A narrow, deep plot, 3.60 m wide, between party walls, in the Sants neighborhood of Barcelona, ​​is the site of Mireia and Toni's (and Joan and Laia's) house, designed by the vora with Toni Riba. A central courtyard and light well channel natural light into the heart of the home. A large garden at the rear presents itself as an open refuge waiting to be colonized.

The interior spaces are organized sequentially, in a chain, and are connected to each other by the staircase, which, placed longitudinally, parallel to the courtyard, connects the different levels at mid-height. Considering the narrowness of the site, the strategic location and layout of the staircase allows access to the different spaces directly from the landings, avoiding the need for hallways.

A garage space and a vestibule/bathroom threshold serve as access to the house designed by vora and Toni Riba. From there, through the kitchen, it is possible to access the staircase that connects the different levels. The larger first landing serves as a workspace connected to the living room. Two bedrooms and a play/work area make up the first floor. Promoting contact with the outdoors, the roof terrace presents itself as a complement to the house through an interior, yet open, space.

The austere materials used are combined with a synthetic and regular structure. Four transverse porticos allow for the full use of the plot. Consequently, the order of the slabs organizes and modulates the distribution of the home's different interior spaces.

Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula

Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.

Project description by vora + Toni Riba

The house is located on a plot between party walls, deep and narrow (3.6m wide). Due to its depth, a central courtyard and a double space open up to bring natural light into the ground floor.

Due to the constraints, the staircase is placed longitudinally, in the centre, paired with the courtyard, connecting levels at mid-height, directly from the landings, avoiding corridors. The ground floor therefore has two different interior heights. On the street side, a regular height, and on the rear side, a height of one and a half levels, opening onto the garden.

The spaces are organised in series, connected by the structural frames. The entrance to the house is through a garage, and then an entrance threshold. This leads to the kitchen, placed in the center, open to the staircase. The fridge, freezer and storage pantries are located under the first landing. At the rear is the high ceiling living room, and the garden behind the building.

Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.
Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.

The first landing of the staircase is enlarged, creating a "balcony" above the living room. It is intended to be an occasional working and reading area, without being isolated from the domestic life of the family.

On the first floor, in a stepped layout, the distribution is symmetrical, made up of two connected rooms on each side, bedrooms on the façade and a play or work space, associated with a small bathroom, as an anteroom. The bathroom is divided in two, one half on each semi-level, to accommodate the width of the staircase (one for the shower and the other for the toilet).The roof terrace serves as an extension of the house, an interior but uncovered space enclosed by high walls. It is divided in two on either side of the courtyard and staircase, continuing the play of half-heights. A platform rises slightly at the back to overlook the rear garden.

The relationship with the outside is open on the ground floor and, on the first floor, framed by two large, deep windows, which take advantage of the thickness of the façade. They are the protagonists of the rooms. These two nest windows are divided into two offset parts. One is narrow and in line with the internal plane, to be opened for ventilation and to access a small balcony in the thickness of the façade. The wider one, with fixed glass alligned with the exterior, serves as a window seat to observe the outside.

Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.
Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.

Materiality is simple. Walls and roofs are made of faced ceramics. Walls are plastered in the lower parts, and all is painted white. The pavements are mainly micro-cement, with some of the rooms being surfaced with two-colored mosaic tiles (whole piece and ¼ cut piece). The façade facing the street and the inner courtyard façades are tiled with glazed tiles. From the courtyard, the tiling continues into the interior of the house, going down to the kitchen through the double space, conducting and reflecting the sunlight.

The structure is both synthetic and regular, with a hybrid materiality. It consists of a two-way frame, formed by 4 porticoes in the transversal direction. Steel columns are at the ends, to open the entire width, and two brick buttresses in the two central porticoes. So the main beams are transversal to the floor plan. The floor slabs are light, formed by 7.00m long steel joists and 4 modules of ceramic boards over them, with concrete compression layer atop. The joists rhythm structures the entire geometry of the house.

Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.
Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba. Photograph by Adrià Goula.

In the central part (courtyard and staircase), 3 main beams joined in H, supported on the brick buttresses, bear the courtyard enclosure wall and all the upper structure complexity (courtyard, double space, staircase). Thus, the party walls, although made of brick, are not load-bearing walls. The thickness of these walls allows the concealing of installations, allowing the spaces to be unobstructed and clear. One of the party walls is a preexisting stone wall, shared with the neighboring property. It is visible on the inside, and is continued in the upper part with ceramic bricks.

The main façades are thick, made with two layers of ceramic bricks, with an air chamber and insulation layer in between. Windows result to be deep. The enclosures in the inner courtyard are made of single ceramic sheet and SATE insulation on the outside.

Installations are hidden in the thickness of floors and walls. Climate control is provided by underfloor heating and supplemented in summer by ceiling fans, avoiding the installation of air conditioning systems.

