Factory by ATAMA. Photograph by Farah Fervel.
Share and Reuse Factory by ATAMA. Photograph by Farah Fervel.

From certain vantage points, the new intervention seemingly disappears to make way for the reflected heritage image. The walls of the ‘garden room cosmos’ appear almost translucent, and from other angles, the reflections create an exact complement to what already exists.

Transforming an introverted, utilitarian site into a publicly accessible space is the essence of the design, supported by architectural elements.

“The scheme presents a convincingly simple, well-calibrated repurposing of an unusual urban building. If stripping back is becoming a new Belgium aesthetic, in a country once known for its decorative layering, this reveals the richness and complexity that can still result.”

Rob Wilson,  Architects Journal, 28.05.2024.

 

More information

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Architects
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ATAMA. Lead Architects.- Bram Aerts, Carolien Pasmans.

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Collaborators
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Consultants.- BDA, SDKE, DeFonseca.

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Client
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Kortrijk City Council.

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Area
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3,304 sqm.

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Dates
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2020-2023.

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Location
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Rijkswachtstraat, Kortrijk, Belgium.

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Budget
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€ 1.838.842 excl. VAT.

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Photography
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Stijn Bollaert, Farah Fervel.
 

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ATAMA, formerly TRANS, was founded in 2011 by Bram Aerts and Carolien Pasmans. In a short time, the studio has built a strong reputation at the forefront of an acclaimed generation of Flemish design studios.

The team works on transformative projects with urgent social, cultural, and ecological challenges. They work on spatial transformations that are both autonomous and mediating in an often complex urban context, where the transformation of the human environment can be supported in multiple ways.

Major award-winning projects include the Royal Institute for Theatre, Film, and Sound in Brussels, the De Felix Cultural Centre in Ghent, the transformation of a skyscraper in Brussels' European District, and a stacked car depot for Ghent.

Previous projects include the Ryhove Urban Factory, the Leietheater, and the Deelfabriek. The studio is working on several large-scale masterplans in Flanders. Together with Carmody Groarke and RE-ST, the practice was selected as the winner of the international design competition for the Design Museum Ghent, currently under construction.

Bram and Carolien are professors and have led studios at the Catholic University of Leuven, the University of Antwerp, and the Rotterdam Academy of Architecture. Both lecture internationally on architecture and urban planning.

ATAMA was shortlisted for the EU Mies van der Rohe Award in 2019, 2021, and 2023, and won the Belgian Construction Awards in 2019 and the BigMat Awards in 2019. In 2019, ATAMA was a finalist for the Jo Crepain Awards for the most innovative studio in Flanders.

ATAMA's work has been published internationally. In 2018, nai | 010 published "City Made," the first monograph on the practice. In 2019, Borgerhoff & Lamberigts published “As a Theatre.”

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Published on: July 7, 2025
Cite:
metalocus, AGUSTINA BERTA
"Borrowing instead of owning. Share and Reuse Factory by ATAMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/borrowing-instead-owning-share-and-reuse-factory-atama> ISSN 1139-6415
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