The morning started early. The first guests were called to be punctual, at 7.15 in the morning, and the rest entered in successive batches according to the color of their different accreditation cards: white, purple, green ... The access was quite fluid, not without some incidents occurring for having been convened many more people of the allowed capacity and some (motivated) bus from Barcelona to have realized the trip in vain, something that also happened with illustrious guests of the capital, later on at 10.30am most of stragglers finally could succeed to enter.
Our invitation took us to the "stalls". Behind there were "distinguished" characters uncomfortable for not having received the leading role of the first rows, which some friend wondered who they would be for, a doubt that obviously did clear up fast, showing the wide pool of guests participating in a marathon morning, which despite the 8 hours span including two breaks, except for a few moments, was quite agile.

The presentation was hold by the mayor of Madrid, Manuela Carmena, who was followed by Sir Norman Foster. They made mutual allegations of gratitude, which we have already commented, and which gave rise to the body of the Forum, structured in three sections.


Cities

Starting with a new* intervention, Norman Foster conference advanced part of what would be the line of argument of all sessions. A generalist discourse away from sophisticated erudition, full of data on how growth of cities will make 70% of the population live in large cities in 2050. Norman Foster acknowledged that the magnitude of the city, its exponential growth, is one of the major contemporary problems, induced by congestion, energy consumption, garbage production and pollution, but also remarked that the good news is that the solution is in the cities itself. They are centers of opportunity and freedom, predicting even that in a very close future the domain of the car will be gone, solution lies in a better organization, in the optimization of resources.
 
The city, source of problems and also the key to its solution.

Reflecting part of his working philosophy, Norman Foster also laid out that the future consist in developing common synergies, optimizing cross knowledge in face off continuous dispersion of genius and intelligence. Something that he has been applying in his own office almost since forever.

Then followed an interview with Francine Lacqua, editor-in-chief of Bloomberg, to Michael Bloomberg, philanthropist, entrepreneur and three-time mayor of New York. An interesting conservative perspective on the transformation of the city, affirming that the problems "come from the cities" but also the solutions. Its vision as a developer of buildings is to maintain the exterior image of the same according to the environment (something that was not very clear how it is done) proposing a completely modern interior. The format did not allow time for a broader analysis, but it would have been interesting to see what happens to these interventions when there is commodification, which empty the city of activities and real inhabitants.
 
The first session ended with a discussion table coordinated by Francine Lacqua with Michael Bloomberg, Maya Lin architect and artist, Richard Burdett, professor of urban studies at the London School of Economics, and Norman Foster.

A first position was the recognition by Richard Burdett that the fundamental aspects that identify good cities, health, safety, ... should always go behind democratic participation in the management of cities, something that at different times entered In constant collision with an overly pragmatic Michael Bloomberg.

Foster insisted on how the transport revolution has improved mobility in cities and has made it possible to recover areas of the city for pedestrians. The improvement in mobility has also enabled an improvement in education.

He continued to insist that the solution to our urban problems is that all disciplines, working together, will achieve better results than continuing to increase the expenditure of money on individual intelligences. We have to take advantage of the existing intelligence to be more efficient.

And accordingly they highlighted how education, training of new architects, is not responding to those demands. Education is compartmentalized and needs to be changed in order to respond to current changes, changes that were previously produced in generations and now in only a decade.

For her part, Maya Lin highlighted that "with the excessive density of cities we face a problem of dehumanization. We need to find out how we can connect one person to another. Bringing people together in an intimate way because cities are not just infrastructures.We have to involve people in these changes. "

Foster was asked if it was more difficult to be trained now as an architect than when he was trained, he responded saying that it is different. "It is necessary to reinvent ourselves and respond to political demands." And he commented that design and politics is something that in Spain has always been more common for architects, remembering as an example the process of construction of the Bilbao metro.

A good start and perhaps the most interesting table in the morning.


Technology and Design

The second session, which started after the first break, was dedicated to technology with an exhibition of Matthias Kohler's work, who made a very focused tour of technological advances and new robotic systems, with projects already known as Flight Assembled Architecture/Architectures volantes, although it is always interesting to see them all together, there was some doubt about its application in the middle of the French countryside.

Then came the interview which was expected as the most interesting in the morning and ended up being somewhat disappointing. Gillian Tett, Editor of The Financial Times in the USA, interviewed Jonathan Ive, Apple's Design Manager, presented as "the king of cool", among his main statements, he highlighted the importance of persevering in ideas, the luck of being surprised by them and the need to treat them with the care that deserves something that is at the same time as powerful as  fragile.

