Loft housing designed for a couples interested in art. It has a transparent skin that is regulated by different glass opacities and curtains. The architect designed a sculptural staircase independent within the home, which creates a interesting visual in the house.

Designed for a couple and sited in a hilly suburban area of Maastricht near the Netherlands-Belgium border, the H House was designed for a couple with a strong interest in the arts. The clients formerly occupied a home directly adjacent to the site before appointing Wiel Arets Architects to design what would become their new home, the H House. Individually an actor and a dancer, and dually landscape architects, the owners are able to keep their landscaping skills honed in the formal garden behind the house, which they occasionally open to the public.

The interior of the home is comparable to that of a loft-like space with a central mezzanine. Adjacent to the main volume of the home, are two independent volumes - the entrance and the bathroom, the latter of which is cantilevered over the ground floor. Terraces define the position and shape of the house, each with its own distinct character. The interior of the house has no structural walls and very few rectangular columns support the structural slabs, each positioned to minimize their impact on the interior space. All other walls, whether internal or external, consist of glass in varying shades of opacity. All lighting and bathroom fixtures are part of the ALESSI Il Bagno dOt series, which is also designed by Wiel Arets Architects.

The stair of the house was conceived as an independent sculptural object within this loft-like setting, producing an air of suspense, while simultaneously providing storage. The range of privacy desired by the owners resulted in a series of curtains that can be drawn to casually define ‘interior rooms’ on both levels of the house. The combination of transparent and opaque glass, as well as the sliding and fixed portions of the façade, create a number of different possible responses to the changing of seasons and patterns of daylight. The house is suffused with richness due to the layering of unadorned space, the transparencies of the material palette and the countless possibilities of spatial compilations.

CREDITS:

Main architect: Wiel Arets Architects.
Team collaborators: Alex Kunnen, Francois Steul, Permasteelisa, Ingenieursbureau Palte, WRI Wetering Raadgevende Ingenieurs, Ingenieursbureau A. Palte bv (Structural engineer), Wetering Raadgevende Ingenieurs bv (Mechanical engineer), ITH bouwtechniek bv (Facade engineer), Wim Knols Bouw bv (General contractor).                                    
Date project: Construction: 2011, Design: 2005-2008.
Surface: 300 m2 (Site area), 130 m2 (Building area), 230 m2 (Total floor area).
Client: Jan van Opstal, Jo Willems.
Budget: 450,000 €.
Site: Veldstraat 12 A, Maastricht, Netherlands.

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Wiel Arets was born in 1955. In 1984 he established Wiel Arets Architect & Associates in his hometown of Heerlen, the Netherlands, after graduating from the Technical University of Eindhoven. From 1984-1989 he extensively travelled throughout North America, Russia and Japan. 1986 he co-founded the architectural journal Wiederhall. In 1988 he began teaching at the AA in London, paving the way for a future in worldwide academic and research-based teaching. In 1993 construction commenced on his design for the Academy of Art & Architecture, in Maastricht, the Netherlands, propelling him into the world of internationally recognized architectural prestige.

Wiel Arets' teaching curriculum vitae includes the world's most important and influential architecture schools and universities, including: the Architectural Academies of Amsterdam and Rotterdam from 1986-1989; the AA of London from 1988-1992; from 1991-1994 he was a visiting professor at The Copper Union and Columbia University in New York, USA, the Hochschule für Angewandte Kunst in Vienna and the Royal Danish Academy of Fine Arts in Copenhagen; from 1995-1998 he was Dean of the Berlage Institute, Postgraduate Laboratory of Architecture in Amsterdam, and held the Berlage Institute Professorship at the Technical University Delft until 2009; in 2004 he accepted tenure professorship at the UdK in Berlin; in 2010 he was the Ruth and Norman Moore Visiting Professor at Washington University in St. Louis, Missouri, USA. Since 2003 he has served on the advisory board of Princeton University.

Wiel Arets' projects have been bestowed and honored with some of the highest achievements in architecture and product design: the 2010 "Amsterdam Architecture Prize", the 2010 "Good Design Award" for the Alessi products Salt.it, Pepper.it, Screw.it and Il Bagno dOt, the "BNA Kubus Award" for the entire oeuvre in 2005, the "UIA Nomination" as one of "the world’s one thousandth best buildings of the 20th century" for the Academy of Art & Architecture, Maastricht, the "Rietveld Prize" in 2005 for the University Library Utrecht, the "Mies van der Rohe Pavilion Award for European Architecture" with special mention "Emerging Architect" in 1994 for the Academy of Art & Architecture in Maastricht, the "Rotterdam Maaskant Award" in 1989 for the oeuvre, the "Charlotte Köhler Award" in 1988.




 

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