The Dutch ‘hoeve’ reinterpreting. Villa Vught by Mecanoo
13/11/2019.
[Vught] Netherlands
metalocus, ÁNGEL TORNE
metalocus, ÁNGEL TORNE
Project description by Mecanoo
The Villa in the Dutch countryside near Vught gives a contemporary twist to the local farmstead typology. Traditionally, the Dutch ‘hoeve’ is an ensemble of farmhouses and living quarters loosely clustered around a courtyard. The central open space is protected, yet open to the surrounding landscape. This spatial arrangement guided the design of the Villa. The Villa’s functions are distributed within three distinct volumes, shaped to resemble the vernacular of a small village.
The two lower volumes are shaped like typical gabled barns directly connected to the surrounding gardens. The higher volume captures the view of the wide landscape and forms a striking contrast with the lower buildings. The tallest element, the most prominent building, contains the master bedroom on the ground floor, children’s rooms on the upper floors and a roof terrace at the top. Of the two barns, one is furnished as a living room, kitchen with dining area and a large veranda on the south-west side, with a workspace and playroom on the first floor.
The other barn features a cooking studio where up to twenty people can participate in culinary classes, workshops and team-building activities led by the client. Next to the studio is a garage, storage area and a guest suite on the first floor. Large sliding doors in the centre can be opened to reveal an entrance gate to the courtyard.
The design ambition endeavoured to connect the residential functions while maintaining the detached traditional farmstead typology. To this end, a half-sunken corridor, concealed beneath a grass mound, links the taller landmark volume with the barn’s living room. The barn containing the cooking studio and guesthouse, is completely detached, maintaining sightlines from the courtyard to the surrounding landscape.
The Villa’s construction and detailing also emulate the Dutch ‘hoeve’ or farmstead. The exterior dark bronze anodised aluminium cladding, chosen to seamlessly extend beyond the façade to the roof top, is profiled to resemble the corrugated iron roofs of nearby farm buildings. The window frames, which traditionally have a brighter colour, have a lighter bronze aluminium finish.
Wood is used for both the structure and interior finish, a material that is at once sustainable and visually warm. The three buildings have a cross-laminated timber structure and European silver fir interior surfaces, a type of wood that has an exceptionally smooth and uniform texture. Compared to other solid construction methods, relatively little energy is needed for the production and processing of cross-laminated timber.
Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.
Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.
Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.
In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.
Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.
Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.
Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.
Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).
“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”
Francine Houben, architect/creative director Mecanoo Architecten.