However, However, Jonathan Ive did not seem comfortable in the interview, or at least seemed to be more concerned about not revealing anything about his next design. An interview little vivid, to the question that interested him, how to choose a personal object which one would he choose? Jonathan Ive answered a soap dispenser.

The table that followed the interview seemed to be impregnated with the same dynamic. The expected Neri Oxman wanted to present a video about one of his latest projects, Vespers: Series II. Funeral masks, but in the section dedicated to technology, technology failed, video, images, were not loaded, the speech was fragmented.

The co-founder of the MIT Media Lab Design Laboratory, Nicholas Negroponte, insisted that nowadays "very small, atomic things" can be done and that there will come a time where we could do what nature does: "create buildings from a seed".It is the end of construction as we know it."

At the table of technology, everyone became philosophical, skeptical about the importance of technology, about the transcendence or not of it in our lives, about resistance or not about technology, with somewhat diffuse ideas halfway between pilgrims and interesting. They expressed the need for cars to be self-driven in horizontal mobility just as it already is in vertical mobility with lifts.

The decontextualization was great and Patricia Urquiola wanted to take the banner of that line proving to be very far from having interest on technology but more for wielding a speech somewhat resistant and skeptical.She acknowledged that there is not a single future but many, but more to defend a more nineteenth-century position than open, an argument as starry as the model used, patatas and huevos fritos -potatoes and fried eggs.


Infrastructure

The third part was dedicated to the importance of infrastructures. The conference was given by Alejandro Aravena, who obviously is not an infrastructure specialist, and although his examples were somewhat casuistic in an artificially casual and overly argumentative exhibition, who stated "That people moving to the cities is a good and a bad news. It is good because cities concentrate opportunities, ideas and knowledge. And it is bad because the scale of that migration process has to respond to this phenomenon and the inequalities it produces." However, it is worth mentioning the reference to Trump when Aravena, Pritzker 2016 prize, said that there are many infrastructures in which to invest in the world to do it "on stupid walls".

The conference was followed by the interview of Christiane Amanpour, CNN's chief international correspondent, who interviewed Henk Ovink, the special envoy for International Water Affairs of the Netherlands.

Almost to finish the Forum, the table of infrastructures, which was lengthened in excess and seemed never to end, partly because it was almost at the end of the session and partly because of its diffuse content was formed by Jonathan Ledgard, Luis Fernández-Galiano, Mariana Mazzucato, Henk Ovink and Janette Sadik-Khan.

By the way, although almost without time, and asking to Fern·ndez Galiano for his opinion on the great number of infrastructures developed in Spain, Galiano used again the example of the work of "Madrid River", undoubtedly a work that is changing positively Madrid, but at a great cost. What was not so predictable was that he defended it with the euphemistic argument that it has been a "community effort" that has allowed to unite different neighborhoods, an argument that left astonished a big part of the audience that does know the consequences of the project. An argument as unreal as far from the problems of citizens, so distant as a result of the imposition on citizens, generating a large mortgage to the city council of Madrid which has prevented for years not only to respond but to cut aid to basic social demands, such as scholarship aids, dining aids, or public housing. A project that has generated a strong gentrification...

The Forum ended up regaining pace. Olafur Eliasson, whose work explores the relationship between man, nature and technology, claimed the power of art to "change behaviors" and set the example of the huge ice blocks from Greenland, which he planted in the center of Paris during the last climate conference to raise awareness about the gravity of the thaw.

"Sometimes physical knowledge is more direct than intellectual knowledge," said the Danish, famous for its facilities of light.
 
With regard to climate change, Cornelia Parker, whose work has often political implications, took advantage to appeal to Donald Trump not to abandon the commitments made in Paris in 2015 and proposed to "all the children of the world "to send him tweets to
convince him to do something to "save the planet".

As a final culmination, the protagonist of this interesting and enriching event, Norman Foster, spoke gratefully and excitedly when the whole auditorium,full to the brim and standing up, recognized him during a long and warm applause the creation of his Foundation in Madrid and also His 82nd birthday.

More information

Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: June 4, 2017
Cite:
metalocus, JOSÉ JUAN BARBA
"Future is now, and more..." METALOCUS. Accessed
<https://www.metalocus.es/en/news/future-now-and-more> ISSN 1139-6415
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