Today we present the Hedge House of Wiel Arets. It is an art gallery in the garden of the landmark seventeenth century Wijlre Castle, the project incorporates all the existing uses of the working garden, a chicken coop, greenhouses for orchids, and a tool shed into the upper level of the new art gallery, making the art a part of everyday life.

The building is made of cast concrete and aluminum-framed glass, and rises only a single story above the ground in the garden, matching the height of the surrounding hedges. This upper portion of the building contains the chicken coop, two orchid houses, the tool shed and a garden room. The large gallery space is carved into the earth, beneath these ground level functions, and the gallery, which is almost completely hidden from sight, receives its light through the sloped roofed volumes that are lifted above the ground.

At the entry, a large stair leads directly down into the art gallery, while a narrow ramp slowly rises to the garden room, which has a view out into the walled chicken yard, as well as into the chicken coop and orchid house. When leaving the garden room on our way to the art gallery, one passes by the chicken house, which is a triangle in plan, with one glazed wall opening to the chicken yard and another opening to the garden room. Adjacent to the chicken coop, and visible at the top of the gallery stairs, is the first concrete-walled orchid room, the roof of which, as in both orchid houses, is made entirely of glass.

Descending a narrow, concrete-walled stair, ones arrives at the space at the far end of the art gallery, which is a zigzag in plan, with a concrete floor and the walls and ceiling finished in smooth white plaster. This space has a lower ceiling, and is illuminated by the light pouring in through the full-height glazing at the end of the gallery, as well as by the more subtle top-light washing down the narrow space within the double outer wall of the second orchid house and tool shed, above. Turning the corner, one enters the tallest portion of the art gallery, where the ceiling rises all the way up to the sloping roof of the upper level, and one can look back and see into the second orchid house through the glass wall at its inner edge. The ceiling again lowers over the final, L-shaped space of the gallery, which is illuminated by light washing down the double outer wall of the first orchid house, above, and by the light pouring down the entry stairway.

CREDITS:

Main architect: Wiel Arets, Bettina Kraus, Lars Dreessen.
Team collaborators: Consultants: Palte BV, Huygen Installatieadviseurs BV, Xhonneux BV, Cauberg-Huygen Raadgevende Ingenieurs BV.   
Date project: Construction: 2001. Design: 1998-2001.
Project: Gallery, Institutional.
Surface: 560 m2.
Site: Kasteel Wijlreweg 1. 6321 PP Wijlre, Netherlands.

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Wiel Arets was born in 1955. In 1984 he established Wiel Arets Architect & Associates in his hometown of Heerlen, the Netherlands, after graduating from the Technical University of Eindhoven. From 1984-1989 he extensively travelled throughout North America, Russia and Japan. 1986 he co-founded the architectural journal Wiederhall. In 1988 he began teaching at the AA in London, paving the way for a future in worldwide academic and research-based teaching. In 1993 construction commenced on his design for the Academy of Art & Architecture, in Maastricht, the Netherlands, propelling him into the world of internationally recognized architectural prestige.

Wiel Arets' teaching curriculum vitae includes the world's most important and influential architecture schools and universities, including: the Architectural Academies of Amsterdam and Rotterdam from 1986-1989; the AA of London from 1988-1992; from 1991-1994 he was a visiting professor at The Copper Union and Columbia University in New York, USA, the Hochschule für Angewandte Kunst in Vienna and the Royal Danish Academy of Fine Arts in Copenhagen; from 1995-1998 he was Dean of the Berlage Institute, Postgraduate Laboratory of Architecture in Amsterdam, and held the Berlage Institute Professorship at the Technical University Delft until 2009; in 2004 he accepted tenure professorship at the UdK in Berlin; in 2010 he was the Ruth and Norman Moore Visiting Professor at Washington University in St. Louis, Missouri, USA. Since 2003 he has served on the advisory board of Princeton University.

Wiel Arets' projects have been bestowed and honored with some of the highest achievements in architecture and product design: the 2010 "Amsterdam Architecture Prize", the 2010 "Good Design Award" for the Alessi products Salt.it, Pepper.it, Screw.it and Il Bagno dOt, the "BNA Kubus Award" for the entire oeuvre in 2005, the "UIA Nomination" as one of "the world’s one thousandth best buildings of the 20th century" for the Academy of Art & Architecture, Maastricht, the "Rietveld Prize" in 2005 for the University Library Utrecht, the "Mies van der Rohe Pavilion Award for European Architecture" with special mention "Emerging Architect" in 1994 for the Academy of Art & Architecture in Maastricht, the "Rotterdam Maaskant Award" in 1989 for the oeuvre, the "Charlotte Köhler Award" in 1988.




 

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