The Créateurs Design Awards has named Kazuyo Sejima and Ryue Nishizawa, founders of the Japanese architecture practice SANAA, recipients of the 2025 Le Prix Charlotte Perriand.

"This honour recognizes their unparalleled contributions to modern architecture and design, further solidifying their legacy as visionary leaders in the field", Créateurs Design Awards.

Kazuyo Sejima and Ryue Nishizawa are the laureate of this annual prize, now in its fourth year (Le Prix Charlotte Perriand was kickstarted in 2021 to honour the legacy of French architect), presented previously to Frida Escobedo in 2024, Jeanne Gang in 2023 and David Adjaye in 2021.

Sejima and Nishizawa are authors of an architecture that seeks "immateriality and permeability with the outside world" generating an image of ethereal, and minimalist architecture. Among his most significant works all over the world are; the Zollverein School of Management and Design in Essen, the Rolex Learning Center in Lausanne, the Art Gallery of New South Wales expansion in Sydney, the New Museum of Contemporary Art in New York, the Louvre-Lens Museum in Lens, the Bocconi University Campus in Milan, the renovation of the department store La Samaritaine in Paris, and our article with 12 extraordinary projects designed by Japanese studio SANAA.

Upon receiving the news, Kazuyo Sejima and Ryue Nishizawa expressed their deep gratitude: “It is a great honour to receive an award that bears such a great name. Charlotte Perriand is one of the masters of modern architecture, and we admire her delicate interior and furniture designs.”

Kazuyo Sejima and Ryue Nishizawa, the founding partners of the architecture firm SANAA, have been at the forefront of architectural innovation, celebrated for their minimalist yet profound designs that harmoniously blend form, function, and environment. Their work has consistently pushed the boundaries of contemporary architecture, earning them global recognition and accolades.

Kazuyo Sejima (Ibaraki, Japan, 1956) and Ryue Nishizawa (Kanagawa, Japan, 1966) worked independently from each other before founding the SANAA Ltd. studio in 1995. Having studied architecture at the Japan Women’s University, Sejima went on to work for the renowned architect Toyo Ito. She set up her own studio in 1987 and in 1992 was proclaimed Young Architect of the Year in Japan. Nishizawa studied architecture at the Yokohama National University. In addition to his work with Sejima, he has had his own practice since 1997.

The studio has built several extraordinarily successful commercial and institutional buildings, civic centres, homes and museums both in Japan and elsewhere. These include the O Museum in Nagano (1999) and the N Museum in Wakayama (1997), the Day-Care Center in Yokohama (2000), the Prada Beauty Store in Tokyo and Hong Kong (2001), the Issey Miyake and Christian Dior Building in Tokyo (2003) and the 21st Century Museum of Contemporary Art in Kanazawa (2004). Sejima also designed the famous Small House in Tokyo (2000), the Toledo Museum of Art Glass Pavilion, Toledo, Ohio (2001-2006), the extension to the Institut Valencia d’Art Modern, Valencia, Spain (2002 – ), the Zollverein School, Essen, Germany (2003-2006), the New Museum of Contemporary Art, New York (2003-2007) and the Novartis Campus WSJ-157 Office Building, Basle, Switzerland (2003 – ).

In 2004 Sejima and Nishizawa were awarded the Golden Lion at the 9th Venice Architecture Biennale for their distinguished work on the Metamorph exhibition.

Kazuyo Sejima and Ryue Nishizawa have won the 2010 Pritzker Prize.

The 12th International Architecture Exhibition, was directed by Kazuyo Sejima, the first woman to direct the venice architecture biennale, since its inception in 1980.

   

Ryue Nishizawa and Kazuyo Sejima. Kazuyo Sejima

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Charlotte Perriand (Paris, 24 October 1903 - Paris, 27 October 1999, Paris, France) has been known through her collaborations with Le Corbusier and Fernand Léger. However, at a time when it was rare for a woman to be an architect, designer and artist, Perriand's career spanned three quarters of a century and spanned places as diverse as Brazil, Congo, England, France, Japan, French New Guinea, Switzerland, and Vietnam.

Between 1920 and 1925 she attended the Ecole de l'Union Centrale des Arts Décoratifs, where she studied furniture design. She also attended classes at the Grande Chaumière Academy from 1924 to 1926. Frustrated by the approach based on craftsmanship and the Beaux-Arts style defended by the school, Perriand moved away from anything of a traditional nature.

She became known at the age of 24 with her Bar sous le Toit made of chromed steel and anodized aluminum which was presented at the Salon d'Automne in 1927. Shortly thereafter she began her journey of more than ten years together with Pierre Jeanneret and Le Corbusier. In 1927 she established her first studio of her own.

She collaborated with Le Corbusier on numerous architectural projects, designing the equipment for different dwellings such as the villas La Roche-Jeanneret, Church en Ville-d'Avray, Stein-de Monzie and the Villa Savoye, as well as the interiors of the Swiss Pavilion in the University City and the Shelter City of the Armée du Salut, both in Paris. She also worked with him on the definition of the minimum cellule (1929).

In 1937 Charlotte Perriand left Le Corbusier's studio and turned her attention to more traditional materials and more organic forms. She devoted herself to research in terms of prefabrication of modulated dwellings in which she collaborated with Jean Prouvé. Perriand's collaborations multiply throughout her career, working with architects such as Lucio Costa, Niemeyer, Candilis, Josic & Woods.

Her relationship with Le Corbusier did not end there, as she would collaborate with him again after the war, developing the first prototype of the integrated kitchen for the Marseille Room Unit.

The project where all her previous explorations on prefabrication architecture, standardisation, minimum cell, industrialisation and materials come together was the winter complex of Les Arcs in the French Savoy. Between 1967 and 1982, Perriand designed and built the three ski resorts of Les Arcs, located at an altitude of 1600, 1800 and 2000 metres, where 18,000 people had to be accommodated. The initial idea was to work with the grouping of minimum cells.

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