The Pescher House is a house designed and built by the architect Richard Neutra in the city of Wuppertal, located on the Westphalian plain, in the northwest of Germany. The house belongs to a cycle that the Austrian architect developed in Europe in the 60s and that aimed to transfer the model of houses that he successfully developed on the American west coast to the old continent.

The house is mainly characterized by the elegant intersections that occur between the different walls and surfaces, which are intelligently resolved through the use of a wide variety of materials and textures. In addition, the use of extensive glass sheets that allow a permanent visual connection from inside the house with the outside nature that surrounds it also stands out.
In 1923 the Austrian-born architect Richard Neutra emigrated to the United States and after a few years working in architecture studios in New York or Chicago, he decided to move to California, settling permanently in the city of Los Angeles. There he developed practically the entirety of his career, marked to a greater extent by the almost 300 private homes that he built in the hills of the American West Coast, and that brought him to the forefront of modern movement architecture.

Its residential architecture stands out mainly for its sensitivity and elegance when it comes to adapting to the Californian landscape. Another representative aspect of Neutra's work is its ability to combine technology and nature in its homes, through its high glass windows and its ceilings that enter and exit creating constant connections between the interior and exterior of their houses.

At the end of his career and after having designed and built hundreds of homes in the Californian city of Los Angeles, Richard Neutra decided to transfer the aesthetics that he had developed on the American west coast to the European continent, and he did so accompanied by his son Dion Neutra. In this often forgotten stage, between the 1960s and 1970s, they developed a total of eight villas, four in Switzerland, one in France, and another three in Germany, with the sole objective of reproducing the way of life of the American west coast. in Europe. Among those three homes projected in Germany is the Pescher House.

Located in the German city of Wuppertal, where Neutra himself also designed and built the house for Dr. Kemper at the same time, the Pescher House arises from the desire that the owners had to live in one of the Californian villas designed by Richard Neutra that They had studied so much in the various architectural magazines and publications that came to their hands. It was this desire that made Günter Pescher decide in 1965 to initiate a series of correspondence directed at the Austrian-born architect without much hope in his possible answer:
 
"For many years my wife and I have been studying your single-family houses in publications and magazines. The desire to live in a Neutra house grew in us. [...]"
 
Günter Pescher1

Despite Mr. Pescher's little hope, this letter was quickly received and enthusiastically responded to by Neutra, which led to countless correspondence and meetings between the clients and the architect, culminating when the clients' wishes were fulfilled. in 1969 when the works on the Pescher House were completed, thus being able to move into the home designed by Richard Neutra that they had so desired.

Moving on to analyze the compositional aspects of the Pescher House, the exterior of the house is structured through two flat cubes separated by a large masonry wall that is introduced inside the house, separating the living spaces from the private rooms. The flat roof stands out in some areas of the house, especially in the south and west areas, creating those spatial games of light so typical in Richard Neutra's Californian architecture and offering shade where it is needed.

Another aspect to highlight of the Casa Pescher that also brings reminiscences of the Californian work of the architect is how it opens to the outside and nature through its large windows, especially in the south area of ​​the house, since in the northern part of the facade closes, making it more hermetic where the private rooms are located. The relationship between nature and interior spaces is a constant in the work of the Austrian architect, but in this case, Neutra decided to go a step further in his desire to merge the home with nature by implementing a series of columns already seen in projects such as the of the Chuey House that stands out from the structure of the house, defined by it as "spider legs", and that extends towards the adjoining landscape, accentuating that desire for total integration between house and nature.

Once inside the house, again we must refer to that wall covered with natural stone that crosses the long rectangular floor creating two areas on different levels. The south area houses the public spaces of the house such as the living room, the dining room, or the kitchen, which are completely open to the garden and in constant visual relationship with nature through those floor-to-ceiling windows. On the other hand, to the north of that wall, the house adopts a more hermetic position in relation to the outside. Although the floor-to-ceiling windows present in the southern part of the house are no longer visible, the exterior nature continues to be present in all rooms. In the north of the house are the rooms of a more private character such as the family bedrooms.

Finally, it is time to discuss the materials that Richard Neutra used in the Pescher House, which to a greater or lesser extent had been used in his homes in the United States. All the materials are elegantly used on flat surfaces that intelligently intersect throughout the house, giving rise to a great variety of textures that are present in all rooms in a minimalist and refined way. Among these materials, the widely mentioned stone wall stands out, which, although it is present to a lesser extent in some of his Californian works, such as the Kauffman house, here its use is much greater. On the contrary, the combination of other materials such as wood and glass does fully correspond to the appearance of his American buildings, generating the much-desired atmosphere of his works in Los Angeles.

After completing the construction of the house, the clients were very satisfied with the project and developed a close relationship with Richard Neutra himself who acquired the habit of visiting Günter Pescher's family very often, which he did until his death in the same city of Wuppertal on April 16, 1970, in the hours after one of his visits to the Pescher House.

NOTES.-
1.- Günter Pescher. (2015) "Leben in einem Neutra-Haus". AIT-Dialog, Issue 8, September 2015. (http://newsletter-dialog.ait-online.de/newsletter/ait_dialog.asp?zus=8 Access: 15/05/2021)
2.- Editorial, E. (1970) "In memoriam". Informes De La Construcción, vol. 23, n.º 220, May 1970, pp. 3-4.