A garage space and a vestibule/bathroom threshold serve as access to the house designed by vora together with Toni Riba. From there, through the kitchen, it is possible to access the staircase that connects the different levels. The larger first landing serves as a workspace connected to the living room. Two bedrooms and a play/work area make up the first floor. Promoting contact with the outdoors, the roof terrace presents itself as a complement to the house through an interior, yet open, space. The austere materials used are combined with a synthetic and regular structure. Four transverse porticos allow for the full use of the plot. Consequently, the order of the slabs organizes and modulates the distribution of the home's different interior spaces.

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Architects
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Collaborators
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Marina Pina, Aleksandra Mazewska, Nuno Gomes.
Structure - Uma Projectes.
Installations - Quadrifoli.
Site Surveyor - Joan Olona.

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Builder
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Metric Integra.

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Developer
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Privado.

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Area
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165 sqm.

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Dates
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Project: 2018-2019.
Construction: 2021-2023.

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Location
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Jocs Florals Street. Barcelona, ​​Spain.

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Photography
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vora based in Barcelona, was ​​founded in 2000. It is led by Pere Buil (1973), who graduated from the ETSAB in 2000. He combines his professional activity with teaching, occasionally with curating and cultural action. Pere Buil is a professor of Projects at the ETSAV (UPC, Sant Cugat del Vallès). Toni Riba (1973) was a partner from 2004 to 2023.

The studio works on projects of different scales and typologies. It has also designed some urban furniture. Its approach to the design and construction process is abstract and material. The studio is interested in using, reduction, and materiality in response to current challenges. It also focuses on traces and remains as remnants of memory and their impact on collective identities.

Her work has received several awards, including the El Temps de les Arts 2021 Award, Frame 2020, Surface Design 2020, 2AA 2018, Archmarathon 2014, Ciutat de Barcelona 2013, AJAC 2012, Arquitectura+ 2011, Bonaplata, finalist or shortlisted in several editions of the Mies van der Rohe Awards, FAD, ENOR, Bigmat, Spanish Architecture Biennial (BEAU), Architecture Award, European Landscape Biennial, and Arquía/Próxima, among others. She has been exhibited at the Venice Biennale in the Catalan and Spanish pavilions in the 2014 and 2016 editions. In May 2018, she presented her first monographic exhibition, "Shared Identities," at the Kolektiv gallery in Belgrade. His most recognized works include: Vallirana 47 (a comprehensive renovation of a small residential building), the Can Rosés Temporary School, the Ramon y Mar Pavilion (a small residential extension pavilion), the surroundings of the Born Market, the Juan Apartment, and the Can Ricart Sports Center, all in Barcelona; a medical office in Paüls, the Rambla San Francisco in Vilafranca, and the Bank of Spain Operations Courtyard in Madrid.

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Toni Riba graduated in architecture from the ETSAB (Barcelona, ​​1973). He founded his own studio, Toni Riba, in Barcelona (2023). He currently combines his professional activity with collaboration with the MACBA (National Museum of Contemporary Art) in the creation of exhibition spaces and the museum's expansion. Professionally, he collaborates with various architectural firms. He founded and directed vora arquitectura from 2004 to 2022, where he carried out projects and construction alongside Pere Buil.

Toni Riba has developed his work in construction, renovation, landscape, urban design, and the design of ephemeral spaces, in various stairwells and typologies.

Her work has received several awards, including the 2018 2A Award, the 2014 Archmarathon, the 2013 City of Barcelona Award, the 2012 AJAC Award, the 2011 Arquitectura+ Award, and the 2007 Bonaplata Award. She has also been selected for the 2020 Mies van der Rohe Award and several editions of the awards (BEAU), the European Landscape Biennial, and Arquía/Próxima. Her work has been exhibited at the Venice Biennale in the Catalan and Spanish pavilions in 2014 and 2016. In 2018, the close-up monographic exhibition "Shared Identities" opened at the Kolectiv gallery in Belgrade.

He was part of the "Aproximaciones" collective, which published the fanzine on urban intervention proposals from 2012 to 2015. He participated in the exhibition "Materia sensible: Jóvenes arquitectos catalanes," which was shown in Lisbon, La Coruña, Berlin, and Barcelona between 2010 and 2012. He curated Barcelona, ​​2010 (AJAC-Wonderland) and edited its catalogue. He directed the Architecture and Urban Planning section of the alternative digital publication "L'Altraveu" between 2002 and 2004.

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Published on: June 24, 2025
Cite:
metalocus, AGUSTINA BERTA
"In praise of slimness. Mireia and Toni's House (and Joan and Laia) by vora + Toni Riba" METALOCUS. Accessed
<https://www.metalocus.es/en/news/praise-slimness-mireia-and-tonis-house-and-joan-and-laia-vora-toni-riba> ISSN 1139-6415
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