BIBLIOGRAPHY.-
- Timm, Tobias. (2010). "Hollywood in Wuppertal". Hamburg: DIE ZEIT, 29/04/2010. (https://www.zeit.de/2010/18/Architektur-Richard-Neutra Access: 15/05/2021)
- Editorial, E. (1970) "In memoriam". Informes De La Construcción, vol. 23, n.º 220, May 1970, pp. 3-4.
- Interview to Pescher, Peter / Pescher, Michael. (2015) "Leben in einem Neutra-Haus". AIT-Dialog, Issue 8, September 2015. (http://newsletter-dialog.ait-online.de/newsletter/ait_dialog.asp?zus=8 Access: 15/05/2021)
- Posener, Alan. (2010). "Erinnerungen an den Häuserkampf". Hamburg: WELT, 10/05/2010. (https://www.welt.de/welt_print/kultur/article7558080/Erinnerungen-an-den... Access: 15/05/2021)
- Rainer, Roland. (1970). «Neutra. Zum Tod des großen österreichischen Architekten». Vienna: Die Presse, 20/04/1970, pp. 4.

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Architects
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Richard Neutra.
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Günther Pescher.
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1968-1969.
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Am Freudenberg 75, Wuppertal, Germany.
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Richard Joseph Neutra, (b. Vienna, Austria, April 8, 1892 - April 16, 1970, Wuppertal, Germany). Neutra was born in Leopoldstadt, the 2nd district of Vienna, Austria Hungary, on April 8, 1892 into a wealthy Jewish family. His Jewish-Hungarian father Samuel Neutra (1844–1920) was a proprietor of a metal foundry, and his mother, Elizabeth "Betty" Glaser Neutra (1851–1905) was a member of the IKG Wien.

Richard had two brothers who also emigrated to the United States, and a sister who married in Vienna. Neutra attended the Sophiengymnasium in Vienna until 1910, and he studied under Adolf Loos at the Vienna University of Technology (1910–1918). He was a student of Max Fabiani and Karl Mayreder. In 1912 he undertook a study trip to Italy and Balkans with Ernst Ludwig Freud (son of Sigmund Freud). In the June of 1914, Neutra's studies were interrupted when he was ordered to Trebinje; he served as a lieutenant in the artillery in the balkans until the end of the war. He took a leave in 1917 to return to the Technische Hochschule to take his final examinations.

After World War I Neutra went to Switzerland where he worked with the landscape architect Gustav Ammann. In 1921 he served briefly as city architect in the German town of Luckenwalde, and later in the same year he joined the office of Erich Mendelsohn in Berlin. Neutra contributed to the firm’s competition entry for a new commercial centre for Haifa, Palestine (1922), and to the Zehlendorf housing project in Berlin (1923). He married Dione Niedermann, the daughter of an architect, in 1922. They had three sons, Frank L (1924-2008), Dion (1926-) an architect and his father's partner and Raymond Richard (1939-) a physician and environmental epidemiologist.

Neutra moved to the United States by 1923 and became a naturalized citizen in 1929. Neutra worked briefly for Frank Lloyd Wright before accepting an invitation from his close friend and university companion Rudolf Schindler to work and live communally in Schindler's Kings Road House in California. Neutra’s first work in Los Angeles was in landscape architecture, where he provided the design for the garden of Schindler’s beach house (1922–5), designed for Philip Lovell, Newport Beach, and for a pergola and wading pool for Wright and Schindler’s complex for Aline Barnsdall on Olive Hill (1925), Hollywood. Schindler and Neutra collaborated on an entry for the League of Nations Competition of 1926–7; in the same year they formed a firm with the planner Carol Aronovici (1881–1957) called the Architectural Group for Industry and Commerce (AGIC).

He subsequently developed his own practice and went on to design numerous buildings embodying the International Style, twelve of which are designated as Historic Cultural Monuments (HCM), including the Lovell Health House (HCM #123; 1929) and the Richard and Dion Neutra VDL Research House (HCM #640; 1966). In California, he became celebrated for rigorously geometric but airy structures that symbolized a West Coast variation on the mid-century modern residence. Clients included Edgar J. Kaufmann, Galka Scheyer, and Walter Conrad Arensberg. In the early 1930s, Neutra's Los Angeles practice trained several young architects who went on to independent success, including Gregory Ain, Harwell Hamilton Harris, and Raphael Soriano. In 1932, he tried to move to the Soviet Union, to help design workers' housing that could be easily constructed, as a means of helping with the housing shortage.

In 1932, Neutra was included in the seminal MoMA exhibition on modern architecture, curated by Philip Johnson and Henry-Russell Hitchcock. In 1949 Neutra formed a partnership with Robert E. Alexander that lasted until 1958, which finally gave him the opportunity to design larger commercial and institutional buildings. In 1955, the United States Department of State commissioned Neutra to design a new embassy in Karachi. Neutra's appointment was part of an ambitious program of architectural commissions to renowned architects, which included embassies by Walter Gropius in Athens, Edward Durrell Stone in New Delhi, Marcel Breuer in The Hague, Josep Lluis Sert in Baghdad, and Eero Saarinen in London. In 1965 Neutra formed a partnership with his son Dion Neutra.[5] Between 1960 and 1970, Neutra created eight villas in Europe, four in Switzerland, three in Germany, and one in France. Prominent clients in this period included Gerd Bucerius, publisher of Die Zeit, as well as figures from commerce and science.

Neutra died in Wuppertal, Germany, on April 16, 1970, at the age of 78.
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Published on: October 9, 2021
Cite: "Hollywood in Wuppertal. Pescher House by Richard Neutra" METALOCUS. Accessed
<https://www.metalocus.es/en/news/hollywood-wuppertal-pescher-house-richard-neutra> ISSN 1139-6415
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